Alyssa Matesic Profile picture
Jun 15 9 tweets 2 min read Twitter logo Read on Twitter
Too often, authors think of exposition as something to avoid — but as I frequently discuss w/ my editing clients, some exposition is necessary to write an effective story.

Here are 6 tips to demystify exposition & some strategies you can use to do it right (an #amwriting 🧵):
1. Clarify the when & where. In the first 20 pgs or so, we should typically know:

- If we’re in the present, past or future
- Roughly what year it is
- Where we are geographically
- If it’s a real or fantasy world

Otherwise, your story can feel placeless.
2. Don’t info-dump. Avoid long standalone passages of exposition. But how to tell if you’re info-dumping?

Take out the exposition sentences & see if they can stand on their own. If they make sense out of the context of the narrative, you’re likely info-dumping.
3. Weave in context. Instead of info-dumping, reveal expository info throughout the plot action or character descriptions as it is relevant to the story. This maintains plot momentum while subtly building up the world around your characters.
4. Remove extraneous details. Leave out expository info that isn’t relevant to plot events. Deliver only the exposition readers need to follow the story — no more, no less. If you overload the reader w/ info that isn’t relevant in the story, it distracts from the narrative.
5. Illuminate the protag’s backstory. We need to know what has led the MC to the present moment. This establishes stakes & gets us invested in the story.

Weave in details about the events that have shaped the protag, what their life looks like, their goals & concerns, etc.
6. Don’t overshadow the main narrative. Avoid exposition that takes us out of the plot action. If you abruptly pause the narrative action to provide expository details, rethink how to deliver that info. Can you break it up & weave pieces of it into the scene?
6 tips for effective exposition:
1. Clarify the when & where
2. Don’t info-dump
3. Weave in context
4. Remove extra details
5. Illuminate the protag’s backstory
6. Don’t overshadow the main narrative

Exposition isn’t something to avoid, but be strategic w/ it! #writingcommunity
How do you approach exposition? What’s one thing the reader learns about your MC or your novel’s world on the very first page?

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More from @AlyssaMatesic

Jun 13
Almost every novel includes dialogue, but it’s tough to nail. Bad dialogue can undermine your story & make your writing look amateurish.

Here are 5 tips based on the dialogue mistakes I often see as a developmental editor (an #amwriting 🧵):
1. Fix mismatched attributions. If the tag that comes after a line of dialogue follows any character other than the character who just spoke, the reader will get confused. Generally, make sure the speaker is the 1st person you mention after the line of dialogue.
2. Show reactions. Line after line of dialogue w/ no break becomes tiring to read. Show us what they’re doing during the scene, their emotional reactions, tone of voice, etc. These details make the dialogue more realistic, esp. if there’s a dramatic moment in the conversation.
Read 7 tweets
Jun 8
You may have an incredible plot, great characters, & interesting scenes, but if your writing doesn’t hold up on a sentence level, it’s unlikely you’ll retain readers.

Here are 5 sentence-level mistakes I’ve seen new & seasoned writers make — & how to fix them (an #amwriting 🧵):
1. Redundant phrasing. Using extraneous words or phrases can make your writing clunky & hard to read.

Simplify your sentences. Make sure each word is necessary & serves a purpose. If you can take a word out w/out changing the meaning of the sentence, cut it.
2. Heavy-handed foreshadowing. Phrasing like “little did she know…” may SEEM like it builds suspense, but it actually tells the reader that something is about to happen & reduces the impact when it does. Let the reader experience the surprise when it comes.
Read 8 tweets
Jun 1
One of the most common novel structures is also one of the trickiest to pull off: the multi-storyline narrative.

Here are the 5 biggest mistakes I see when editing multiple-storyline novels, so you can catch & correct them in your own WIP (an #amwriting 🧵):
1. Switching storylines too frequently. This can make readers feel jostled & keep them from getting invested in the story.

To avoid a sense of whiplash, give readers ample time (at least a full scene) to get immersed in each character/storyline before moving on to the next.
2. Waiting too long btwn storylines. On the other hand, sitting w/ a single storyline for too long creates imbalance & slows down your pacing/plot momentum.

Try to dedicate a near-equal # of pages to ea. storyline. Stay consistent to keep the reader equally engaged w/ each one.
Read 7 tweets
May 30
A bad ending can give readers a bad impression of your book. The last thing you want is for them to finish the final page & feel unsatisfied.

So how can you tell if your ending is strong enough? Here are 5 Qs to help you make sure your ending is effective (an #amwriting 🧵):
1. Has the conflict been resolved? You hooked your reader w/ an intriguing point of conflict. If they reach the end, it’s b/c they want to see that conflict play out.

Readers want some level of resolution. Your ending doesn’t have to be happy, but it should offer closure.
2. Are loose ends tied up? A bad book ending leaves readers w/ unanswered questions. By the end, all subplots & character arcs should have a sense of finality.
They can be addressed at any point prior to the final scene/pages of your MS, as long as they’re resolved at some point.
Read 7 tweets
May 25
Even w/ the best story idea, compelling characters & a solid plot, your story won’t resonate if the writing falls flat.

In editing hundreds of novels, I’ve compiled 5 common examples of weak writing I often see, so you can identify & correct them in your own WIP (#amwriting 🧵):
1. Vague character descriptions. Listing adjectives is not the strongest way to convey a character’s persona. We want to see those adjectives in action. SHOW us how your characters think, feel & act. This will make them come alive & feel like layered, authentic human beings.
2. Excessive imagery. Be mindful of lingering too long on descriptions. While many writers do this aiming for more poetic prose, piling too many images can be clunky & obscure your message.

Opt for a single powerful image, metaphor or analogy to convey your point effectively.
Read 7 tweets
May 23
There are a million different ways to plot a book, and figuring out the best way for your plot to unfold can be tricky.

Here’s a framework for evaluating your plot’s effectiveness. Ask yourself these questions to determine if it holds up (an #amwriting 🧵):
1. Is there a clear point of conflict? To keep your reader engaged, your story MUST have a central conflict that they will want to see play out. Use this template: Protagonist wants X, but Y is stopping them.

Ideally, you’ll introduce this conflict within your first chapter.
2. Are the stakes high enough? The conflict must meaningfully impact the protag’s life somehow. Show us the consequences! This creates tension & keeps readers invested.

Add to the previous template: Protagonist wants X, but Y is stopping them; if they fail, Z will happen.
Read 7 tweets

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