This year delivered no shortage of records that we loved, that impressed us, that touched us, and that we'll continue to keep in our rotations long after 2022 comes to a close. ⭐⭐⭐⭐⭐
The Prince of Darkness pushed past adversity and released one of his most successful solo albums to date — all without losing his trademark sense of humor.
Much like Outkast, A Tribe Called Quest, and De La Soul, the duo talks real-world issues without sounding preachy or sitting on their moral high horses.
There’s nothing more boring than debating whether rock ‘n’ roll is dead or alive; Household Name puts that tired discourse to rest. Rock is alive and well, and thank god it sounds a lot like Momma.
The band’s seventh studio album is deeply personal, affected by the passing of co-founder Roland Orzabal’s wife, and that deep well of feeling gives additional weight to the LP's sweeping impact.
Moving away from the more post-punk-influenced tendencies of their debut, the record builds upon the group’s focus on dynamic songwriting and emotionally distraught performances.
One more revolution around the sun makes the Afrobeat star more introspective than usual, but the album never forgets to celebrate his achievements, just like any good birthday party.
MAXIDENT might see the eight members traversing new territory with a focus on the joys and fears of romance, but it’s still quintessentially Stray Kid: energetic, bold, and an absurd amount of fun.
Spoon's 10th album has the feel of a band early in their career, in love with what they’ve discovered about their sound, but is still delivered with a confidence that only comes with years of experience.
PREPLEASURE represents an exercise in dynamics, ranging from the stark intimacy of the acoustic ballad “Less of a Stranger” to the steady rocker “Lydia Wears a Cross.”
A meeting of hip-hop’s finest minds yields chemistry that should take years to develop in roughly 30 minutes, balancing societal solicitudes with eclectic, sample-fueled production.
Grounded in a hefty rhythm sections, raging shoegazey guitars, and, of course, Molly Rankin’s pristine vocals, the Canadian band use big sounds to convey the impact of small, irritating occurrences.
It blends hallmarks of Swift’s previous eras — Reputation’s attitude, 1989’s unimpeachable hooks, Lover’s heart-on-its-sleeve vulnerability — while firmly moving forward and jumpstarting a new chapter.
The album speaks to the purity of CRJ’s approach, something she’s long used to create some of the most undeniable pop music of her generation — The Loneliest Time is just the latest example.
25. Kendrick Lamar – Mr. Morale & the Big Steppers
On his fifth and final TDE album, Kendrick closes the book on one era of his celebrated career with a statement double-LP that leaves conclusions about his future up to interpretation.
There’s no one quite like Florence Welch — anyone lucky enough to watch her flit and fly about the stage can confirm as much — and her mystical power was well-communicated in this record.
By sharing the struggle to keep his soul intact, he inadvertently gives the next generation — as Houston legend Scarface puts it in the album’s closing verse — "that shit that they can live by."
The first listen is like walking into a cornfield while on psychedelics: What at first seems random and overwhelming soon melts into a perfectly constructed path.
Few Good Things finds Saba in and out of social circles he only dreamt of years ago, but realizing everything that glitters isn’t all it seems to be. Or, as he puts it, “the bagger that comes with the bag.”
Every psyche-shattering sound that comes out of this band is juiced with an almost perverse joy. This album is just the latest in the punks’ string of haywire, high-spirited successes.
The titular “God” on the record might be the Son incarnate or your pet dog who catches you in your most vulnerable day-to-day moments. Either way, it can’t hurt to see yourself through a different lens.
Not only does JID express more vulnerability than ever before, but he also opens up about familial relationships without sacrificing any of the pure rapping mastery that got him here.
As its name implies, this LP seems to trace back all the complex influences — sonically and politically — that make Strange one of the best in his class.
Hurtling downhill at a breakneck pace while playing an often chaotic mix of punk rock, post-hardcore, ska, hip-hop, and metal, Soul Glo swing for the fences.
There’s something comforting about an established band returning with something fresh and present, proof that as the world “goes spinnin’ out of control,” we’re capable of growth and hope.
It’s Almost Dry paints @PUSHA_T as an emcee truly at his most confident, motivated by the two producers who know him best while their personal competition for best beatmaker plays out over 12 songs.
On her 10th studio album, I Inside the Old Year Dying, PJ Harvey strives for newness without veering off too far from the familiar. Revisiting her 2022 epic poem Orlam made room for a personal and transformative record, a testament to her genius. All 12 tracks are written in the same rural Dorset vernacular and follow the protagonist’s coming-of-age story, alluding to Harvey’s desire for reinvention. While her captivating poetry remains at the forefront, the backdrop of eerie field recordings and minimalist instrumentation allow for a more tranquil effort; tracks such as “Prayer at the Gate” and “Lownesome Tonight” have gentle tones, while “All Souls” and “A Noiseless Noise” are rather chilling. Yet it still stands strong amongst her previous concept-centric entries, making PJ Harvey’s first proper release in seven years well worth the wait.
See our full list of the year's best albums:
49. Deeper — Careful!
Deeper’s third album and their first for Sub Pop is knotty, frenzied, and utterly crisp. The Chicago post-punk quartet write itch-scratching guitar riffs with an almost scientific precision, but their evolving structures and impressive full-band dynamics act as an element of surprise. Vocalist Nic Gohl conjures singular, evocative images, alternating between tension and release sometimes within the same couplet. As an album titled Careful! suggests, there’s a wariness that characterizes many of these songs — still, they find ways to burst with clarity, control, and catharsis. The climax of lead single “Build a Bridge” seems to say it best: “It’s the right kind of rhythm.”
Our top 30 albums of 2023 (so far): https://t.co/9GrGedLnf0cos.lv/XV8p50OLWiY
@carolineplz @foofighters @Metallica @JasonIsbell @McKinleyDixon @jpegmafia @JanelleMonae @arloparks @waterfromyreyes @xboygeniusx This year has once again produced more great music than an average person has time to listen to: https://t.co/DGiFEmolxvcos.lv/B6hb50OLYZ2
30.@KillerMike’s MICHAEL is worth the wait: a soul-baring collection of deeply personal songwriting that nevertheless contains the kind of bars-on-bars rapping that RTJ fans have come to love: https://t.co/KRbK9tMkyQ https://t.co/QZd9t2Ztf1cos.lv/B6hb50OLYZ2 twitter.com/i/web/status/1…
RANKED: Every #Oscar Best Picture winner, from Argo to The Life of Emile Zola 🎬
Featuring some of film's greatest achievements (and, yes, a few stinkers): cos.lv/5RCT50Nb1T3
78. Forrest Gump (1994)
Whether Robert Zemeckis' history-bending, sweeter-than-chocolate Tom Hanks showcase endears you or not, Forrest Gump stands as a towering movie in #Oscar history.
Russel Crowe is immensely sympathetic, imposing, and noble in Gladiator, just as Best Supporting Actor nominee Joaquin Phoenix portrays one of the best villains of the 2000s.
Coachella's 2023 lineup also boasts two former headliners in Gorillaz and Björk, boygenius' comeback, and a rare live performance from Jai Paul: cos.lv/gTs550Mn6Qn
The existential comedy had more than one trick up its sleeve, as Nadia and Alan got caught up in a whole new time-traveling intergenerational mindfuck.