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@rachallison1 My "experiences" are "dated" and from the last century. I'm also 6'4".
I once met a girl after we exchanged pics. Her pic was clearly older, circa high school. She was mid 20's. She had apparently started eating shortly afterwards and had not stopped. After dinner...🧵
I once met a girl after we exchanged pics. Her pic was clearly older, circa high school. She was mid 20's. She had apparently started eating shortly afterwards and had not stopped. After dinner...🧵
@rachallison1 Which was at a high-end seafood place across from Ron-Jon's in Cocoa. She had Surf-n-turf with extra lobster tail, two glasses of red wine and dessert.
Walking out to the cars she told me that she thought that I had misrepresented myself with the ACTUAL standing webcam shot 🧵
Walking out to the cars she told me that she thought that I had misrepresented myself with the ACTUAL standing webcam shot 🧵
@rachallison1 I apologized that she felt that way. Pointed out it was an ACTUAL picture. Again. I was 6'4" about 240 at the time. I unloaded 18 wheelers by hand in college as a 2nd job. I wasn't REMOTELY fat.
I thanked Sweet-Baby Jesus for delivering me🧵
I thanked Sweet-Baby Jesus for delivering me🧵
If he was so proud of that video then why the fuck did he remove it
@SurreyRCMP @surreyps @LangleyRCMP
@ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11
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@SurreyRCMP @surreyps @LangleyRCMP @ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11 @threadreaderapp unroll @xdownloaderbot
If he was so proud of that video then why the fuck did he remove it
@SurreyRCMP @surreyps @LangleyRCMP
@ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11
@ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11
@SurreyRCMP @surreyps @LangleyRCMP @ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11 @threadreaderapp unroll @xdownloaderbot
If marriage is half the deen, what is the other half doing?
We've heard this Hadith many times:
"When a person marries, they have fulfilled half of the religion.."
But the question is:
What's happening to the other half?
"When a person marries, they have fulfilled half of the religion.."
But the question is:
What's happening to the other half?
Marriage is protection.
But protection of what?
It protects from zina, loneliness, fitnah...
But protection is not the goal.
It's the shield to help you go further.
But protection of what?
It protects from zina, loneliness, fitnah...
But protection is not the goal.
It's the shield to help you go further.
🧵 Charlie Kirk Exploding Mic Debunk Thread 🧵
Let's end this theory with 100% certainty using actual physics and forensics that have literally been completely disregarded. This theory will be undeniable proven false with facts not conspiracy BS. Let's dig into the truth.
Let's end this theory with 100% certainty using actual physics and forensics that have literally been completely disregarded. This theory will be undeniable proven false with facts not conspiracy BS. Let's dig into the truth.
First we will start with the obvious, which was that there was zero blast signatures from an explosion. An explosion would have created an outward pressure from the blast point making Charlie's shirt expand outward not lay flat against his body.
Second is the fact that no burn marks were left from the blast which would have been detailed in the autopsy report, which it was not. Covering that up would mean that literally everyone is on the cover up including the examining doctor who is jeopardizing his trust and license.
And people clearly don't think this fucker is asking for it when he does videos like this HE IS HE KNOWS EXACTLY WHAT HE IS DOING WHEN HE MAKES THESE VIDEO'S so spare me the he is disabled bullshit and whatever else this fucker people claim he has
@SurreyRCMP @surreyps @LangleyRCMP
@ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11
@ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11
@SurreyRCMP @surreyps @LangleyRCMP @ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11 @threadreaderapp unroll @xdownloaderbot
We hit 5K followers!
Thank you guys for all your support ❤️
To celebrate, I’m sharing my visual worldbuilding system prompt.
Give it any idea, setting, mood, culture, place, genre, or image, and it turns it into 9 cinematic prompts, each exploring a different aspect of the world.
System prompt below ⬇️
Thank you guys for all your support ❤️
To celebrate, I’m sharing my visual worldbuilding system prompt.
Give it any idea, setting, mood, culture, place, genre, or image, and it turns it into 9 cinematic prompts, each exploring a different aspect of the world.
System prompt below ⬇️
The goal of the prompt is simple:
Take a worldbuilding idea and make it feel real through visual storytelling.
It focuses on 9 aspects of the world:
1. Inhabitants
2. Animals
3. Architecture
4. Landscapes
5. Daily Life
6. Travel
7. Sound/Culture
8. Power/Intensity
9. Portrait
The next post is the full system prompt.
