Finding Your Crew - as a writer there are several aspects to being part of a crew - finding or making one, building it up, and keeping it going thereafter. In that sense, a writery crew is like any intentional community that has a specific focus. But why bother?
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Finding likeminded writers can be crucial for feelings of support & success. Some groups have an intentionally limited shelf life, some run & run. Membership may be static or fluctuate & some work better than others. So, what’s out there? Here’s a quick overview.
1. Local writer group - regular, locations/organisers include bookshops, cafés, pubs, libraries, someone’s kitchen. Advertised via notice boards, word of mouth, local Facebook group etc. Check you fit with group objectives - to write/socialise/beta read £-££
2. Adult education class - regular, time limited, venues include local school/hub/college/uni, hall. Advertised via organisation, local council, e-newsletter, annual brochure. Check course ‘outcomes’ for content & process ££
3. A BA, MA/MFA or PhD in Creative Writing - you’ll have a bunch of peers for the duration of the course, & possibly an alumni of friends amongst your cohort, for life. Expensive, rewarding, there are so many to choose from (focus, duration, costs, reputation) - buyer beware ££££
4. Online write in - regular, drop-in/out, zoom/googlemeet etc advertised via social media or newsletter. Groups are sometimes thematic by genre, identity, or region. Focus on writing output rather than craft input. Check fit & objectives. 0-£
5. Creative writing course - regular, a/synchronous, off/on-line, time limited. Advertised by social media, newsletter, organisation website, word of mouth. May be thematic, writing type, focussed on particular experience or skill level, or identity based £-££-£££
6. Creative writing group - regular, synchronous, off/on-line, open ended, advertises on social media, notice boards, newsletters, by word of mouth. Hosting may rotate through group, may involve writing to prompts, workshopping work, discussion about opportunities & craft 0-£
7. Creative writing organisation - different groups offer a range of workshops, courses, events & meet-ups. Some are focussed on particular genres, identities, formats, goals. Some are Arts Council funded. Some are businesses. Or both. Check the offer, see what sticks £-£££
8. Workshop - one off, maybe themed, on/off line - you pal up afterwards with the other attendees. Maybe you meet again, or hang out on social media, or you find the same people go to all such events. Which is either fantastic or dire, depending £-££
9. Course alumni - you wrote, learned, griped together for x time, you stay in touch, you still write together, or share successes, beta read, cheer each other on etc. Usually closed to new members, meeting via Facebook group, Slack, Mighty Networks or any free space 0
10. Shared identity - groups traditionally underrepresented in writing & publishing often coalesce around tags, events, competitions, awards, schemes, organisations, & high profile writers/organisers/campaigners 0-£££ depending on what you get involved in
11. Literary organisation awardees - work, luck, & serendipity constellated you at the start but over a year, or two, or more, you root for each other, beta read, sing about each other’s successes, and kvetch in private Facebook groups, GCs, Slack groups & more 0
12. Reading - on/offline, one off or part of a series, hosted by a journal/competition, a bookshop, or a dedicated regular group. A committed audience for repeating events will get to know each other. Take the plunge & read & you’ll engage faster 0-£ depends on venue/drinks
13. Discord, slack, WhatsApp, Mighty Networks - each work as closed groups, but are none the less effective. Someone sets up the group, invites the others in, ready, steady, go. That’s it. Simple. Most effective if people aren’t wedded to other social media & will hang out! 0
14. Facebook group - someone sets up a private group and invites people to join them. That’s it. Simple. The group might have a theme, some loose rules about how people behave, and encourage certain kinds of participation. The only cost is time. And buying other folk’s books 0-££
15. Reddit - you need an account, a willingness to engage, a willingness to jump around and be flexible with your searches, but over time you’ll ‘meet’ the same people again & again. Tends towards edgier conversation, but the format allows for longer posts 0
16. Insta - the pretty, image based social media, uses tags like there’s infinite ink/time. Algorithm led, but works differently to other SM. Build your participation as for other platforms, go hunting for fellow writers & discover just how artsy they are, alongside the words! 0
17a. Twitter - some groups coalesce around particular # including #WritingCommunity#AmWriting#WritersLift#vss365 (Unlike Insta, the algorithm favours 1 or 2 # per tweet.) Groups also ‘gather’ round particular mags, organisations, & comps 0-£ depending on subs fees
17b. Twitter GC - a bunch of you hang out together - helpful to agree basic ‘rules’ - vaulted conversations, the whole group agrees to admit new people etc - might be organised around genre, type, region, or shock horror, just because you like each other 0
18. Mastodon - different from twitter & yet, hauntingly, the same, groups coalesce around certain things. The server you join through doesn’t matter, you can connect across, just look for your pals. Put your mastodon address in twitter bio, so folk can find you b4 twit implodes 0
19. Readers/editorial board - you work together on a journal or magazine, you hang out together by email, in a GC, or a shared google drive. The priority might be the publication but you root for each other, share the ups & downs & learn plenty along the way £time
20. Festivals - you finally meet all the people you’ve hung out with on SM, or met on that online course. You write, drink tea, sing, lament the closure of xyz mag, or how slow abc agent is to reply. It’s a time-limited community in its own right & will have devoted alumni 0-£££
21. There’s a bunch of stuff about *how* communities work & the things that help them along, but pre-existing events etc. will often have ground-rules already in place to help the group thrive. New group? Try & agree your fight club ‘rules’ & be upfront with newbies about them.
