#TamilNadu ear ornaments are generally of 22-karat gold. Goldsmiths there have developed an elaborate ear-ornament tradition, which often necessitates piercing the ear at several locations and distending the hole mode in the earlobe
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to accom modate them. The attention to detail evident in these ornaments, some of which are very small, illustrates the local goldsmith's outstanding skill
These drawings have been culled from thirty of the many volumes of Village Survey Monographs,published in connection
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with the Census of India, 1961, Madras (Tamil Nadu),60, part 45, 1963, in which, among other subjects, the traditional jewelry worn by women and men in each of the villages studied is discussed and illustrated. Ear ornaments have been arranged in horizontal rows by concepts.
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from simple to complex. In the caption, the village of origin appears first, followed (from left to right) by their Tamil vernacular names Unless designated otherwise, they are all worn by Hindu women.
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Row 1 1. Pappanaickenpatti: kammal 2. Thadagam olai thodu, or katholai (with attached ring called kundolai) 3. Kadambangudi kadukkan 4. Aladipatti: kaddukkan 5. Thiruvellari: kaddukkan
Amrita-Samudra Manthana-THREAD
Dhanvantari, the heavenly physician, emerged with a pot containing the amṛta, the heavenly nectar of immortality. Fierce fighting ensued between the devas and the asuras for its possession. Asuras took Amrit from Dhanvantari and ran away... 1/7
chased by Devas.
The devas appealed to Vishnu, who took the form of Mohini, a beautiful and enchanting damsel. She enchanted the asuras into submitting to her terms. She made the devas and the asuras to sit in two separate rows, distributing it among the devas, who drank it.
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An asura named Svarbhanu disguised himself as a deva and drank some nectar. Due to their luminous nature, the deities of the sun and the moon, Surya and Chandra, noticed this disguise. They informed Mohini who, cut off his head with her discus, the Sudarshana Chakra.
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This lithograph 'Birth of Shakuntala' was the first print to be produced in the Ravi Varma Fine Art Lithographic Press on 12th July 1894. The painting alongside that belongs to a collector now, is of the exemplar used to create this lithograph. 1/4
Do note the print line below the lithograph - it states 'Competition Edition'.
Though it is not from the 'first' lot created in the press, this print is definitely more than 100 years old.
Do keep in mind that there is never an 'original' lithograph. It is a print, and they
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were produced in lots of 100 or more from each exemplar created.
The second and third lithographs created in the Ravi Varma Fine Art Lithographic Press were those of Goddess Lakshmi and Saraswati.
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THREAD on Rukmini Varma's Painting
In a time when India was still a land of splendid Maharajahs and fabulous courts, Rukmini Varma was born in 1940 into one of its most ancient royal houses, with an unbroken dynastic lineage of over 1200 years.
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🎨The Rape of Rambha,1980s
Titled Her Highness Bharani Tirunal Rukmini Bayi Tampuran, Fourth Princess of Travancore, Her great great grandfather, Raja Ravi Varma, is considered the Father of Modern Art in India.
🎨 Woman with fan
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Her grandmother, the last Maharani of Travancore, was a patron of many artists, while her father trained under court painters in the 1940s. Rukmini never studied art formally but developed her own style of realist painting through the 1960s
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🎨Nala Damayanthi Early 1980s
A Man guards his family from the cannibals during the Madras famine of 1877 at the time of British Raj, India
1876-1879 famine in India
-Digby estimated 10.3 million people starved to death most of which were in South India (some refer to the tragedy as the Madras famine). 1/n
Maharatna estimated 8.2 million died from hunger and diseases that followed.
British colonial rule argued that famine relief would be an inappropriate response and encourage laziness. Some officials argued the Thomas R Malthus theory that famines are a nature's way for 2/n
population control and argued British government should not intervene. British government continued its policy of "forced export" of food from India in 1876-1879, while the famine swept among its people. The poverty, misery and diseases wiped out villages and families. 3/n
The Bhakti poetess Mira Bai at court surrounded by Ascetic devotees.
Provincial Mughal school, possibly Punjab Hills or Rajasthan,North-Western India, late 18th - early 19th century
-The horizontal composition depicting the Hindu mystic poetess and Lord Krishna's fervent 1/n
devotee Mirabai in the centre, surrounded by a large gathering of naked ascetics, with matted hair and long beards, next to them and to Mirabai a haloed, bejewelled ruler, possibly her
her husband Bhoj Raj crown prince of Mewar in 1516, to the left of Mirabai a vina and in front of her encrusted trays with offerings and spices, one of the ascetics in the foreground performing a full-body frontal bow to pay respect to the poetess, the scene set within ochre 3/n
India bleeds of creativity! From dance.music,movies,to Art ,our country is rich in cultural heritage and home to numerous forms of art. On #WorldArtDay presenting 64 art forms of India
The mastery of as many of the 64 traditional arts. believed that Krishna possesses these #arts
1. Geet vidya: art of singing. 2. Vadya vidya: art of playing on musical instruments. 3. Nritya vidya: art of dancing. 4. Natya vidya: art of theatricals. 5. Alekhya vidya: art of painting. 6. Viseshakacchedya vidya: art of painting the face and body with color
7. Tandulakusumabalivikara: art of preparing offerings from rice and flowers. 8. Pushpastarana: art of making a covering of flowers for a bed. 9. Dasanavasanangaraga: art of applying preparations for cleansing the teeth, cloths and painting the body.