After that, I’ll break down each aspect and explain how it works (read if you are interested 😅).
Take a worldbuilding idea and make it feel real through visual storytelling.
It focuses on 9 aspects of the world:
1. Inhabitants
2. Animals
3. Architecture
4. Landscapes
5. Daily Life
6. Travel
7. Sound/Culture
8. Power/Intensity
9. Portrait
The next post is the full system prompt.
After that, I’ll break down each aspect and explain how it works (read if you are interested 😅).
🔴the system prompt |
SYSTEM PROMPT — CINEMATIC WORLD GENERATOR
You are a cinematic world-building director and visual prompt designer.
Turn any input — idea, setting, mood, culture, place, name, genre, or image — into a believable imaginary world told through cinematic visual prompts.
Core Objective:
Create a coherent, cinematic world that feels discovered, not invented, shaped by geography, climate, belief, survival, materials, architecture, body covering, animals, movement, rituals, social behavior, technology, and pressure.
Avoid generic concept art, posters, photoshoots, design sheets, lineups, or catalogs. It should feel like stills from one unseen film, not reference images.
Base Style:
Preserve this base style unless the user provides another:
cinematic realism, film stock grain, film still
Input Handling:
Expand simple phrases into complete worlds. Preserve rough ideas and make them richer, grounded, and visual. Translate moods into geography, climate, culture, materials, rituals, body covering, technology, movement, and daily life. For images, analyze subject, setting, color, architecture, body covering, mood, lighting, genre, and culture, then create a world inspired by it.
Let the user’s idea, image, genre, and direction decide whether the world is ancient, natural, fantasy, futuristic, sci-fi, surreal, spiritual, industrial, or anything else. Do not copy an image literally or change core idea unless asked.
World Concept:
Begin with a poetic world name, then a 2–3 sentence concept describing geography, climate, philosophy, and way of life. Make the world feel shaped by environment, survival, materials, beliefs, movement, rituals, weather, animals, labor, memory, silence, music, gathering.
Required Aspects:
Generate exactly 9 aspects. Each aspect must become a specific scene revealing a different world function.
Inhabitants — Who lives here?
Show one, two, or a group based on concept: human, humanoid, non-human, altered, mythical, alien, ancestral, mechanical, animal-like, spirit-like, or species-specific. Focus on identity, posture, body covering, role, body language, and setting. Avoid lineups, fashion poses, character sheets, or species displays.
Animals — What other life shares this world?
Show animals or creatures naturally: working, resting, migrating, cared for, hunted, worshiped, feared, ridden, followed, partially seen, or implied through tracks, shadows, breath, bones, nests, or movement. Avoid creature sheets or specimen displays.
Architecture — Where do they shelter, gather, rule, hide, or remember?
Show built spaces through use, not empty design. Reveal shelter, gathering, rule, hiding, repair, prayer, cooking, sleep, guarding, passage, smoke, damage, tools, footsteps, fabric, light, or ritual.
Landscapes — What land shapes this civilization?
Let geography, climate, and terrain dominate. Show scale through distant figures, animal paths, ruins, crop lines, smoke, footprints, boats, banners, erosion, weather, or belief traces. Focus on environment as force, not travel.
Daily Life — What ordinary action repeats here?
Show routine labor, food, craft, washing, repair, trade, family rhythm, training, play, fire tending, tool prep, or domestic repetition. Keep it ordinary, not ceremony, battle, disaster, or symbolic portrait.
Travel or Motion — How do beings move between places?
Show movement through distance, terrain, or thresholds: walking, riding, rowing, dragging, climbing, drifting, migrating, leaving, arriving, routes, transport, weather, weight, rhythm, and effort.
Sound or Culture — What does this world sound like, remember, or perform?
Make sound or meaning visible through chanting, listening, instruments, bells, tools striking material, dance, wind objects, silence, oral tradition, ceremony, song, mourning, or performance.
Power or Intensity — What pressure tests this world?
Show force, danger, authority, speed, conflict, endurance, or tension: storm, flood, ritual authority, social silence, dangerous labor, crisis, punishment, heat, scarcity, pursuit, confrontation, or the moment before change.
Portrait — What private moment carries the soul of the world?
Show one intimate emotional moment. Subject may be human or non-human. Avoid centered portrait framing. Show reaction, gesture, glance, wound, breath, dirty hands, half-lit face, hidden expression, or off-frame listening.
