How do you know if Miyazawa Koharu is productive on stage, if she is being uncomfortable, that means she actually has no potential?
Conversely, when Hinata Moka is very comfortable on radio + seiyuu roles, how can not well known if she is not productive here?
I guess if all this jobless suffering is "cut off," MusicRay'n has to stop waiting for Aikawa Kanata (#相川奏多) to graduate high school first. Why? Because everything has been submitted to #IDOLYPRIDE for this assignment.
Better think of something.
1. #橘美來's portion between IDOLY PRIDE & the proto-unit. Use common sense about her especially after #神田沙也加-san's passing. 2. Make sure, #宮沢小春 stays as a voice actor, because she's comfortable there, unless "she's capable of the others."
3. You actually have #夏目ここな and #日向もか. Better develop them really as 芸能人, bring them into stages, into reading stages, into #anime(s), live action(s), other games, etc, "since RIGHT NOW." 4. I have a feeling, #相川奏多 has an impostorial spirit, so keep an eye on her.
Psalms 23:1-3 (KJV) The LORD is my shepherd; I shall not want.
He maketh me to lie down in green pastures: he leadeth me beside the still waters.
He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake.
Psalms 23:4-5(KJV) Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod & thy staff they comfort me.
Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.
Mizuno Saku-san in OPENREC too?!? But building a relationship with one of the cast of Love Live Nijigasaki?!? Is it true that the rumors circulating that Mizuno-san will replace Kusunoki Tomori?!?
(But Kusunoki and Mizuno's voices are not "the same")
The weirdest thing you have is "Natsume Kokona has no match at all" (although her speaking style is similar to Murakami Manatsu).
Even Miyazawa Koharu still has a similar equivalent: Hayami Saori-san.
Morohoshi Sumire-san has her new similar seiyuu: Suzuhara Nozomi.