Bhartiya parents used to impart moral education to their child's very early through stories of Panchtantra, also known as the "Five Moral Conduct," is all about.
It originated in India 5000 yrs ago and spread in the world.
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The earliest of Panchtantra tales is found from the potteries excavated in Lothal. It has stories of crows, fox and pigeons. The potteries dates at least 4500 years old when it was baked in a kiln. It survived somehow. #Archaeology IAR-Lothal
The original Panchatantra composed in Sanskrit has been lost. The earliest written surviving Pahlavi version was composed before 570 CE, while the present translation has been reconstructed from the Arabic and Syrian version
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It is said that that Sanskrit Panchatantra was written by Vishnu Sharman (1300bce-300ce) to teach Arthshastra to 3 fool son of a king called Amarashakti of Mahilaropa, Vishnu wrote five core stories.
This ver. was translated transmitted to Persia, Egypt, Syria and Europe.
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The first translation from the original Sanskrit text into Pahlavi (Middle Persian) was that of a Persian court physician named Borzui (Burzuyeh or Burzoe, 531–579). His translation, which he named Karataka and Damanaka
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Ibn al-Muqaffa Zoroastrian convert to lslam (720– c.757) expanded the moral aspect by adding the story of Dimna’s crimes, his trial, and his punishment, which were widely illustrated.
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Panchtantra migrated to the West as Christian parable of Barlaam and Josaphat
CC BY-SA 3.0
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Durgasimha’s Panchatantra (c. 1025–31 CE ) written in Kannada, the dialect native to Karnataka, and the Sanskrit Tantropakhyana (before 1200 CE ), spread to Thailand, Laos, and Indonesia. Eighteen of the stories known in India are also found in Indonesia
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Within South and East Asia, the Panchatantra was translated into the Newari language of Nepal and it is claimed that it was translated into Chinese by the last decade of the fifth century CE
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The Panchtantra tales can be found on artefacts from 2500 bce to 200 bce and on temple walls from 7 th century.
This one from a Chandraketugarh vase. A Monkey is seen riding a Crocodile.
2nd century CE.
Credit @Shubh31209361 #Archaeology#Hindutva#हिंदुत्व
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In this Tantri tale, the turtle is escaping from hunters thanks to two geese, who bear him aloft on a stick. Turtle opens its jaw to brag and falls to death
Tantri Tale. Nalanda. 7th century ce
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8th century #Panchatantra legends panels at Virupaksha Shaivism temple, Pattadakal Hindu monuments Karnataka
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The monkey crocodile friendship story ( Panchatantra written by Vishnu Sharma ) carved on the temple wall of mukteshwar , Bhubaneswar
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Kopeshver Temple, Khidrapur, 11th -12th c., shows the tale of the Tortoise and Birds
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Panchtantra Panels on Tripurantaka Temple (Tripurantakesvara or Tripurantakeshwara) was built around c. 1070 CE by the Western Chalukyas 1. Crow & Pitcher 2. Tortoise and two geese. 3. Monkey and a crocodile
This temple is in dialipilated condition now thanks 2 @ASIGoI
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Panchatantra relief at the Mendut temple, Central Java, Indonesia
A Yogi Torgoise and a Crab can be seen in this relief
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"Guide for Human Life" "Dectorium humanae vite" inspired by Giovanni, da Capua, active 13th century Compiler was published in Strasbourg in 1489. loc.gov/resource/gdcwd…
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Meeting of the jackal and the bull (Damanaka and Sanjivaka).
Executed in 1610 for Tana Sahib, the last Rajah of Golconda
The British Museum (Add. MS., 18,579)."
I remember "Moral Science" used to be impartd to primary students till 1980s. What happened later god knows?
So an essential Moral Education "Panchtantra" is now on verge of extinction and so does the Moral values.
The Gubyaukgyi (or Kubyauk-gyi) temple, near Bagan, Myanmar, was built in 1113 AD by Prince Yazakumar after King Kyansittha's death. It's renowned for its well-preserved frescoes, the oldest in Bagan, featuring Old Mon captions that mark early language use in Myanmar.
