Recent well liked threads
Bluesky's "decentralization" exposed: Thread 🧵 
Bluesky claims to be decentralized, based on the "AT Protocol"
There's an "AppView" (the actual app you see) and a "Personal Data Server" (the actual server that stores your data)
There's an "AppView" (the actual app you see) and a "Personal Data Server" (the actual server that stores your data)
99% of users use the same AppView (bsky(.)app) and PDS (bsky(.)social)
There are some third-party AppViews, but most third-party PDSes (for some reason they call the plural PDS in docs, they don't even know English) are either invite-only or don't work at all
There are some third-party AppViews, but most third-party PDSes (for some reason they call the plural PDS in docs, they don't even know English) are either invite-only or don't work at all
Trading and Risk Management
Why majority of traders are unsuccessful in trading?
Most traders don’t fail because of bad strategy,
they fail because of bad risk management
Strategy is small part of trading but managing risk carry majority of weightage
I remind myself below quote:
"If you’r a poor analyst but a great risk manager, you may still survive any how
But if you are a great analyst but a poor risk manager, you won’t survive long in the market"
Here is step by step process on managing RISK
go through it for several times to understand it in-depth.
Retweet if you like this process on managing the RISK
Why majority of traders are unsuccessful in trading?
Most traders don’t fail because of bad strategy,
they fail because of bad risk management
Strategy is small part of trading but managing risk carry majority of weightage
I remind myself below quote:
"If you’r a poor analyst but a great risk manager, you may still survive any how
But if you are a great analyst but a poor risk manager, you won’t survive long in the market"
Here is step by step process on managing RISK
go through it for several times to understand it in-depth.
Retweet if you like this process on managing the RISK
Risk comes first, reward later
always focus on protecting capital before chasing profits.
Stop-loss is essential — it limits losses and prevents emotional decisions.
Human bias makes traders hold losing trades, hoping to prove themselves right.
Predefine your exit — set a price level below which you’ll sell, even if it means accepting you were wrong.
Never trade without a stop-loss — it’s the foundation of survival in trading.
always focus on protecting capital before chasing profits.
Stop-loss is essential — it limits losses and prevents emotional decisions.
Human bias makes traders hold losing trades, hoping to prove themselves right.
Predefine your exit — set a price level below which you’ll sell, even if it means accepting you were wrong.
Never trade without a stop-loss — it’s the foundation of survival in trading.
Risk Per Trade (RPT)
Risk per trade (RPT) should be a small portion of total capital — typically 0.5–1% of account value.
Always exit when stop-loss is hit — taking a small loss early prevents a bigger one later.
Most traders fail because they enter trades without knowing how much loss they can tolerate.
With 0.5% RPT of AV, 200 consecutive losses will be required to wipe out your capital — that’s the power of discipline.
Golden rule: Always define your risk % before entering any trade — protect capital first.
Risk per trade (RPT) should be a small portion of total capital — typically 0.5–1% of account value.
Always exit when stop-loss is hit — taking a small loss early prevents a bigger one later.
Most traders fail because they enter trades without knowing how much loss they can tolerate.
With 0.5% RPT of AV, 200 consecutive losses will be required to wipe out your capital — that’s the power of discipline.
Golden rule: Always define your risk % before entering any trade — protect capital first.
The National Association for Gun Rights is officially calling for Attorney General Pam Bondi to be FIRED.
Those are not words we take lightly - but Pam Bondi has given us no choice.
While we all had major concerns with the nomination of Pam Bondi as AG, we hoped for the best and that she would prove a staunch advocate for the right to keep and bear arms.
Unfortunately, it’s been 9 MONTHS since Bondi was confirmed, and it has become increasingly evident that she has failed the Second Amendment.
Now, we are taking action. We are calling for Bondi’s IMMEDIATE termination.
Details below ⤵️
Those are not words we take lightly - but Pam Bondi has given us no choice.
While we all had major concerns with the nomination of Pam Bondi as AG, we hoped for the best and that she would prove a staunch advocate for the right to keep and bear arms.
Unfortunately, it’s been 9 MONTHS since Bondi was confirmed, and it has become increasingly evident that she has failed the Second Amendment.
Now, we are taking action. We are calling for Bondi’s IMMEDIATE termination.
Details below ⤵️
The straw that broke the camel’s back came this week, when she convinced a federal judge to demand the member lists of TWO national Second Amendment advocacy organizations.
That’s right - Pam Bondi’s DOJ successfully scored a court order for two gun groups to HAND OVER THEIR MEMBERS’ PRIVATE INFORMATION to the federal government; in all likelihood names, addresses, contact info - everything.
