Alyssa Matesic Profile picture
May 23 7 tweets 2 min read Twitter logo Read on Twitter
There are a million different ways to plot a book, and figuring out the best way for your plot to unfold can be tricky.

Here’s a framework for evaluating your plot’s effectiveness. Ask yourself these questions to determine if it holds up (an #amwriting 🧵):
1. Is there a clear point of conflict? To keep your reader engaged, your story MUST have a central conflict that they will want to see play out. Use this template: Protagonist wants X, but Y is stopping them.

Ideally, you’ll introduce this conflict within your first chapter.
2. Are the stakes high enough? The conflict must meaningfully impact the protag’s life somehow. Show us the consequences! This creates tension & keeps readers invested.

Add to the previous template: Protagonist wants X, but Y is stopping them; if they fail, Z will happen.
3. Does the protag face obstacles? Your protagonist should face several obstacles that hinder their success. Make them work for their objective! This is the “Y” portion of the template we’ve been using. It keeps the protag from quickly achieving their goal & adds to the conflict.
4. Is your plot focused? Once you establish conflict, stakes & obstacles, keep your plot tightly focused on that. Avoid veering off into unnecessary subplots that aren’t connected to the main plot & overshadow or distract from the primary conflict.
5. Do the scenes build on one another? Each scene should deepen the main conflict, propel your protag forward, create a sense of continuity & build up to the climax, where we see the protag succeed or fail. This helps you avoid plot holes & keeps readers turning the pages.
Is your plot effective? Ask yourself:
1. Is the conflict clear?
2. Are the stakes high enough?
3. Does the protag face obstacles?
4. Is the plot focused?
5. Do the scenes build?

If not, your plot may have weak spots worth addressing. #writingcommunity

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More from @AlyssaMatesic

May 25
Even w/ the best story idea, compelling characters & a solid plot, your story won’t resonate if the writing falls flat.

In editing hundreds of novels, I’ve compiled 5 common examples of weak writing I often see, so you can identify & correct them in your own WIP (#amwriting 🧵):
1. Vague character descriptions. Listing adjectives is not the strongest way to convey a character’s persona. We want to see those adjectives in action. SHOW us how your characters think, feel & act. This will make them come alive & feel like layered, authentic human beings.
2. Excessive imagery. Be mindful of lingering too long on descriptions. While many writers do this aiming for more poetic prose, piling too many images can be clunky & obscure your message.

Opt for a single powerful image, metaphor or analogy to convey your point effectively.
Read 7 tweets
May 16
Here’s one mistake I see in almost every novel I edit: too much narrative distance, or space between the reader & the characters/events in the story.

Here are three ways you could be creating narrative distance & weakening your manuscript – without even realizing it (a 🧵):
1. Recounting events in retrospect. This removes the reader from the present plot action & can feel like an info dump.

Often, the narrative will be more engaging if you show the event as a scene when it actually occurs. Show us the character’s emotional response in the moment.
2. Not illuminating characters’ thoughts. In 1st or close 3rd person POV, we should typically have near-full access to the POV character’s mind. Look at what happens externally & internally/emotionally for your character in each scene. Show how they react & interpret the action.
Read 5 tweets

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