Located near the Myazedi Pagoda, it stands beside a key historical pillar with inscriptions in Pali, Old Mon, Old Burmese, and Pyu, often dubbed the "Burmese Rosetta Stone" for its linguistic significance.
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Stone pillars with inscriptions in four ancient Southeast Asian languages: Pali, Old Mon, Old Burmese, and Pyu. The inscription on the pillar displayed by the Myazedi Pagoda is called the Burmese Rosetta Stone, given its historical and linguistic significance as a key to deciphering the Pyu language.
Compare the protection given to this pillar by a relatively smaller country. @AsiGOI can learn from these smaller countries as to how to protect heritages of national importance.
Did you know that "Bull Leaping" or "Bull Taming" finds its roots in India, and was gender neutral ? It later made its way to Europe, where it goes by different names. The earliest seal dates back to around 2600-1900 BCE. The second piece of evidence for Bull Leaping comes from Banawali, near the dry Saraswati riverbed in Haryana, dating from 2300-1700 BCE.
#Archaeology
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The subsequent known depiction of bull-leaping appears on Hüseyindede vases, originating from the early Hittite period around 1650 BCE. #Archaeology
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During the period from around 1600 BCE to 1450 BCE, the late Minoans engaged in the thrilling sport of bull leaping. This bronze sculpture, crafted through the 'Lost Wax Technique' (a method originating from India that remains in use today by @Nasa), captures an acrobat in mid-somersault.
DEVDASI | Journey from GLEAM to GLOOM | Most respected to most dejected
Thread to look back in time to where we are today. An untold story in the evocative book 'NITYASUMANGALI' by Saskia C Kersenboon
Exploring the devadasi system's transformation, this narrative traces its shift from revered spiritual practice to marginalized existence. Devadasis, once divine performers in temples, faced decline as societal changes turned respect into rejection. Kersenboon's research reflects on cultural shifts, urging readers to ponder tradition, power, and identity.
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Devdasis, also known as Rudra Ganikas, played a crucial role in temple ceremonies. They were the figures who encircled the IDOLs during rituals led by the royals. Revered as both sacred and auspicious, they symbolized wealth and protection for the populace. They also conducted various ceremonies related to weddings and births.
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The initiation into becoming a DevDasi was a CHALLENGING ritualistic journey, focused on mastering Shakti and anchoring it to a symbolic DEITY. It began with the King's consent, followed by seclusion, detachment from family, and a bond with GOD. Even upon death, a Devdasi adorned herself as SU-Mangali (a MARRIED woman).
Beyond ancient docks, lies advanced metrological wisdom.
From Mauryan architecture to now known as Qutub Minar, and Tajo Mahal the 5000 years old legacy lives on.
Bookmark this thread.
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As per latest studies, Dholavira construction used metrological units continued even in Tajo Mahal.
The author of this paper used "Dhanus" as 1.9 meters to evaluate dimensions and found that #harappan were not only fond of ratios but applied to all settlement of that period with some MOE
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The city's length EW axis and width NS are in a ratio of 5:4
The Castle also reflects the city's ratio of 5:4.
The Bailey is square (ratio 1:1).
The middle town's length and breadth are in a ratio of 7:6
The ceremonial ground's proportions are 6:1
The Brihadeshwarar Devalaya was founded by the Tamil emperor Arulmozhivarman, popularly known as Rajaraja Chola I, in 1002 CE. It was the first major building project of the great Tamil Chola dynasty.
Inspired by Shaivism, the temple stands as a significant testament to this tradition.
The frescoes on the Devalaya walls were damaged due to exposure to smoke and camphor. The Tanjore Nayak replaced the damaged paintings with their own. Later, @ASIGoI repaired the paintings. However, a few of the original artworks have begun to reappear.
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This exquisite fresco, dating back over a millennium, vividly captures the grace of two female and one male dancer in a mesmerizing performance. Nestled within the revered Brihadeshwarar Devalaya in Tamil Nadu, this ancient artwork reflects the region's rich cultural heritage and the timeless allure of classical Indian dance traditions.