Enough is enough.
That’s right - Pam Bondi’s DOJ successfully scored a court order for two gun groups to HAND OVER THEIR MEMBERS’ PRIVATE INFORMATION to the federal government; in all likelihood names, addresses, contact info - everything.
Enough is enough.
Stop what you’re doing.
Right now, before you do anything else, we are calling YOU to sign your petition calling for the immediate termination of Pam Bondi as Attorney General.
Gun owners deserve an Attorney General who will FIGHT for the Second Amendment, not treat it as a second-class right. It’s time for Pam Bondi to go.
Sign the petition now calling for the IMMEDIATE termination of Pam Bondi as Attorney General:
action.gunrights.org/2025/2024_Bond…
You thought we were done with this nonsense when Biden left office, didn’t you?!
Right now, before you do anything else, we are calling YOU to sign your petition calling for the immediate termination of Pam Bondi as Attorney General.
Gun owners deserve an Attorney General who will FIGHT for the Second Amendment, not treat it as a second-class right. It’s time for Pam Bondi to go.
Sign the petition now calling for the IMMEDIATE termination of Pam Bondi as Attorney General:
action.gunrights.org/2025/2024_Bond…
You thought we were done with this nonsense when Biden left office, didn’t you?!
I finally understand how large language models actually work
After reading the 2025 textbook “Foundations of LLMs”
It blew my mind and cleared up years of confusion
Here’s everything i learned (in plain english):
After reading the 2025 textbook “Foundations of LLMs”
It blew my mind and cleared up years of confusion
Here’s everything i learned (in plain english):
To understand LLMs, start with pre-training.
We don’t teach them specific tasks.
We flood them with raw text and let them discover patterns on their own.
This technique is called self-supervised learning and it’s the foundation of everything.
We don’t teach them specific tasks.
We flood them with raw text and let them discover patterns on their own.
This technique is called self-supervised learning and it’s the foundation of everything.
There are 3 ways to pre-train:
→ Unsupervised: No labels at all
→ Supervised: Classic labeled data
→ Self-supervised: Model creates its own labels (e.g., “guess the missing word”)
LLMs use #3 it scales like crazy and teaches them language from scratch.
→ Unsupervised: No labels at all
→ Supervised: Classic labeled data
→ Self-supervised: Model creates its own labels (e.g., “guess the missing word”)
LLMs use #3 it scales like crazy and teaches them language from scratch.
No, it's not a bubble in tech stocks. We are less than 1 standard deviation from the trend. You can see what a bubble looks like in the late 1990's when we exploded out of the decade long log regression channel to be multiple SD's from trend.
Nothing to see, move on... 1/
Nothing to see, move on... 1/
Also, "But P/E ratio's are at bubble valuations!" narrative doesnt take into account the fact the during debasement the P rises (due to debasement) more than E (anchored by GDP growth in general). If debasement is 11% and GDP is 2% trend over same period then P/E rises by 9% p.a
This means that P/E ratio's double over 8 years or so. Its the denominator effect.
Also BTC is less than 1SD from trend. It usually hits 2 SD.
Also BTC is less than 1SD from trend. It usually hits 2 SD.
If the Holocaust was “the hoax of the twentieth century” there would be evidence….
There would be documents from the Red Cross that explicitly stated the concentration camps were not used for extermination….. there would also be detailed records of how many prisoners died, and it would be significantly lower than the 6 million figure… like the documents that show 271k recorded deaths…
🧵 1/23
There would be documents from the Red Cross that explicitly stated the concentration camps were not used for extermination….. there would also be detailed records of how many prisoners died, and it would be significantly lower than the 6 million figure… like the documents that show 271k recorded deaths…
🧵 1/23
Holocaust “experts” like Raul Hilberg would have to admit in a court of law that no single order from Hitler to exterminate the Jews exist, and that many of the sources he mentioned about the gassing were “exaggerated.”
🧵 2/23
🧵 2/23
American execution experts would go over to Auschwitz etc. and scientifically prove that no viable gas chambers existed or functioned…
American execution expert Fred Leucther- “I expected to find viable gas chambers capable of execution…” (Proceeds to describe that not only did the buildings not contain chemical evidence of execution, but they also were not constructed in any sort of way for executions…)
🧵 3/23
American execution expert Fred Leucther- “I expected to find viable gas chambers capable of execution…” (Proceeds to describe that not only did the buildings not contain chemical evidence of execution, but they also were not constructed in any sort of way for executions…)
🧵 3/23
❤️ Use these 10 prompts to look beautiful ❤️
🌸 Use Google Gemini ai 🌸
🌼 Try and Send Your Edit result in comment section 🌼
💠 Total 10 Prompt Only For Boys 💠
Prompt 1.