22. Building your crew, sustaining it, and dealing with conflict are a whole other thread - if you’re serious about keeping a peer group alive there *are* things you can do to help with all three. Got a hot tip right now? Drop it below...
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I want to tell you about my friend Colette. I stayed in her building in Paris a few times - she was the concierge - & the flat belonged to a friend of a friend.
When I first met Colette her husband had just died. But she had a plan, or a spell, or something to bring him back.
Henri had died in a terrible accident, the kind where they advise you not to look at the body, but she’d been brave, had gone to the pathologist, and identified her husband from the family ring firmly wedged on his little finger.
We’d sit in her tiny flat on the ground floor of the rather nice building, built on one of those wide avenues, lined with trees. I’d tell her stories about places I’d been, people I’d met, things I’d seen, and she’d tell me all about her life with Henri.
Hoping to make a living from writing? Sadly, most books don’t find an agent & sell in a 6 way auction. It means diversifying your portfolio. The writing gig economy can be as tiring as ‘gig’ sounds. Still interested? Here’s a looong intemperate 🧵of possibilities
🌟Quick caveat 1 - don’t give up your day job the first time you sell your work or get paid for something writing related 😅. The exception to this is if the job *is* actually writing based. Then, congratulations, you’re already earning from writing.
🌟Quick caveat 2 - earning from writing, it’s likely the experience is nothing like the public image of someone scribbling away in a garret of their own. (Not that Jo Public is thinking about it at all.) It’ll involve bright copy, tight deadlines & a fast internet connection.
Tube on strike, I dawdled to Paddington on Friday. Passing the old wrought iron sign for Pizza Express, I was reminded of an event 30+ years ago, when I got caught up in a drama that resulted in a divorce, two marriages and many changed lives.
It began with a heart attack 🧵
Like Friday, I was ambling along the Marylebone Rd.
Coming towards me are two guys, one a bit older than the other, nicely dressed, laughing, backs of their hands brushing occasionally, as they walked side by side. It’s 1pm & I assume they’ve just had lunch or are on their way.
The older man stops in the middle of the pavement & clutches his upper arm. And drops to the ground. The other guy shrieks, I might do too. I’ve just done a first aid course. I throw my jacket on the ground, kneel down, fish out the mouth guard thing we’d been given & start cpr.
This year I’ve read or judged six competitions and read hundreds of pieces. I said I’d do a thread of things to pay attention to before submitting. So. Yeah. Here’s an awfully opinionated 🧵 written hot, posted cool.
1. Theme - if the contest has a theme, for the love of every tired reader/judge please, PLEASE reference it in some way. Obliquely is fine. But your beautiful story that has nothing to do with the theme AT ALL will not make the cut. Save your entry fee!
2. SPAG - one or two slips won’t bug most readers/judges, but frequent slips in spelling, punctuation or grammar will. With one proviso, do whatever the heck you like with SPAG as long as whatever you do is clearly and intentionally a feature of the piece.
My grandad was only ever elderly as far as I knew him. A bit grumpy. Kind to me, his smallest grandchild. He was a man who felt like he’d never really done anything. Like most of my grandparents he was born in the 19th century. I have to stop for a moment when I write that.
1/
The 19th century. Right at the end, in 1898. In 1918 he was sent home from the front of WW1 with Spanish flu. He survived Ypres when most of his regiment didn’t because he was ill. His sister and my great grandmother weren’t so lucky. But this ain’t a CV story or even a story
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about a pandemic. This is something else. He worked, most of his life, as a clerk in an office. He started out low ranking and ended up there too. The absolute epitome of a white collar worker.
As a child there were three things I knew him to love, birdwatching, Toc H, and
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The last few days I’ve been woken by murmuring voices. At first I thought it was because we’d opened the windows just a crack and there were sounds coming in off the street. The conversations were always brief, sometimes just a few words, before they were cut off. Interrupted.
Yesterday I was woken a little earlier. There was a brief flash of laughter. Glittering. It stopped though, as suddenly as it began. I waited. But it was quiet. When I got up I looked out of the window nearest the road. It was empty. Not surprising in this time of quarantine.
This morning I was awake before anyone could hasten me from sleep, and I lay in bed, waiting. It was a burst of music. Something military. With brass. Bright. And then silent again. I got up. And though I felt hesitant on the stairs I followed them down. Without the distant