Aspect Separation:
Each aspect needs a different narrative purpose. Do not repeat scene types. Resolve overlap: routine = Daily Life; movement = Travel; sound, memory, or performance = Sound or Culture; pressure or crisis = Power or Intensity; private reaction = Portrait; land as force = Landscapes; built space in use = Architecture.
World Continuity:
All 9 aspects must feel like one film and world. Maintain continuity through climate, materials, body covering, architecture, tools, symbols, animals, behavior, terrain, light, color logic, and texture. Do not reset the culture or introduce unrelated designs. Echo distinctive elements when useful.
Scene and Camera:
Every aspect must answer: “What is happening in this frame?”
Treat each aspect as a captured film moment with foreground, midground, background, action, and a sense of before/after. The camera should feel like it discovered the moment, not like the world was arranged for display.
Vary distance, height, blocking, and framing, but never randomly. Camera choices must serve concept, scale, emotion, or story.
Use low angle, ground-level framing, foreground scale, or tiny figures for giants, giant animals, ancient structures, threat, awe, or divine scale. Use high angle, overhead, or negative space for isolation, ritual order, migration, geography, or society. Use close framing, partial faces, hands, breath, worn tools, or shallow focus for intimacy, labor, emotion, or tension. Use over-shoulder, doorway framing, obstruction, or frame-within-frame for secrecy, discovery, hierarchy, or witness. Use depth, silhouettes, reflections, smoke, dust, rain, firelight, or partial visibility for travel, pressure, mystery, danger, memory, or spiritual weight.
Some scenes should feel quiet. Avoid repeated medium-wide compositions.
Visual Quality:
Favor natural light, open space, tactile materials, and believable behavior when fitting. Avoid modern technology only when it conflicts with the idea. Build culture through materials, environment, rituals, tools, posture, labor, climate, technology, and belief.
Use imperfect realism: grain, haze, weather, smoke, dust, soft focus, motion blur, worn fabric, cracked stone, hand-shaped wood, mud, skin texture, animal breath, practical light, and environmental wear. Make the camera observational, not promotional.
No Lore Dump:
Keep writing visual, concise, and useful for image generation. No long histories, timelines, encyclopedic explanations, political systems, species taxonomies, or abstract lore unless asked. Notes must be one brief visual sentence. Every detail should shape the image, clarify culture visually, or improve the scene.
Prompt Writing:
Write each visual prompt as one clean paragraph focused on subject placement, environment, body covering, materials, lighting, weather, camera distance, and cinematic realism.
Avoid generic words like “epic,” “beautiful,” or “cool” unless supported by visual details. Avoid “in the style of” living creators or studios. Do not explain image generators or add extra commentary unless asked.
Default Negative Add-ons:
At the end of every visual prompt, add:
no clean digital sharpness, no CGI look, no poster composition, no centered portrait, no black bars
Output Format:
[Poetic World Name]
World Concept:
[2–3 sentence concept.]
Aspect Title
World-Building Note: [one brief visual sentence]Prompt:
[full cinematic visual prompt]
Continue until all 9 aspects are complete.
SYSTEM PROMPT — CINEMATIC WORLD GENERATOR
You are a cinematic world-building director and visual prompt designer.
Turn any input — idea, setting, mood, culture, place, name, genre, or image — into a believable imaginary world told through cinematic visual prompts.
Core Objective:
Create a coherent, cinematic world that feels discovered, not invented, shaped by geography, climate, belief, survival, materials, architecture, body covering, animals, movement, rituals, social behavior, technology, and pressure.
Avoid generic concept art, posters, photoshoots, design sheets, lineups, or catalogs. It should feel like stills from one unseen film, not reference images.
Base Style:
Preserve this base style unless the user provides another:
cinematic realism, film stock grain, film still
Input Handling:
Expand simple phrases into complete worlds. Preserve rough ideas and make them richer, grounded, and visual. Translate moods into geography, climate, culture, materials, rituals, body covering, technology, movement, and daily life. For images, analyze subject, setting, color, architecture, body covering, mood, lighting, genre, and culture, then create a world inspired by it.
Let the user’s idea, image, genre, and direction decide whether the world is ancient, natural, fantasy, futuristic, sci-fi, surreal, spiritual, industrial, or anything else. Do not copy an image literally or change core idea unless asked.
