Okay, let's do this one today.Follow #TenWaysToWriteRoundedCharacters to collect them all!
1. Broadly speaking, there are two types of character in fiction: flat and round. Flat characters exist to serve the plot, and we generally don't need to know much about them. Round characters are more developed, and tend to be your main players. #TenWaysToWriteRoundedCharacters
2. A very easy way to tell the difference is this: Flat characters don't change. Round ones are changed by their participation in your story, and by their interactions with others. The more they change on their journey, the more developed they are.#TenWaysToWriteRoundedCharacters
3. Some things I like to bear in mind when writing rounded characters: Their parents. Their background. Their education. Their culture. You'll need to know something about where your character has come from if you're to follow where they're going. #TenWaysToWriteRoundedCharacters
4. Ask yourself: What do they care about? Everyone cares about something. Do they have loved ones, pets, ideals, treasured possessions? What and whom do they care for, and how does this affect their behaviour? #TenWaysToWriteRoundedCharacters
5. With whom are they in conflict, and why? Are they involved in a dispute with their boss? Their neighbours? The establishment? Themselves? How does this affect their journey through your story? #TenWaysToWriteRoundedCharacters
6. How do they experience the world? Do they have a disability? A neurological difference? A tendency to notice some things more than others? In what way is their physicality a part of who they are? #TenWaysToWriteRoundedCharacters
7. Try asking yourself this: Why do you care about them? What makes you want them with you during this journey together? Will your readers feel this too? #TenWaysToWriteRoundedCharacters
8. No rounded character is ever without faults. What are your character's faults? Are they aware of them? Are they trying to overcome them? Is this something that will change during the course of their journey? #TenWaysToWriteRoundedCharacters
9. How do they relate to others? How do others perceive them? How are other characters changed or affected by interacting with them? How do they connect with other people (if they do)? What does this tell you about them? #TenWaysToWriteRoundedCharacters
10. You don't need to tell the reader everything. You especially don't need to tell them everything at once. Remember, getting to know someone happens in stages. And sometimes, what you learn about someone can change your mind about them. #TenWaysToWriteRoundedCharacters

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More from @Joannechocolat

Nov 16
I like this one. Let's try it, with a little expansion. Follow #TenWaysToExpressFeelings to collect them all!
1. Depicting a character's feelings in fiction - be it grief, or anger, or happiness - can be a minefield of clichés. I mean, how often can you say: "She smiled", or "His eyes filled with tears"? #TenWaysToExpressFeelings
2. And although "show, don't tell" isn't always good advice, sometimes you do need to have one character assess another's feelings via what they observe. So, what do you do to make that observation feel authentic and fresh? #TenWaysToExpressFeelings
Read 11 tweets
Nov 13
Cup of tea; time to kill. You know what that means; #Storytime.
There is a story the bees used to tell, which makes it hard to disbelieve. #Storytime
A woman was going to market. As always, she took her own carriage, adorned with her ancient family crest, and lined with scarlet cushions and curtains of matching velvet. #Storytime
Read 16 tweets
Oct 16
Sunday lunchtime; cup of tea. You know what that means, Twitter. #Storytime.
New followers, to explain; #storytime. In which I write a story from scratch, live and unprepared, on Twitter. And it always starts like this: "There is a story the bees used to tell, which makes it hard to disbelieve..."
An opera singer of great renown fell sick and died at the height of her fame. #Storytime
Read 44 tweets
Oct 13
Reminder to anyone who needs it today: the 50s weren't a golden age, and the people who tell you it was aren't remotely on your side.
The advertising of a time is a direct line into its dreams and desires. Here we see white men in charge; white women subservient, and POC and LGBT people, not at all. Some men never gave up this dream. This is the world they want for us.
My childhood was the Seventies. This was what advertising was then. Now the sexism is in colour, but it hasn't really changed much...
Read 6 tweets
Aug 19
Let's do something about TENSES. It may be almost as polarising as my hardline jam-before-cream stance, but it might be fun. Follow #TenThingsAboutNarrativeTenses to collect them all!
1. First off, remember that there are no inflexible rules. There's what you like, and what works for you, and what keeps the reader fully engaged. If what you do achieves what you need, then you're doing fine, and you need not worry. #TenThingsAboutNarrativeTenses
2. Commonly, past tenses are used in narrative. There are three: the perfect (I did something), the imperfect, most used in description (I was doing something) and the pluperfect, which delves further into the past (I had done something, when -). #TenThingsAboutNarrativeTenses
Read 12 tweets
Aug 17
I'm not going to waste my time responding to all the unfounded accusations I'm getting today. Just this one, which I believe to be the most important (and potentially actionable.) So listen up, and if you're good, I might send you a picture of my son's excellent cat.
Basically, I have been accused of abusing my position as Chair of the @Soc_of_Authors to discriminate between gender critical people and trans allies. That is a very serious and damaging allegation. And it's not only false, but it's based on a complete ignorance of my role.
I'm Chair of a committee of twelve. We work alongside the SOA staff to determine policy. Any change in policy has to be agreed by the committee. So if somehow I wanted to create a policy of discriminating against GCs, I would have to put it to them, and they would have to agree.
Read 11 tweets

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