80 years ago today, WE DIVE AT DAWN hit UK cinemas. A look at HM Submarines at war, this put British submariners centre stage, but it isn't the only depiction of the silent service on the silver screen...
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WE DIVE AT DAWN (1943) includes scenes of domestic life and boys' own adventure, but it was nautical realism that mattered to star John Mills.
He wanted to know what it felt like when a submarine crash-dived for real. He got his wish, turning green in the process.
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This real-life experience and a believable set gave the film an air of authenticity, something shared by another 1943 releae, CLOSE QUARTERS.
A documentary feature, it received relatively little popular attention.
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Both films matter as until then, RN subs had been underrepresented on screen.
Films such as 49TH PARRALLEL (1941) and THE SILVER FLEET (1943) had featured U-Boats but focused on the Kriegsmarine. They were fictional, but one factual operation inspired two #WW2 films...
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Operation Source was the inspiration for ABOVE US THE WAVES (1955).
Focused on midget submarines hunting a German battleship, the film gave John Mills another opportunity to command a sub and portrays tension through close ups in claustrophobic confines.
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James Caan's attempt to do the same in SUBMARINE X-1 (1968) is less convincing, though in fairness, neither film promises to be a faithful recreation on the attack on Tirpitz in September 1943.
Caan isn't the only American taking the lead on submarine films, though...
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It is the US, rather than the Royal Navy, which really dominates this war movie subgenre.
That's true of #WW2 - where films range from U-571 (2000) to OPERATION PETTICOAT (1959) - but the dominance extends into the #ColdWar.
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Here, submarines often become the potential triggers for nuclear war, as US and Russian commanders take the focus.
Roger Moore's attempts to keep the British end up in THE SPY WHO LOVED ME (1977) had little cut through against this, though there is a UK exception...
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When it comes to British submarine dramas, it seems that nobody does it better than John Mills.
In 1950, he was given command of the ill-fated HMS Trojan in MORNING DEPARTURE. The submarine is lost in a film which became closer to reality than anyone had imagined...
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On the night of 12th January 1950, HMS Truculent stuck a tanker in the Thames estuary and sank. 64 men were lost.
The incident happened shortly before MORNING DEPARTURE was set for release, something that only happened after much debate and the addition of a tribute.
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The decision was vindicated, and Mills - who considered the film one of his best - received letters of thanks from the families of those lost on Truculent.
A timely reminder of the dangers submariners face and the wisdom in Mills' earlier demands to get films right.
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When it comes to the @RoyalNavy, what's your definitive deep see depiction?
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On this day in 1945, 1st Bn Manchester Regiment was in action outside Rethem. It was, according to their CO, "an ideal Machine Gunners battle" and AFPU cameramen were there to capture it...
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Rather than being with the infantry brigades and battalions of 53rd (Welsh) Division, their usual practice, the Manchesters were under direct command of their own CO, Lt Col Bill Crozier.
He positioned #VickersMG and mortar platoons on the west bank of the River Aller.
The decision was sound, as the good positions and flat, open ground on the enemy held eastern side provided ideal conditions for supporting the advancing infantry.
Difficult to spot amidst the din and confusion of battle, the Vickers' beaten zones would become deadly.
I WAS MONTY’S DOUBLE (1958) gave M E Clifton James the opportunity to re-live his wartime experiences on the big screen. But what if his co-stars had done the same, and who were their movie doubles? A thread...
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Great War veteran, Clifton James, was serving with the Royal Army Pay Corps when, in 1944, he received a call from David Niven, which led him to Operation Copperhead. The Hollywood star didn't appear in the film. Instead, John Mills was Niven's (almost) double...
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John Mills (Maj Harvey) had his name in lights for most of the war. Not only did he portray all three services on screen - in many ways, Mills was everyone's double - he also served with RE and RA (Monmouthshire Regt) searchlight units in Britain before being discharged.
The battle of #RorkesDrift ended 144 years ago today. A distant battle in a long gone war, its place in popular history relies as much on a film as it does the gallantry rewarded with 11 VCs.
But there's more to the story of the #VictoriaCross and cinema. A thread.
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The idea for ZULU (1964) came when Cy Endfield picked up a copy of Lilliput. John Prebble's article "Slaughter in the Sun" became #Zulu a few years later - recounting an underdog action which yielded 11 VCs and launched the career of a cinema great along the way.
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ZULU DAWN (1979) sought to cash in on the success of its predecessor by depicting the Battle of #Isandlwana. Some big names make up a strong ensemble cast, share the story of two more VCs (Melvill and Coghill), and put the events at #RorkesDrift into wider context.