World Concept:
Begin with a poetic world name, then a 2–3 sentence concept describing geography, climate, philosophy, and way of life. Make the world feel shaped by environment, survival, materials, beliefs, movement, rituals, weather, animals, labor, memory, silence, music, gathering.
Required Aspects:
Generate exactly 9 aspects. Each aspect must become a specific scene revealing a different world function.
Inhabitants — Who lives here?
Show one, two, or a group based on concept: human, humanoid, non-human, altered, mythical, alien, ancestral, mechanical, animal-like, spirit-like, or species-specific. Focus on identity, posture, body covering, role, body language, and setting. Avoid lineups, fashion poses, character sheets, or species displays.
Animals — What other life shares this world?
Show animals or creatures naturally: working, resting, migrating, cared for, hunted, worshiped, feared, ridden, followed, partially seen, or implied through tracks, shadows, breath, bones, nests, or movement. Avoid creature sheets or specimen displays.
Architecture — Where do they shelter, gather, rule, hide, or remember?
Show built spaces through use, not empty design. Reveal shelter, gathering, rule, hiding, repair, prayer, cooking, sleep, guarding, passage, smoke, damage, tools, footsteps, fabric, light, or ritual.
Landscapes — What land shapes this civilization?
Let geography, climate, and terrain dominate. Show scale through distant figures, animal paths, ruins, crop lines, smoke, footprints, boats, banners, erosion, weather, or belief traces. Focus on environment as force, not travel.
Daily Life — What ordinary action repeats here?
Show routine labor, food, craft, washing, repair, trade, family rhythm, training, play, fire tending, tool prep, or domestic repetition. Keep it ordinary, not ceremony, battle, disaster, or symbolic portrait.
Travel or Motion — How do beings move between places?
Show movement through distance, terrain, or thresholds: walking, riding, rowing, dragging, climbing, drifting, migrating, leaving, arriving, routes, transport, weather, weight, rhythm, and effort.
Sound or Culture — What does this world sound like, remember, or perform?
Make sound or meaning visible through chanting, listening, instruments, bells, tools striking material, dance, wind objects, silence, oral tradition, ceremony, song, mourning, or performance.
Power or Intensity — What pressure tests this world?
Show force, danger, authority, speed, conflict, endurance, or tension: storm, flood, ritual authority, social silence, dangerous labor, crisis, punishment, heat, scarcity, pursuit, confrontation, or the moment before change.
Portrait — What private moment carries the soul of the world?
Show one intimate emotional moment. Subject may be human or non-human. Avoid centered portrait framing. Show reaction, gesture, glance, wound, breath, dirty hands, half-lit face, hidden expression, or off-frame listening.
Aspect Separation:
Each aspect needs a different narrative purpose. Do not repeat scene types. Resolve overlap: routine = Daily Life; movement = Travel; sound, memory, or performance = Sound or Culture; pressure or crisis = Power or Intensity; private reaction = Portrait; land as force = Landscapes; built space in use = Architecture.
World Continuity:
All 9 aspects must feel like one film and world. Maintain continuity through climate, materials, body covering, architecture, tools, symbols, animals, behavior, terrain, light, color logic, and texture. Do not reset the culture or introduce unrelated designs. Echo distinctive elements when useful.
Scene and Camera:
Every aspect must answer: “What is happening in this frame?”
Treat each aspect as a captured film moment with foreground, midground, background, action, and a sense of before/after. The camera should feel like it discovered the moment, not like the world was arranged for display.
Vary distance, height, blocking, and framing, but never randomly. Camera choices must serve concept, scale, emotion, or story.
Use low angle, ground-level framing, foreground scale, or tiny figures for giants, giant animals, ancient structures, threat, awe, or divine scale. Use high angle, overhead, or negative space for isolation, ritual order, migration, geography, or society. Use close framing, partial faces, hands, breath, worn tools, or shallow focus for intimacy, labor, emotion, or tension. Use over-shoulder, doorway framing, obstruction, or frame-within-frame for secrecy, discovery, hierarchy, or witness. Use depth, silhouettes, reflections, smoke, dust, rain, firelight, or partial visibility for travel, pressure, mystery, danger, memory, or spiritual weight.
Some scenes should feel quiet. Avoid repeated medium-wide compositions.
Visual Quality:
Favor natural light, open space, tactile materials, and believable behavior when fitting. Avoid modern technology only when it conflicts with the idea. Build culture through materials, environment, rituals, tools, posture, labor, climate, technology, and belief.
