This one's really interesting, and we haven't looked at it before. Let's try it. Follow #FlawedHeroes to collect them all!
1. The original prompt was about the hero's descent into villainy. I'm not sure a hero ever really becomes a villain as such, because those roles are so clearly defined and in opposition to each other, but the Hero's Descent is certainly a Thing. #FlawedHeroes
2. We see its origins in Classical tragedy, and beyond. A character who is basically good and noble is destroyed by their One Fatal Flaw. As readers we relate to this very well, because no-one believes or is interested in a perfect protagonist. #FlawedHeroes
3. As a writer, negotiating this downward journey without losing tension or alienating the readers can be a real challenge. Tragedy demands a high level of emotional engagement. You don't want your readers to disengage. #FlawedHeroes
4. Try plotting your protagonist's descent just as you would any other hero's journey. Draw a diagram. Decide where they're starting off, and where you need them to end up. The more dramatic the descent, the more exciting the narrative. #FlawedHeroes
5. As with any protagonist, you need to know the answers to the following questions: What do they need? Who do they love? What's their major challenge or obstacle? How can they overcome it? #FlawedHeroes
6. Make the stakes as high as you can. If you're charting a dramatic descent like this, the bigger the stakes, the better. #FlawedHeroes
7. You also need to ask yourself: What's your protagonist's moral breaking-point? What's the line they would never cross? Because if you're taking this person to the dark side, you're going to have to make them cross it. #FlawedHeroes
8. Once you're sure of the answers to these questions, you can start the journey. First, make sure your readers care for your protagonist. That could mean showing them interacting with loved ones, or putting them in a position of humour or emotional vulnerability. #FlawedHeroes
9. A descent into darkness requires putting your character under a lot of stress. Determine what their challenge is, and give them difficult moral choices to make. Make sure they're making those choices for reasons they think are noble and good. #FlawedHeroes
10. Keep the tension mounting gradually, and raise the stakes for them every time. One bad decision leads to another. Eventually, your character will cross the moral line they've drawn. How will they feel about this? How will it change their behaviour? #FlawedHeroes
If you enjoy these occasional threads, you might like to check out my book, TEN THINGS ABOUT WRITING. septemberpublishing.org/product/ten-th…

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More from @Joannechocolat

Nov 16, 2022
I like this one. Let's try it, with a little expansion. Follow #TenWaysToExpressFeelings to collect them all!
1. Depicting a character's feelings in fiction - be it grief, or anger, or happiness - can be a minefield of clichés. I mean, how often can you say: "She smiled", or "His eyes filled with tears"? #TenWaysToExpressFeelings
2. And although "show, don't tell" isn't always good advice, sometimes you do need to have one character assess another's feelings via what they observe. So, what do you do to make that observation feel authentic and fresh? #TenWaysToExpressFeelings
Read 12 tweets
Nov 14, 2022
1. Broadly speaking, there are two types of character in fiction: flat and round. Flat characters exist to serve the plot, and we generally don't need to know much about them. Round characters are more developed, and tend to be your main players. #TenWaysToWriteRoundedCharacters
2. A very easy way to tell the difference is this: Flat characters don't change. Round ones are changed by their participation in your story, and by their interactions with others. The more they change on their journey, the more developed they are.#TenWaysToWriteRoundedCharacters
Read 11 tweets
Nov 13, 2022
Cup of tea; time to kill. You know what that means; #Storytime.
There is a story the bees used to tell, which makes it hard to disbelieve. #Storytime
A woman was going to market. As always, she took her own carriage, adorned with her ancient family crest, and lined with scarlet cushions and curtains of matching velvet. #Storytime
Read 16 tweets
Oct 16, 2022
Sunday lunchtime; cup of tea. You know what that means, Twitter. #Storytime.
New followers, to explain; #storytime. In which I write a story from scratch, live and unprepared, on Twitter. And it always starts like this: "There is a story the bees used to tell, which makes it hard to disbelieve..."
An opera singer of great renown fell sick and died at the height of her fame. #Storytime
Read 44 tweets
Oct 13, 2022
Reminder to anyone who needs it today: the 50s weren't a golden age, and the people who tell you it was aren't remotely on your side.
The advertising of a time is a direct line into its dreams and desires. Here we see white men in charge; white women subservient, and POC and LGBT people, not at all. Some men never gave up this dream. This is the world they want for us.
My childhood was the Seventies. This was what advertising was then. Now the sexism is in colour, but it hasn't really changed much...
Read 6 tweets
Aug 19, 2022
Let's do something about TENSES. It may be almost as polarising as my hardline jam-before-cream stance, but it might be fun. Follow #TenThingsAboutNarrativeTenses to collect them all!
1. First off, remember that there are no inflexible rules. There's what you like, and what works for you, and what keeps the reader fully engaged. If what you do achieves what you need, then you're doing fine, and you need not worry. #TenThingsAboutNarrativeTenses
2. Commonly, past tenses are used in narrative. There are three: the perfect (I did something), the imperfect, most used in description (I was doing something) and the pluperfect, which delves further into the past (I had done something, when -). #TenThingsAboutNarrativeTenses
Read 12 tweets

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