There have been multiple questions /doubts /clarifications after the Govt announced the installation of #SengolAtNewParliament . Wanted to pick of few of the points & try to reason out.
First, is it really true that British asked for a Symbol ? Possibly yes as they give lot of
importance to traditions & in all probability the question might have been asked to Nehru formally or informally. Why did Nehru speak to Rajaji? That is because Rajaji was by far the best of his close aides who has knowledge on the traditions &heritage of the country at that time
Note that this incident is officially recorded in the Thiruvavaduthurai records & no reason to suspect it
Rajaji was a Vaishnavite & Kanchi Mutt was famous at that time. Why Thiruvavaduthurai then? Thiruvavaduthurai Adheenam has a treasure trove collection of historical records
with many manuscripts from Sangam Days. If one reads ‘En Sarithiram’ of U Ve Saminatha Iyer, this can be inferred as it was like a mini university. So there is no surprise that the Adheenam was reached to provide a solution to the issue as Rajaji might have needed some historical
backing than going to Nehru with only a spiritual angle.
Why the Adheenam didn’t go? Sri Ambalavana Desikar who incidentally has the same name of the current Adheenam (Coincident?) was sick & that’s why he has asked his Thambiran to go for this occasion
This incidents was narrated by the current Adheenam & there is no room for any doubt on that front.
Then the laughable suggestion that the Sengol was just a gift. Of the 1000s of Mutt’s across India, the Adheenam sending a group of Othuvars, a prominent Nageswara Vidwan
(TN Rajaratnam Pillai) and others for just giving a gift ? Of all the ‘gifts’ received, this incident figures predominantly in ‘Time’ Magazine and in the book ‘Freedom at Midnight’ ? One must be kidding if they think this is just a gift. It definitely has a significance & hence
the prominent reference of Sceptre & handing over ceremony with the a Photo
Perhaps the bizarre thing is few saying Sengol is a Symbol of monarchy. Innumerable literature & inscriptional evidence in Tamil history says Sengol is a Symbol of Dharmic rule,good Governance & Justice
Kings were holding it in those times while conducting the affairs of the country as they were the rulers. During current times of democracy,it needs to be in the place where the governance happens. So saying Sengol is symbol of monarchy shows nothing but ignorance of our heritage
Now the Adheenam himself has come forward to expose the lies of naysayers
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Today is the Thiru Nakshatram of Vaishnava saint Kulasekara Alwar, who was one of the first kings of the Perumal dynasty who ruled the Chera country. He belonged to 8th century and considered as the contemporary of Pandya king Parantaka Nedunjadaiyan.
There are many inscriptions about him at various temples. Notable among them is in Srirangam temple. The Kulothunga I period inscription mentions about the grants given “while Namperumal was seated at the shadow of Thiruppunai tree and listening to the Thettarum Thiral song of Sri Kulasekara Alwar”
தேட்டு அருந் திறல்-தேனினைத் தென் அரங்கனைத் திருமாது வாழ்
வாட்டம் இல் வனமாலை மார்வனை வாழ்த்தி மால்கொள் சிந்தையராய்
ஆட்டம் மேவி அலந்து அழைத்து அயர்வு-எய்தும் மெய்யடியார்கள்தம்
ஈட்டம் கண்டிடக் கூடுமேல் அது காணும் கண் பயன் ஆவதே
Another inscription about him at Tirupati, during the reign of Vijayanaraga king Chaluva Narasimha says a Vigraha of Kulasekara Alwar was installed at the Govindaraja temple and grants were made to perform poojas
Today is the Guru Pooja of Ko Chenganan, a Chola king and a Saiva Saint. He was instrumental in building a number of temples in Tamilagam. Thirunavukkarasar says he built more than seventy temples, a fact corroborated by Thirumangai Alwar as below
இருக்கிலங்கு திருமொழிவாய் எண்தோள் ஈசற்கு எழில்மாடம் எழுபதுசெய்(து)உலகம் ஆண்ட திருக்குலத்து வளச்சோழன்
In his previous birth, he was born as a spider and used to weave a canopy above a Shivalinga to provide the shade. An elephant which does Pooja to the Shivalinga, thought the web was desecrating the Lord and removed it. Both of them fought and lost their lives.
Due to the memory of the previous birth, Ko Chenganan built all his temples as ‘Mada Kovil’, with lot of steps so that elephants can’t enter the sanctum.
The above legend was mentioned in a number of Chola inscriptions and literary sources. The Velanjeri copper plate inscriptions of Parantaka Chola says.
“A spider used the threads from its mouth to weave a beautiful canopy for Lord Shiva, who had adorned the moon on his head. Pleased by the spider’s devotion, the Lord blessed it to be reborn as the great Chola king, Kochengat Cholan.”
Tirupparankundram is not just the ancient abode of Murugan, which is in the northern side of the hill. It is a sacred place which has many important cultural / religious monuments.
Behind the hill, facing south, there is a cave temple known as ‘Thenparankundram’ constructed by Pandyas around 6th Century.
The shrines inside include Arthanareeswarar on whose name it is called as ‘Umai Andavar’ temple. It also has an inscription of Maravarman Sundara Pandiyan who rules Madurai during 13th Century.
The temple has borne the brunt of invaders and most of the sculptures destroyed
Today is the birthday of Krishnadevaraya, the best of Vijayanagara Kings. He had immensely contributed to the development of Tamilagam in multiple areas.
He renovated many temples which were destroyed by Sultanate invasions. He ushered a new era in building tall Gopurams in Tamil Nadu. Tiruvannamalai Rajagopuram and Chidambaram north Gopuram are two such examples.
He built Mandapams in many temples. The thousand pillar Mandapa in Tiruvannamalai was constructed by Krishnadeva Raya. The inscription in the temple which details out the grants made by him to the temple lists this as one of his donations. There is a copper plate grant which mentions that Krishnadevaraya bought land site of 275 feet and 295 feet for 500 sovereign of gold by the members of a mutt in Tiruvannamalai to construct this Mandapa.
It had exactly 1000 pillars and some exquisite sculptures in Vijayanagara / Nayakar style. Situated on a high plinth, the Adhishtana of the Mandapam is also styled on Vijayanagara architecture & similar to that of Kambathu Ilayanar shrine in the temple. It has many Nandis on top. Krishnadevaraya’s sculpture is also there in this Mandapam.
Thiruvannamalai temple is one where every dynasty, which ruled Tamilagam has contributed to its construction and development. It was built during Pallava times.
#KarthigaiDeepam
Cholas embellished it. Thiru Karthigai festival in Thiruvannamalai was celebrated in a grand manner during Chola times.
Pandyas have build many Mandapas in the temple. One can see their Irattai Kayal and Chendu symbol in the walls of the temple