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GemsOfINDOLOGY Profile picture
@GemsOfINDOLOGY
Jun 10, 2023 • 13 tweets • 11 min read • Read on X
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There are a few so-called 'historians' spreading misinformation about the massacre of Jains by Shaivas/Nayamnars in Madurai during the 7th century CE.

Even left-leaning #wiki debunks this claim. Please help to stop the spread of this fake narrative. Share with others as much as… twitter.com/i/web/status/1… ImageImage
As per @jainism_info This is historic site where Jain monks were killed , it is called raktasamanam ( blood of jains).

A plain translation of word 'raktasamanam' means 'blood of equality' or 'blood for honor' but this handle continued to perpetuate a false theory ?

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@jainism_info The Impalement of Jains is an event that dates back to the 7th cen. It was first mentioned in an 11th-century hagiographic Tamil text by Nambiyandar Nambi.
As per text, Jain monks allegedly persecuted Sambandar, Shaivite child-saint, in 7th century and attempted to kill him.… twitter.com/i/web/status/1… ImageImageImageImage
The Jain records do not mention the legend either. Even after the alleged massacre, the Jains continued to be concentrated in Madurai during the 8th and the 9th centuries. The Jain authors in Madurai composed several works during this period, including Sendan Divakaram (a Tamil… twitter.com/i/web/status/1… ImageImageImage
Parañcoti, who composed another version of Tiruvidaiyatar Puranam, made slight changes to the story, maybe to exonerate Campantar of his guilt, as alleged in the well-meaning Vempattfirar's work. When Campantar sought permission from Lord Siva, he replied that the Jains would… twitter.com/i/web/status/1… Image
Cekkilar, the author of Periyapurauam (12th century ce), the twelfth Tirumurai of the Saivites, seems to have a balanced perspective. There is evidence to believe that Cekkilar made a thorough study of Tevaram collections and did a lot of field work throughout Tamilnadu to equip… twitter.com/i/web/status/1… ImageImage
Öttakkattar, a contemporary of Cekkilar, a court poet of three Cola emperors and one of the Kaviccakkaravartti 'Emperor among poets' of the Cola Empire, narrates a slightly different version in his Takkaydkapparani (Öttakkuttar 1930: 171-220). This version also exonerates… twitter.com/i/web/status/1… Image
Perumparrappuliyar Nampi of Vempattur (hereafter referred to as Vempatturar) follows him in his Tiruvcidavayutaiydr Tiruvilaiya-tar Purdnam (Purcin am on the sacred sports of Lord Siva of Madurai), a work most probably of the 13th century A.D.

According to Vempattfirar, from… twitter.com/i/web/status/1… Image
While earlier sculptures available only shows impalement but not forced, but later paintings depicts the event as forced ones.
1st frescos from Meenakshi Temple widely quoted by eminents is not more than 400 years old i.e. painted after 1000+ years.
2nd Mural on the ceiling of… twitter.com/i/web/status/1… ImageImageImageImage
@Jainismrevival has referred to this book by L Lajapathi Roy available on readabit. @MinOfCultureGoI should remove this book from publication.
readabit.in/bookdetailview…


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Hiuen Tsang's (Xuanzang) a pilgrim from China
As per him - There were more than 100 Buddhist monasteries, The Deva-Temples were above 80, and the majority belonged to the Digambaras. The people were courageous, thoroughly trustworthy, and public-spirited, and they esteemed great… twitter.com/i/web/status/1… ImageImageImage
As it appears or made to appear that Jain's or Budhists were always on receiving end. It is not like that our ancestors have been open-minded who believed in open debates rather than diktats. They challenged each other to keep checks and balances within society in a healthy way.… twitter.com/i/web/status/1… Image
Src
jstor.org/stable/24890281
en.m.wikipedia.org/wiki/Impalemen…
journal.fi/scripta/articl…
Veluppillai, Alvappillai. (1993). The Hindu Confrontation with the Jaina and the Buddhist. Saint Tirunacampantar's Polemical Writings. Scripta Instituti Donneriani Aboensis. 15. 335-364.… twitter.com/i/web/status/1…

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More from @GemsOfINDOLOGY

GemsOfINDOLOGY Profile picture
Jun 7
Ever imagined yourself to be displayed as object in a Zoo ?

Here this thread captures real people and real agony. DONT proceed further if you are weak hearted.

This is a poster used during the era of Human Zoos. Note a "Negro" associated with an image of a monkey.

* sensitive material

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This part of a show called “Les Indes,” where captives from India are being paraded

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Black girl on display, Brussels, Belgium, 1958

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Read 9 tweets
GemsOfINDOLOGY Profile picture
Jun 6
Delving into Dholavira's metrology revelations.

Beyond ancient docks, lies advanced metrological wisdom.

From Mauryan architecture to now known as Qutub Minar, and Tajo Mahal the 5000 years old legacy lives on.

Bookmark this thread.

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As per latest studies, Dholavira construction used metrological units continued even in Tajo Mahal.

