1)在上一篇貼文裡，我介紹了 #tezos 以及 #genart 的獨特性，而在這一篇貼文中，則是要有系統的教會大家，如何欣賞生成式藝術。時間回到1896年，當觀眾首次看到盧米埃爾兄弟的『火車進站』電影時，他們嚇得驚慌失措而逃離，而這正呈現新媒體的特質，人們必須習慣新的敘事方法後，才能開始理解其內涵。 2)生成式藝術在區塊鏈的推波助瀾下，跟過往的（2021年前）的型態很不同。早些年前，生成藝術因其可複製性，我們在創作時較重視表演性， audio/visual 的形式，是市場主流；嚴格的控制frameRate、與其他媒材的協調性（聲音、光線），然而當區塊鏈讓生成藝術固定型態後，一切的發展又都不同了。

1)When I was younger and working at museums, some of the indigenous art I saw had a great influence on me. The vibrant lines, bold color choices, and respect for nature left a deep impression on me. I especially appreciate artists like Max LIU, whose works fully express the thoughts and compassion of humans towards all things.
ravenel.com/cata/artistIn1…

If one day both #tezos and #eth cryptocurrencies suffer a flash crash and their values return to zero, would NFTs still have value on these chains? My guess is: 1. Trading on the market will come to a complete halt in the short term and many NFTs will truly die.