This is an invitation for disabled graduate students and disabled tenure-track professors and disabled full professors and all people in teaching positions, who are disabled, to teach the course
LITERATURE BY DISABLED PEOPLE
The course requires that you teach books by us.
We do not teach books by nondisabled people in LITERATURE BY DISABLED PEOPLE.
We do not recognize nor honor the nondisabled experts. We do not care about their writing.
The course is for our writing.
I'm updating my site so front page shows the syllabus.
It is not "my syllabus." It is our syllabus.
It is a starting point. It will change because you will change it and that is great.
It cannot be plagiarized because I did not write it. I put our codes together.
LITERATURE BY DISABLED PEOPLE
ENGL or LIT or CRW XXXX
Future Semester: You’re the Teacher
Your Email Address Goes Here
Class Days+Times Will Be Accessible to All
COURSE OBJECTIVES
Read & interpret prose & poetry by disabled people
Compose creative & critical responses
Collaborate through workshop
Apprentice with the work of one disabled writer
COURSE DESCRIPTION
Literature by disabled people begins, sustains and innovates nearly all literature. #Homer and #Sappho and #Epictetus were disabled. So let’s start there.
We will move through time – though time is a tryborg fiction (e.g. crip time, sick time, quantum time) – and arrive at Patty Berne’s “Disability Justice” and Alice Wong’s Disability Visibility. Along the way we will ask:
Who is a disabled writer?
Why have disabled writers been hidden from us?
Who benefits from the suppression of literature by disabled people?
How do we reclaim disabled writers from non-disabled imaginaries?
In the second half of the course, apprentice with the work of one disabled writer you have never read before. Read your writer’s fragments, tweets, blogs, live journals, discord posts, notes from the caucus or the protest or the minutes of a meeting where your writer was present
scraps left behind by your writer in an archive you’ll probably have to find, open the cardboard box, open the external hard drive, open the email, g-chat, FB direct message, IG direct message, Snapchat, screenshot saved by someone who got your writers consent
to preserve your writers everything, also interviews, book reviews, Tumblrs, TikTok videos, your writers’ comments on videos or posts by others: anything your disabled writer has written? Whether in a book or not? Read that.
Turn in something. Anything you want. In convo with the disabled writer you selected to read. This is called an apprenticeship.
REQUIRED READING
None of it is required if you don't consent to read it. Your consent comes first. The texts are impaired by having been in books only.
There are many other kinds of writing by disabled people. Not everything is a book. But here are the books. Excerpted & available for free on Canvas. We will not read all of them. That would be impossible. We will probably only read from 4-6 of these books.
We will purposefully slow-read because that goes against the nondisabled way and because I am disabled. Very disabled. If someone asks, “What does your teacher have?” Tell the person: “Audacity and pride. Those are her conditions.”
The list below is in-progress and incomplete. A list of all the books by disabled people would be over 1000 pages of a syllabus.
Sappho, select fragments
Homer, excerpt from The Iliad
Epictetus, excerpt from The Handbook
Milton, sonnet 19
Joachim du Bellay, excerpt Les Regrets
Harriet Tubman, excerpt from Scenes from the Life
Emily Dickinson, #745
Charles Darwin, excerpt from The Red Notebook
Randolph Bourne, “The Handicapped”
H.D. “Notes on Thought & Vision”
Zelda Fitzgerald, “A Millionaire’s Girl”
Dorothea Buck, TBD
Jean Toomer, excerpt Cane
Hazel Hall, excerpt from Walkers
Jorge Borges (& more from Ultraists?)
Josephine Miles, Teaching Poet (needs reprint)
Muriel Rukeyser, excerpt The Life of Poetry
Robert Creeley, “Histoire de Florida”
Hannah Weiner, the clairvoyant poems
Pat Parker, select poems
NOW HERES WHERE I'M ABT TO GET IN TROUBLE WITH MY DISABLED FRIENDS. I'm purposefully not including lots of my friends bc then I would just be pandering to us. This bigger than who I'm friends with
Richard Brautigan, excerpt from Trout Fishing
Laura Hershey, just go to archive in Denver
Khadijah Queen, excerpts from Anodyne
Yomi S. Wrong, transcript of interview at Hastings
Gayatri Chakravorty Spivak, excerpt Conversations
Shahd Alshammari, excerpt Notes on the Flesh
Tremain & Hall, Biopolitical Philosophy website
Corbett OToole, excerpt from Fading Scars
John Lee Clark, anything
Patty Berne, “Disability Justice”
Alice Wong, Disability Visibility
Tzynya Pinchback, How to Make Pink Confetti
A. A. Vincent, excerpt Person, Perceived Girl
Poet, not yet disclosed as disabled
Fiction writer, not yet disclosed as disabled
Essayist, not yet disclosed as disabled
Novelist, not yet disclosed as disabled
Playwright, not yet disclosed as disabled
Intermedia, not yet disclosed as disabled
Anonymous
Anonymous
Anonymous
And so thats the REQUIRED READING.
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Some poets: We hate The New York Times more than The New Yorker. Actually, we love The New Yorker.
Really? That's interesting.
The @nytimes had an entire series called THE DISABILITY SERIES. So that happened.
Remind me, again, when @NewYorker last pubbed disabled writer?
And while we're here: How many openly & out disabled editors does @NewYorker actually employ? How many staff? How many tech people? How many ANYONE AT ALL openly and out as disabled at #TheNewYorker
Poets of a Certain Pedigree & possibly my Elders in Disability Studies:
"Cy, this is not the way to go about it."
Really? Interesting.
Because I've been "going about it" the other way, by writing poems, for FIFTEEN YEARS and nothing has changed.
What's up with @NewYorker for the abled poets who just haven't noticed their favorite zine reeks of fascism + ableism:
@TheBrooklynRail : ... in response to the ableism in her poem “The Star Market” in The New Yorker. In the penultimate stanza, your speaker interrupts herself to
say, “No one likes the poetry police. I’m not the poetry police.” Can you say more about what you mean by that? And have there been instances in which readers have reacted negatively to your criticisms and activism?
@TheBrooklynRail : Do you have any suggestions for dealing with defensiveness or fragility in the face of dissent?
Cy: I’m thinking of how Žižek, when answering a question, often says, “Did you see this movie? It’s not even a good movie.” Right? And then he moves on
"We have been invaded by the proliferation of the impossible Real" quoting Lacan
"Science affects nature but it does not affect the subject. Disjunction between science and the human psyche." Rik Loose paraphrasing #Freud from Civilization & Its Discontents
"Stars in the sky? They never lie. They do not commit errors. But humans do [...] Knowledge is based on an unlimited universe and when applied to Earth it encounters limits."
Rik Loose talk: The Fall of the Object to Earth:
Object a at the Zenith Immonde and Discontent