Even w/ the best story idea, compelling characters & a solid plot, your story won’t resonate if the writing falls flat.
In editing hundreds of novels, I’ve compiled 5 common examples of weak writing I often see, so you can identify & correct them in your own WIP (#amwriting 🧵):
1. Vague character descriptions. Listing adjectives is not the strongest way to convey a character’s persona. We want to see those adjectives in action. SHOW us how your characters think, feel & act. This will make them come alive & feel like layered, authentic human beings.
2. Excessive imagery. Be mindful of lingering too long on descriptions. While many writers do this aiming for more poetic prose, piling too many images can be clunky & obscure your message.
Opt for a single powerful image, metaphor or analogy to convey your point effectively.
3. Distracting choreography. Avoid over-describing what characters are physically doing when it isn’t crucial (e.g., we don’t need choreography after EVERY line of dialogue).
Give us just enough to know what’s going on w/out distracting from the important parts of the scene.
4. Overdone sentiments. Conveying characters’ emotions is critical to get readers invested, but don’t veer into melodrama. It can feel inauthentic & turn readers off.
Cut excessive exclamation points, all caps & ellipses. When conveying extreme emotions, less is often more.
5. Meaningless details. Ensure you’re only drawing the reader’s attention to the elements that matter in each scene. If you spend time dwelling on irrelevant details, it affects the story’s overall flow. Ask yourself if each detail is important to what happens. If not, cut it.
5 types of weak writing to fix in your WIP: 1. Vague character descriptions 2. Excessive imagery 3. Distracting choreography 4. Overdone sentiments 5. Meaningless details
Edit your draft w/ these in mind. You’ll be amazed @ how much stronger your story will be! #writingcommunity
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There are a million different ways to plot a book, and figuring out the best way for your plot to unfold can be tricky.
Here’s a framework for evaluating your plot’s effectiveness. Ask yourself these questions to determine if it holds up (an #amwriting 🧵):
1. Is there a clear point of conflict? To keep your reader engaged, your story MUST have a central conflict that they will want to see play out. Use this template: Protagonist wants X, but Y is stopping them.
Ideally, you’ll introduce this conflict within your first chapter.
2. Are the stakes high enough? The conflict must meaningfully impact the protag’s life somehow. Show us the consequences! This creates tension & keeps readers invested.
Add to the previous template: Protagonist wants X, but Y is stopping them; if they fail, Z will happen.
Here’s one mistake I see in almost every novel I edit: too much narrative distance, or space between the reader & the characters/events in the story.
Here are three ways you could be creating narrative distance & weakening your manuscript – without even realizing it (a 🧵):
1. Recounting events in retrospect. This removes the reader from the present plot action & can feel like an info dump.
Often, the narrative will be more engaging if you show the event as a scene when it actually occurs. Show us the character’s emotional response in the moment.
2. Not illuminating characters’ thoughts. In 1st or close 3rd person POV, we should typically have near-full access to the POV character’s mind. Look at what happens externally & internally/emotionally for your character in each scene. Show how they react & interpret the action.