Woke up to the news of the demise of director #KViswanath Garu. Had written this piece long ago for the leftist site, when he was awarded the prestigious #DadasahebPhalke award. K Viswanath was indeed the Renaissance Man of Telugu cinema.
Back to Vigyan Bhavan! That day, then VP Shri @MVenkaiahNaidu Garu had hosted a private party in his honour. I am hardly a ‘party person’ in the Delhi sense of it, but went and attended this. To meet the legend and thank him for his contribution to enriching our lives.
I don’t know who will do it, but a detailed biography of #KVishwanath Garu, with in-depth analysis of his movies, his philosophy and rich artistic life is long long due!
His contribution to cinema is far more than so many others on who many books have been written!
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Each frame can tell you so much! Each movie a brilliant gem!
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Who will visualise such immortal songs now!? Nobody in Telugu cinema is capable!
Friends have been sending me different things. Adding them to this thread.
A sense of endless gratitude to director #KViswanath garu.
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Who remembers this very underrated movie! Soothradharulu!!
Some wonderful music in there too!
When Chiranjeevi gave one of his best performances!
This immortal scene from Swarna Kamalam. A reflection of the ugly reality that stands true even today, decades after this movie! #KViswanath Garu knew to drive a point home, very successfully!
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When Kamal gave one of his best performances! Kamal, the phenomenal actor we all loved! Not the current confused crackpot of a wannabe politician!
And this!! Swati Kiranam!! Yet another phenomenal movie!
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Dir #KViswanath Garu didn’t believe in the loud and crass flag-waving kind of western tropes of activism. That is easy to do. But not his style!
Even to talk about a social issue, aesthetics had to take the upper hand! Check this beautiful scene.
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Who remembers this scene from Sagara Sangamam!? When Kamal, the struggling dancer sees his name on the list of great dancers for a festival he never imagined he would ever perform in his life! The Tamil version isn’t exactly the same! Watch the Telugu original.
Now listen to Dir #KViswanath Garu talking about how this scene came about in an older talkshow with Kamal.
That chemistry between a visionary director and a seasoned actor!
Beautiful!
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Not many know that Dir #KViswanath Garu and playback singer SPB were cousins. This beautiful moment!
SPB must have been thrilled to have his Annayya with him now!
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Another assortment of songs from his movies. His scenography for each song, each line… absolutely impeccable! Only a director who knows his art thoroughly can actualise this level of detail!
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So much nuance in this scene! The dialogue, characterisation, situation, everything! And with such a profound sense of aesthetics!
Will Telugu cinema or Indian cinema ever have another director like #KViswanath Garu!?
Impossible!
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One can go on and on about him! And his great work! But he summed up himself in few lines! If only every director had this vision in him! But they don’t make such people anymore!
Will end this thread with this! 🙏🏼
Kasinadhuni Viswanath (1930 - 2023)
Shraddhanjali 🙏🏼🙏🏼🙏🏼
A real ‘Kala Thapaswi’ 🙏🏼🙏🏼🙏🏼
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Countless stories of courage in every corner! A thousand sacrifices! No colour, caste, creed, age...all of them were Aasthikas. Poets, dancers, scholars, writers, Jeeyar Swamys, commonfolk...All diehard devotees of Sri Ranganathaswamy.
In the 1940s, Andhra was caught in being highly inspired by Bengali literature. Telugu writers and literary figures tried to emulate similar content in their works.
Short thread!
@_RamanaB_
Sharatchandra Chattopadhyay's famous novel 'Devdas' was made into an opera in 1940. It had over two dozen songs. This particular song was composed by the great Balantrapu Rajanikantha Rao Garu. However it never made it into the final opera but became extremely popular on radio.
It was sung by another stalwart Carnatic classical musician Sri Voleti Venkateswarlu. It became a hit and later Rao regretted not including it in the opera.
Decades later the same song was taught by veteran Vidwan Sri Malladi Suribabu Garu to our favourite @_RamanaB_. 🤩🙏🏼
Auspicious morning of Magha Shukla Ashtami when Bheeshma, the grand old Pitamaha of the Mahabharata, completed revealing the greatness of Sri Vishnu Sahasranamam to the Pandavas, as he lay on a bed of arrows in Kurukshetra.
A short thread
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In Shanthi Parva of Mahabharatam, we know Bheeshma decided to leave his mortal coil on the 8th phase in bright fortnight of Magha, Magha Shukla Ashtami, also known as #BheeshmaAshtami. He was already on a bed of arrows over the last few Pakshas.
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Bheeshma was not his original name. He was King Devavrata. Due to the uncompromising Pratigya he took, he was addressed as 'Bheeshma'. He was also a master of Vedas and Shastras. Hence, out of everyone in the Kuru clan, he was addressed as "Bheeshmacharya" with reverence.
Got news late last night that Dr. Mark Dykzkowski passed away. He was one of the greatest living authorities on Kashmiri Trika Shaivism and an extraordinary scholar with in depth knowledge on the works of Abhinavagupta. He was also a wonderful Sitar artiste.
Atma Shanti! 🙏🏼🙏🏼🙏🏼
Dr Mark Dyczkowski was one of the world’s foremost scholars on Tantra and Kashmiri Trika Shaivism and has lived and worked in India for the last 4 decades. Both a scholar and a practitioner, he was initiated by the great Indian teacher Swami Laksmanjoo in 1976.
With a degree from Banaras Hindu University and a Ph.D. from Oxford, where he researched Kashmir Shaivism under the guidance of Prof Alexis Sanderson, Mark has published extensively including the 12 volume Manthanabhairava Tantra.
Auspicious morning of Pushya Bahula Panchami on the traditional Hindu calendar. Sadguru Tyagaraja Swamy attained Siddhi in 1847 on this day. Every year, thousands of musicians and devotees come to Thiruvaiyaru to offer their tributes at his Samadhi Mandiram.