The author of this paper used "Dhanus" as 1.9 meters to evaluate dimensions and found that #harappan were not only fond of ratios but applied to all settlement of that period with some MOE

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The city's length EW axis and width NS are in a ratio of 5:4
The Castle also reflects the city's ratio of 5:4.
The Bailey is square (ratio 1:1).
The middle town's length and breadth are in a ratio of 7:6
The ceremonial ground's proportions are 6:1

3/12 https://www.indianculture.gov.in/other-collections/metrology-behind-harappan-town-planning
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Read 12 tweets
GemsOfINDOLOGY Profile picture
May 26
The Brihadeshwarar Devalaya was founded by the Tamil emperor Arulmozhivarman, popularly known as Rajaraja Chola I, in 1002 CE. It was the first major building project of the great Tamil Chola dynasty.

Inspired by Shaivism, the temple stands as a significant testament to this tradition.

The frescoes on the Devalaya walls were damaged due to exposure to smoke and camphor. The Tanjore Nayak replaced the damaged paintings with their own. Later, @ASIGoI repaired the paintings. However, a few of the original artworks have begun to reappear.

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This exquisite fresco, dating back over a millennium, vividly captures the grace of two female and one male dancer in a mesmerizing performance. Nestled within the revered Brihadeshwarar Devalaya in Tamil Nadu, this ancient artwork reflects the region's rich cultural heritage and the timeless allure of classical Indian dance traditions.

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Lakshmi
Brihadeshwarar Devalaya, Tamil Nadu

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Read 16 tweets
GemsOfINDOLOGY Profile picture
May 25
Brahma, Shiva, Vishnu, and other gods and goddesses blessing Guru Nanak Ji as a child

Paiting at Baba Atal Gurdwara, Amritsar.

Bābakalasī Gurū Nānak Jī Nali'ā Paḍata | ਬਾਬਕਲਸੀ ਗੁਰੂ ਨਾਨਕ ਜੀ ਨਲਿਆ ਪੰਡਤ (Translated using Google Translation. Please correct me if there are any errors).

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Another wall painting were Hindu God and GOdesses are praying before Gurudwara

"Sansarik" is imprinted on the cow. Can someone elaborate its significance.

Paiting at Baba Atal Gurdwara, Amritsar.

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A community feast probably celebrating the auspicious moment. Hindu Gods and Godesses are also witnessing the event.

Paiting at Baba Atal Gurdwara, Amritsar.

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Read 5 tweets
GemsOfINDOLOGY Profile picture
May 7
In 1770, the British Invasion on Australia's native territories, along with the determined original Australian opposition, was thoroughly documented by both James Cook and Joseph Banks, the British botanist who journeyed with the Endeavour expedition. In his journals, which can be found on the State Library of NSW website, Banks described the efforts of Aboriginal fighters to block the expedition's landing at Botany Bay.Image
Cook similarly recorded the armed resistance to the British landing party, writing in his journal on April 30, 1770, that "all they seem'd to want was for us to be gone." Image
British colonial settlement, which officially began in 1788, was far more violent. Hundreds of massacres were carried out against Aboriginal communities that resisted European encroachment. Image
Read 6 tweets
GemsOfINDOLOGY Profile picture
Apr 4
The Ṛgveda is believed to originate from the early 3rd millennium BCE., with some hymns possibly tracing back to the late 4th millennium BCE.

Its compilation likely ended around 1500 B.C., not in 1500 BCE as commonly believed, just as the Indus Valley civilization was fading and Mesopotamia was undergoing a time of uncertainty and turmoil (Levitt 2003: 356b).

Here in this thread, a commonality between Sumerian and Bhartiy text.

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The argument links an Indo-European view with the Vedic origin of the god Indra's name from the Sanskrit "indh-" meaning "to kindle." However, this doesn’t explain all of Indra's traits, which resemble those of the Sumerian god Enlil.

Both Indra and Enlil lead their pantheons, surpass higher moral gods, separate heaven from earth, and are storm gods in both literal and figurative senses. Indra's defeat of Aryan enemies parallels Enlil's conquests.

In Vedic and 3rd millennium B.C. Sumerian traditions, major natural forces were personified. Both have chief gods of air and storm—Indra for the Vedic and Enlil for the Sumerian—showing the significance of rain and storms in their cultures (Dandekar 1958: 13, Jacobsen 1949: 150). This connection is clear.

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Enki is often seen as cunning and crafty, much like rivers that skillfully navigate around obstacles. Víṣṇu’s three steps may parallel Enki’s journey through the civilized world and his establishment of world order and earth’s fertility, as depicted in "Enki and the World Order" (Kramer 1963: 171-174). The name Nārāyaṇá, explained by the Mānavadharmaśāstra 1.10 as 'moving in the waters' (with nāra meaning 'waters'), typically refers to Víṣṇu, although in this context it refers to Brahmā.

Víṣṇu is associated with Garuḍá, the sun-bird, while Enki is linked to Imdugud, an eagle-like thunderbird. It is important to note that the Ṛgveda provides limited information about Víṣṇu, as he is incidental to its primary purpose.

Image representational, generated using AI.

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Read 7 tweets

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