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That description, of course, includes current Brazilian Oscar nominee THE SECRET AGENT and last year's winner for International Film, I’M STILL HERE, also from Brazil. Both unfold during the country’s military dictatorship, with Walter Salles’ film addressing it more directly. 





The first example that comes to mind is SEXO, PUDOR Y LÁGRIMAS. An erotic dramedy that was provocative for the time and became a box-office success when it debuted in 1999. The eponymous song by Alex Syntek was just as much of a radio hit.
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Of these 10, the ones I feel remain the most obscure and should be more widely seen are ALL IS WELL and MY HAPPY FAMILY, both directed or co-directed by women with women as protagonists. 