1. Character names can be at least as important as book titles. It's the thing that shapes the identity of your protagonist, reflects their culture, their age, their background. And as such, it's worth giving plenty of thought to. #TenThingsAboutChoosingACharacterName
2. Try asking yourself: who named them, and why? Probably their parents, although they may have renamed themselves later. Either way, what does this tell you about their parents, their background, their relationship with family. #TenThingsAboutChoosingACharacterName
3. Names reflect the choices of a generation. (This is why nearly all Joannes are my age) Make sure that if you choose an unusual, or odd, or very old fashioned name, there's a logic behind your choice. Otherwise, it may jar with the reader. #TenThingsAboutChoosingACharacterName
3b): Example: I just read a really excellent book, featuring a character whose gender isn't revealed until late in the story. However, I saw the twist coming because of the author's choice of character name, which seemed just a bit too convenient...
4. Surnames are often regional. If you decide to give your London-based character a strongly regional name, it might be worthwhile explaining how they got to be there. #TenThingsAboutChoosingACharacterName
5. Name choices also reflect class and education. Even if you're not going to feature them much in your story, it's really worth thinking hard about whoever named and brought up your protagonist, and what their choice tells you about them. #TenThingsAboutChoosingACharacterName
6. If the character you're naming isn't from your country of birth, you may need to do some research. Everything that is true for this country is also true for other countries: regional variants, generational choices, class, faith, education. #TenThingsAboutChoosingACharacterName
7. Just *making up a foreign-sounding name*, or borrowing one from a movie isn't going to stand scrutiny. At best, it might disconnect your reader from your story. At worst, it might even sound racist. #TenThingsAboutChoosingACharacterName
8. Even finding names for fantasy characters needs thought, because nothing comes from nowhere, and it's all too easy to import conscious or unconscious bias into your fantasy world. #TenThingsAboutChoosingACharacterName
9. Ideally, your chosen name should tell you something about the character without being too intrusive. (If every time your reader comes across the name, they think "God, that's a weird name", it will distract them from your story. #TenThingsAboutChoosingACharacterName
10. It's also worth thinking about your future audiobook readers. If your chosen name is unpronounceable, or too like the name of someone else in the book, you're going to cause real problems down the line. #TenThingsAboutChoosingACharacterName
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Okay, so I’ve been talking to a lot of people who are discouraged with writing and the industry right now. I get it: it’s not a great time for authors. So let’s make today’s #TenTweets about WHY WE KEEP GOING. Follow the hashtag to collect them all! #TenReasonsToKeepWriting
1. Because writing isn’t just about making money (though it’s nice when that happens). It’s also good for your mental health. And it’s cheaper than therapy. #TenReasonsToKeepWriting
2. Because writing impacts on your daily life and your interactions with others, making connections and building empathy. #tenReasonsToKeepWriting
1. The original prompt was about the hero's descent into villainy. I'm not sure a hero ever really becomes a villain as such, because those roles are so clearly defined and in opposition to each other, but the Hero's Descent is certainly a Thing. #FlawedHeroes
2. We see its origins in Classical tragedy, and beyond. A character who is basically good and noble is destroyed by their One Fatal Flaw. As readers we relate to this very well, because no-one believes or is interested in a perfect protagonist. #FlawedHeroes
1. Depicting a character's feelings in fiction - be it grief, or anger, or happiness - can be a minefield of clichés. I mean, how often can you say: "She smiled", or "His eyes filled with tears"? #TenWaysToExpressFeelings
2. And although "show, don't tell" isn't always good advice, sometimes you do need to have one character assess another's feelings via what they observe. So, what do you do to make that observation feel authentic and fresh? #TenWaysToExpressFeelings
1. Broadly speaking, there are two types of character in fiction: flat and round. Flat characters exist to serve the plot, and we generally don't need to know much about them. Round characters are more developed, and tend to be your main players. #TenWaysToWriteRoundedCharacters
2. A very easy way to tell the difference is this: Flat characters don't change. Round ones are changed by their participation in your story, and by their interactions with others. The more they change on their journey, the more developed they are.#TenWaysToWriteRoundedCharacters
Cup of tea; time to kill. You know what that means; #Storytime.
There is a story the bees used to tell, which makes it hard to disbelieve. #Storytime
A woman was going to market. As always, she took her own carriage, adorned with her ancient family crest, and lined with scarlet cushions and curtains of matching velvet. #Storytime
Sunday lunchtime; cup of tea. You know what that means, Twitter. #Storytime.
New followers, to explain; #storytime. In which I write a story from scratch, live and unprepared, on Twitter. And it always starts like this: "There is a story the bees used to tell, which makes it hard to disbelieve..."
An opera singer of great renown fell sick and died at the height of her fame. #Storytime