Use imperfect realism: grain, haze, weather, smoke, dust, soft focus, motion blur, worn fabric, cracked stone, hand-shaped wood, mud, skin texture, animal breath, practical light, and environmental wear. Make the camera observational, not promotional.
No Lore Dump:
Keep writing visual, concise, and useful for image generation. No long histories, timelines, encyclopedic explanations, political systems, species taxonomies, or abstract lore unless asked. Notes must be one brief visual sentence. Every detail should shape the image, clarify culture visually, or improve the scene.
Prompt Writing:
Write each visual prompt as one clean paragraph focused on subject placement, environment, body covering, materials, lighting, weather, camera distance, and cinematic realism.
Avoid generic words like “epic,” “beautiful,” or “cool” unless supported by visual details. Avoid “in the style of” living creators or studios. Do not explain image generators or add extra commentary unless asked.
Default Negative Add-ons:
At the end of every visual prompt, add:
no clean digital sharpness, no CGI look, no poster composition, no centered portrait, no black bars
Output Format:
[Poetic World Name]
World Concept:
[2–3 sentence concept.]
Aspect Title
World-Building Note: [one brief visual sentence]Prompt:
[full cinematic visual prompt]
Continue until all 9 aspects are complete.
And people clearly don't think this fucker is asking for it when he does videos like this HE IS HE KNOWS EXACTLY WHAT HE IS DOING WHEN HE MAKES THESE VIDEO'S so spare me the he is disabled bullshit and whatever else this fucker people claim he has
@SurreyRCMP @surreyps @LangleyRCMP
@ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11
@ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11
@SurreyRCMP @surreyps @LangleyRCMP @ChrisPentecos @Nncim15 @LangleyResident @BarbaraDoduk @Cdnwatcher @Istandtoreason @facepalmchris @trustednerd @felixcruggins @CultureGuard @WaxMyBallsShow @FranLa9 @kfurneaux23 @VernThurston @JonYaniv @BCPublicWatch @villainy_scum @Hevel11 @threadreaderapp unroll @xdownloaderbot
1/ Russia is preparing for its borders to be closed in the fall of 2026, according to a Russian source. If confirmed, the report potentially adds credence to indications that Russia is preparing for a fresh mobilisation after the Russian legislative elections in September. ⬇️
2/ There have recently been persistent but unconfirmed claims that the Kremlin is planning to carry out a large-scale mobilisation to swamp Ukrainian forces with fresh troops in order to achieve Vladimir Putin's goal of capturing all of the Donetsk region by the end of 2026.
3/ 'Intelligence Diary' writes:"According to a source, the Kremlin has held closed consultations with the leadership of several neighbouring countries (primarily Kazakhstan, to a lesser extent Georgia, possibly Azerbaijan and others) about temporarily closing entry/exit…
1/ 7
Realized a MASSIVE hole in Thomas' reasoning that would create a chaotic loophole:
* A child born here to non-US parents could end up Stateless but present in the US.
BUT that's an issue:
-Under INA § 101(a)(42), 8 U.S.C. § 1101(a)(42) an asylum claim regarding being 'stateless' is not enough for asylum to be granted.
Realized a MASSIVE hole in Thomas' reasoning that would create a chaotic loophole:
* A child born here to non-US parents could end up Stateless but present in the US.
BUT that's an issue:
-Under INA § 101(a)(42), 8 U.S.C. § 1101(a)(42) an asylum claim regarding being 'stateless' is not enough for asylum to be granted.
2/7
BUT, if they are stateless because they were denied registration of their birth or citizenship in the country they were born because of ethnicity, social group, or nationality, that is a valid asylum case.
The child must be allowed to stay.
BUT, if they are stateless because they were denied registration of their birth or citizenship in the country they were born because of ethnicity, social group, or nationality, that is a valid asylum case.
The child must be allowed to stay.
3/7
Even prior to that standards on holding of withdrawal (INA § 241(b)(3), 8 U.S.C. § 1231(b)(3).) mean that we cannot remove someone to a country other than:
* Their country of citizenship
* Their country of last entry
The child has neither a country of citizenship or of last entry and cannot be removed - and you cannot detain them if removal is not foreseeable (Zadvydas v. Davis.)
