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Indian Temple and Architecture™ Profile picture
@temple_of_India
May 13 • 5 tweets • 2 min read Twitter logo Read on Twitter
24 Parshurameshvara Temple, Bhubaneswar, #Odisha

Six-armed Maa Mahisamarddhini inside a chaitya-medallion above the parshvadevata niche at the base of the gandi on the north side of the deula.

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Here, She plants her uplifted right foot on the left arm of the buffalo-demon (Mahisasur) while pushing back its buffalo-head with her major left arm. The arm is slightly bent inward suggesting great force.

⬇️ close view
Maa’s major right hand is uplifted and holds a sword behind her head ready to strike, middle right hand plunges a trident into the neck of the demon while her lower right hand rests on a weapon, possibly an over-sized arrow in that her middle left hand holds a stringed-bow.

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The uplifted back left hand holds a circular shield.

Her body omamentation includes a kucha-bandha which holds her chest firmly against her body. Her hair is arranged in a braid which rests on top of her head.

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Demon is depicted from the rear with its left leg bent & the right leg stretched out, the latter being pulled from under the demon by an attendant figure holding a noose. Demon holds a sword in its right hand & a noose in the left which is pinned down by the foot of Maa.

🙏🏽🚩

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More from @temple_of_India

Indian Temple and Architecture™ Profile picture
May 13
22 Parshurameshvara Temple, Bhubaneswar, #Odisha

The beautiful sculpture of Karttikeya in the east raha niche, where he is seated in Lalitasana on a throne with his right hand holding a vija-puraka and his left hand the shakti.

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He is ornately bejewelled with a double-strand necklace having various shaped hanging pendants, a yajitopavita formed of interlocking chain-links, a pearl-string waist-belt, chain-like girdle, jewelled arm-bands with dripping festoons, anklets and bracelets.

⬇️ Image
His coiffure is arranged in the sikhandaka-mode with a jewelled diadem on the forehead and patra-kundalas hang from his ears. The halo behind his head has a beaded border and is crowned by a canopy. On either side of the canopy is vidyadharas carrying the garlands of pearls.

⬇️ ImageImageVidyadhara carrying a garla...
Read 5 tweets
Indian Temple and Architecture™ Profile picture
May 12
21 Parshurameshvara Temple, Bhubaneswar, #Odisha

Though there are several depictions of Ganesha in this temple, it’s the 2nd major sculpture of Ganesha, accompanying the Saptamatrukas on the north side of the jagamohana.

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Here also He is seated in ardhaparyanka asana plucking sweets from a modaka-patra held in his lower left hand. His major right hand, resting on his knee, holds the radish (kandamula in Odia). His uplifted back hands hold the rosary and kuthara (quite similar like the last

⬇️
described murty).

He is richly bejewelled and his naga-yajnopavita is tied around his uplifted right knee and thus doubles as a yoga-patta. His coiffure is arranged flatly on his head and decorated with lotus flowers in addition to a string of pearls on the forehead.

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Read 4 tweets
Indian Temple and Architecture™ Profile picture
May 12
20 Parshurameshvara Temple, Bhubaneswar, #Odisha

In pic it’s the parshvadevata Ganesha in the south raha niche; dates back to the mid of 7th Century CE.
Here he is seated in ardhapayranka pose, plucking sweets from a modaka-patra held in his major left hand.

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His main right hand is resting on his knee, holds a rosary (it’s missing now but the one can articulate) while the uplifted right hand holds a radish, badly damaged. The uplifted left hand holds the kuthara/kurhadi (axe).

⬇️ Image
His coiffure is also damaged, and it adheres close to the head while the halo has a border of gundika. He is richly bejewelled with his yajnopavita (sacred thread) formed by a serpent (possibly the Naga). The pedestal/pista and inside jambs of the niche are the same as on the

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Read 4 tweets
Indian Temple and Architecture™ Profile picture
May 8
Varuneshvara Temple, just at the left side of Maitreshvara Temple, Bhubaneswar, #Odisha.

As per the inscriptions of Papanasini, it was built by the Commander-in-chief of Gajapati Kapilendra Deva, Sri Ranasura Mahasenapati in the year 1449.

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The temple is built in Pancharatha Style and Panchangabada elevation. The entrance to the Jagamohana has a Navagraha panel together with a sculpture of Maa Gaja-Lakshmi.

⬇️ ImageImageImage
Some of the Vidala Sculptures can be noticed which are generally similar to that of the Megheshvara Temple as I posted earlier. Some rampant lions like Udyata Simha are also seen on the Bada wall.

⬇️ Gaja Vyala/ VidalaUdyata Simha
Read 7 tweets
Indian Temple and Architecture™ Profile picture
Mar 12
The Karna Temple Complex, main temple was built by Raja Lakshmikarna, also known as Raja Karan of the Kalachuris of Tripuri, Amarkantak. 😍🙏🏽🚩

The history of the concerned temple complex goes back to 8th century CE.
See thread ⬇️ Image
When Adi Shankaracharya built a Surya-Kunda to specify the origin of river Narmada. He also installed the murty of Bhagvan Shiva at Pataleshwar. The Pataleshwar Temple was built later by Kalchuri king “Karna Deva” (1041-1073 CE). The construction of the “Karna Mandir”
⬇️
is also attributed to the same king, whose name it bears. In most of the temples here “Shiva” is enshrined as the main deity.

Architecture of the temple -

The group of temples here namely the Pataleshwar Temple, Shiv Temple, and Karna Temple besides others belong to
⬇️
Read 5 tweets
Indian Temple and Architecture™ Profile picture
Jan 7
I've mentioned earlier about the history of Odisha's Pattachitra tradition. There are remarkable varieties of Pattachitra paintings which need a brief elaboration.

Some of the Pattachitra paintings types are -

(a) Sri Jagannath Pati.

⬇️ Image
(b) Pattachitra based on different episodes of the Ramayana, Mahabharata, Bhagavat Geeta and other Puranas or Kavyas.

(c) Pattachitra on Odisha folklores.

(d) Pattachitra on the ritual art of the vratas and modes of worshipping the Gods and Goddesses of Odisha.

⬇️ Image
(e) Pattachitra on different animals and birds,

(f) Erotic Pattachitra.

Sri Jagannath Pati- This is a particular type of Pattachitra mainly centres round Sri Jagannath, Balabhadra and Devi Subhadra.

Mostly, such Pattachitras depict many portraits, when Sri Jagannath

⬇️ Image
Read 13 tweets

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