Postdoc @CambridgeFames & @theUL | PhD Middle Eastern Studies | he/him | opinions my own 🐝 | Pre-order 'The Illustrated Cairo Genizah': https://t.co/5BrnUSCCd6
Aug 16 • 26 tweets • 10 min read
After 100 days of continuous action, the Cambridge Encampment for Palestine finally closed on Wednesday. This is a thread documenting the incredible things I witnessed there over the last 3 months, in the hope of demystifying the protest for my many colleagues who remain silent.
Cambridge students set up the first tents on the lawn in front of King’s College on May 6th (the same day as Oxford’s camp), inspired by similar camps at other schools. They stayed on King’s Parade in the heart of Cambridge for the next 14 weeks.
Oct 14, 2022 • 19 tweets • 14 min read
1/🧵This is Nabia Abbott. She was a groundbreaking scholar of #Arabic manuscripts, the first woman to be a professor at @UChicago’s Oriental Institute, and once sent me on a wild goose chase spanning 3 continents. She deserves a lot more than one thread, but here's a start.
2/Nabīha ʿAbūd (نبيهة عبود), later known as Nabia Abbott, was born in 1897 to a Christian family in Mardin (then the Ottoman Empire, now modern Turkey). Her family moved around a lot, which led to her attending school in India and completing a BA degree in Lucknow in 1919.
Oct 6, 2022 • 16 tweets • 9 min read
1/🧵So there’s this box in the Genizah Research Unit at @theUL. It’s labelled “Worman Archive.” It’s supposed to be full of stuff associated with Ernest James Worman, a librarian who catalogued the #Genizah collection 120 years ago. Yesterday I found out that’s not all true.
2/See, Worman’s story is actually quite tragic. He was born in 1871 to a working-class #Cambridge family. That’s not the tragic part. In 1895, @theUL hired him as a “Library Assistant.” He then taught himself Arabic and Hebrew to catalogue the #Genizah manuscript collection.
Sep 22, 2022 • 12 tweets • 9 min read
1/Centuries before the #printingpress took off in Europe, printers in Egypt employed a type of woodblock printing known as “tarsh” (طرش). Only around 100 of these tarsh prints are known to exist. They are also very cool, so here’s a 🧵on #Arabic block prints in @theUL. #Cambridge
2/“Woodblock printing” is a term historians use to talk about making a big stamp and slapping paper onto it. Block printers would carve wood so the negative space looked like whatever image or text they wanted to print. Then they’d coat it in ink and stamp some paper. Easy.