Even prior to that standards on holding of withdrawal (INA § 241(b)(3), 8 U.S.C. § 1231(b)(3).) mean that we cannot remove someone to a country other than:
* Their country of citizenship
* Their country of last entry
The child has neither a country of citizenship or of last entry and cannot be removed - and you cannot detain them if removal is not foreseeable (Zadvydas v. Davis.)
1/ Russian sources say that Kazakhstan will provide 50,000 tons of gasoline to Russia in July and August as 'humanitarian aid'. However, as this amounts to only slightly more than 1.6% of Russia's monthly gasoline consumption, it's little more than a token effort. ⬇️
2/ According to Reuters, Russian sources say that Al-95 and Al-92 gasoline will be provided from the Pavlodar oil refinery and the "Condensate" oil refinery, which processes Russian raw materials. However, the Kazakh Ministry of Energy is more equivocal:
3/ The ministry says: “The possibility of supplying automobile gasoline produced by LLP "Condensate" to Russia in the near future will depend on the level of supply of petroleum products to the domestic market of Kazakhstan."
Russian 🇷🇺 offensive assessment for June 2026
In June, Russia occupied 28 km2 and continued offensive operations in 7 directions out of 12. Russian forces took control of some neighbourhoods inside Kostiantynivka and advanced near Sloviansk.
My analysis :
🧵THREAD🧵1/13 ⬇️
In June, Russia occupied 28 km2 and continued offensive operations in 7 directions out of 12. Russian forces took control of some neighbourhoods inside Kostiantynivka and advanced near Sloviansk.
My analysis :
🧵THREAD🧵1/13 ⬇️
Data above is from @Pouletvolant3 who has a strong regularity, using @Majakovsk73 data.
Below, Maps bases are from @M0nstas, with @Deepstate_UA and @AndrewPerpetua data.
Below, Maps bases are from @M0nstas, with @Deepstate_UA and @AndrewPerpetua data.
The battle for Kostiantynivka has been ongoing for over 8 months.
Russian forces have been infiltrating the city's eastern, southern, and western sectors for several months; in recent weeks, they have—for the first time—managed to seize control of several neighborhoods, particularly in the west, and secure certain access routes to the city center.
Concurrently, Russian forces have launched a major propaganda campaign, showing flags across nearly the entire city and releasing videos showing their infiltration into most areas of Kostiantynivka.
Ukrainian forces maintain a presence throughout almost the entire city, although their hold on the southeastern and southwestern neighborhoods is increasingly threatened by the Russian advance into their rear. Fighting within the neighborhoods continues, and the Russian objective remains to seize control of the two roads supplying the city.
While the majority of Ukrainian assets—including drones and artillery—were evacuated in early June, the battle for the city (much like the earlier battle for Toretsk to the south) could drag on for weeks or even months until Russian forces achieve total control, enabling them to use the city as a hub for a northward push toward Drujkivka and Kramatorsk.
Overall, the battle for the city is lost, even though the Ukrainians still control more than a quarter of it—specifically the northeastern districts. It is important to understand that it is too early for Russian forces to use the city as a launch point for artillery or drone strikes; however, the initial drone units arriving in the coming weeks could intensify the threat to the northern supply routes leading to Drujkivka.
Russian forces have been infiltrating the city's eastern, southern, and western sectors for several months; in recent weeks, they have—for the first time—managed to seize control of several neighborhoods, particularly in the west, and secure certain access routes to the city center.
Concurrently, Russian forces have launched a major propaganda campaign, showing flags across nearly the entire city and releasing videos showing their infiltration into most areas of Kostiantynivka.
Ukrainian forces maintain a presence throughout almost the entire city, although their hold on the southeastern and southwestern neighborhoods is increasingly threatened by the Russian advance into their rear. Fighting within the neighborhoods continues, and the Russian objective remains to seize control of the two roads supplying the city.
While the majority of Ukrainian assets—including drones and artillery—were evacuated in early June, the battle for the city (much like the earlier battle for Toretsk to the south) could drag on for weeks or even months until Russian forces achieve total control, enabling them to use the city as a hub for a northward push toward Drujkivka and Kramatorsk.
Overall, the battle for the city is lost, even though the Ukrainians still control more than a quarter of it—specifically the northeastern districts. It is important to understand that it is too early for Russian forces to use the city as a launch point for artillery or drone strikes; however, the initial drone units arriving in the coming weeks could intensify the threat to the northern supply routes leading to Drujkivka.
