Would be interesting to compare #ps2 to the other movie that was made of a #kalki opus - #parthibankanavu
Given #ps is far more complex nuanced and layered it's apples and oranges - caveats noted #ps vs #pk
First casting - make up was not advanced in #pk so we all knew
that SV Ranga Rao was the ascetic but the casting was perfect. A handsome Gemini and Vaijayanthi make the casting of #ps2 pedestrian. But also Subbiah and Ragini.. and Jaffer Sitaraman and siruthondar 2. For the most the adaptation of #pk stayed true to Kalki this is where most
of the grouse about #ps is 3. The kicker in #ps is ofcourse music - period and culture inappropriate in the most. In #pk u feel transported to that pond near mahabalipuram where sivakami stays in wait for narsimha pallava. Listen to MLV here
4. In both #PS and #PK kalki had an agenda that readers would pick up quickly - he was trying to familiarise readers with the antiquity of the the thevaram and the tamizh vaishnava texts - these were woven into the text - in #ps the movie MR and ARR chose to ignore this and were
chasing kalaamukas but #pk gets it right - listen to this beautiful rendition of appar peruman
There is more but this is a good start - again we are comparing apples and oranges but cant help think that maniratnam blew an opportunity to stay in our hearts
along with kalki. Any fan of #kalki will feel cheated and if uve watched #pk you would know what's possible. Ah and here is a song that exemplifies the gentle love of the time - found it for 5 mins in #ps2 but #pk strums our heart
Beautiful
And here is a link to the full movie - after 63 years - a treasure
Ok here is the morning after tweet #ps2 1. A few minutes of magic between kundavai and vanthiyadevan - just amazing stunning visuals beautiful love 2. The movie should have stopped at adita karikalans death and done a PS3 (i know i know) the hurry to finish lead to an
unrecognisable last part.. 4. Some sections brilliant where you can see glimpses of manis genius - i still think that if he had stayed closer to the script and avoided the kalamukha army rashtrakutas etc he would have gotten a better finish 5. A few moments between AK and
nandini - a glimpse of what Aishwarya Rai is capable of but through the movie - wooden expression with awful make up 6. To look back the music again had nothing to do with the period and setting of the movie and even otherwise awful 7. Manis PS not Kalkis PS - seemed to have
Like every parent here - we ve had conversations.. for us these conversations have happened overtime - and hence a reinforcement. The caveat for all of us is that we are trying to instill caution to people whose age and hormones promote risk taking.. we can advise and hope it
is remembered that's all.. this is what we shared 1. Don't wear your heart on your sleeve... attraction is not sufficient to squander your life away 2. You can't wish someones religion away - the dogma of religion is part of upbringing - if it teaches that a non believer
can be treated as commodity - then you should not expected to be treated differently - that's delusion 3. Love or infatuation should not make you stupid enough to film or post intimacy - it leads to blackmail 4. What ever happens (and we hope u will remember 1 -3 and not let it
The samadhi of AryAmba is the holiest spot in kAladi.. it marks the place where Sankara performed the rites of his mother helped only by two families - one which lifted her head and another the feet on to the pyre.. centuries later sri sri sacchidaananda
ShivAbhinava nrusimha bharathi set out in the quest of kaladi with the support of the maharaja of travancore (mUlam TiruNAL rAma varma) - officials with various clues were able to identify a place
along the poorna where there was evidence a shift in the course of the river.. when his holiness came e sat in meditation and he saw a smiling apparition of an old lady welcoming him silently.. taking this as a blessing he went forth to a black stone pillar where namboodri women
Once an avadoota vairAgi from the north came to sringeri. The tungA was in spate. To have a darshan of sri sri chandrasekara bharathi mahAswamigal (SA) one had to cross the river on a boat. The others who were on the boat were not keen on taking the vairAgi with them. They
rebuffed his attempts at getting on the boat forcibly. That they two high officials from the Mysore Sircar had come to the southern shore and were waiting at the adishtAna of the purvAcArya in order to meet srimad AcharyaL. Srimad AcharyaL stepped out of the mutt to meet them and
started walking toward the adishtAnam. From the north there was the sound of a conch. Immediately srimad AcharyaL ignoring the officials at the adistaanam started rushing toward the river. He saw the avadoota vairAgi a jatAdAri with a conch all wet coming from the river. Seeing
In sringeri during navarAtri suvaasini pUja is a special feature everyday. Once on mahAnavami a lady came with the desire that if she could participate as a suvAsini she would also get a sAri. However on that day the list of suvAsinis to be worshipped had been finalised and she
did not get an opportunity. She was very sad. Having come though she decided to get chandramouLiswara theertham eat and leave. As sri sri chandrashekhara bharathi mahAswamigal was giving theertha she extended her hand. Seeing the sorrow in her face sri AcharyaL enquired the cause
She narrated the intention in her coming and disappointment. SA asked her to step aside and wait and proceed to give theertha to the others. Almost at the end a brAhmaNa came rushing in and extended his hand. Sensing his anxiety SA asked "where are u coming from?" He said "today