I am sitting indoors, captured in a cinematic close-up portrait. My upper body is slightly turned at an angle to the camera, while my head is rotated to the right, as I gaze past the frame with a thoughtful, almost surprised expression. My posture is upright yet relaxed, with my shoulders angled away from the lens. My arms and hands are not visible in the frame, keeping the focus entirely on my face and upper torso.I am wearing a light beige knitted sweater with a round neckline. The fabric is textured and soft, with visible stitching that catches the light, giving the outfit a casual but refined look. The sweater has a loose, comfortable fit without any additional accessories. I also wear thin, round metal-framed eyeglasses that add a subtle intellectual and stylish touch, reflecting a hint of the warm light source.The camera captures me at eye level, framed in a tight portrait crop that includes my shoulders and chest. The focal length resembles a classic 85mm portrait lens, giving natural compression and cinematic proportions.The lighting is dramatic and directional, with warm golden-hour sunlight falling across the left side of my face and sweater, creating strong highlights. The right side of my face falls into deeper shadow, enhancing contrast and sculpting my features. The background is softly blurred and dark, with no distinct details, emphasizing the subject and adding depth to the scene.The overall mood is cinematic, atmospheric, and intimate, combining warm golden tones with high contrast between light and shadow, perfectly capturing a quiet, reflective moment.
Prompt 2.
I am standing in a modern studio environment, leaning casually against a large white sculptural object in the shape of the word CHRIS. My body is captured from the side, with my weight resting mostly on one leg in a relaxed but confident stance. Both of my hands are placed casually in the pockets of my trousers, reinforcing the effortless posture. My head is slightly tilted downward as I glance calmly past the frame, maintaining a composed and introspective expression.I am wearing a black crew-neck sweatshirt with a relaxed fit, made of soft cotton fabric with no logos or patterns. I pair it with black jogger-style trousers, loose-fitting with elastic cuffs at the ankles. On my feet, I wear chunky black-and-white sneakers with visible laces and a bold sole, adding a sporty edge to the minimal outfit. The overall style is monochrome, minimalistic, and contemporary streetwear.The image is captured from a low angle shot, emphasizing height and presence, while also making the sculptural letters of CHRIS appear monumental in the background. The camera framing resembles a portrait lens around 85mm focal length, producing cinematic compression and natural proportions.
The lighting is controlled studio light, evenly highlighting my figure while casting soft, directional shadows on the sculptural letters behind me. The background is a gradient of dark grey, clean and minimal, contrasting with the bold white typography.The overall mood is cinematic, editorial, and modern, blending casual streetwear fashion with bold architectural typography in a dramatic low-angle perspective.
🌸 Use Google Gemini ai 🌸
🌼 Try and Send Your Edit result in comment section 🌼
💠 Total 10 Prompt Only For Boys 💠
Prompt 1.
I am sitting indoors, captured in a cinematic close-up portrait. My upper body is slightly turned at an angle to the camera, while my head is rotated to the right, as I gaze past the frame with a thoughtful, almost surprised expression. My posture is upright yet relaxed, with my shoulders angled away from the lens. My arms and hands are not visible in the frame, keeping the focus entirely on my face and upper torso.I am wearing a light beige knitted sweater with a round neckline. The fabric is textured and soft, with visible stitching that catches the light, giving the outfit a casual but refined look. The sweater has a loose, comfortable fit without any additional accessories. I also wear thin, round metal-framed eyeglasses that add a subtle intellectual and stylish touch, reflecting a hint of the warm light source.The camera captures me at eye level, framed in a tight portrait crop that includes my shoulders and chest. The focal length resembles a classic 85mm portrait lens, giving natural compression and cinematic proportions.The lighting is dramatic and directional, with warm golden-hour sunlight falling across the left side of my face and sweater, creating strong highlights. The right side of my face falls into deeper shadow, enhancing contrast and sculpting my features. The background is softly blurred and dark, with no distinct details, emphasizing the subject and adding depth to the scene.The overall mood is cinematic, atmospheric, and intimate, combining warm golden tones with high contrast between light and shadow, perfectly capturing a quiet, reflective moment.
Prompt 2.
I am standing in a modern studio environment, leaning casually against a large white sculptural object in the shape of the word CHRIS. My body is captured from the side, with my weight resting mostly on one leg in a relaxed but confident stance. Both of my hands are placed casually in the pockets of my trousers, reinforcing the effortless posture. My head is slightly tilted downward as I glance calmly past the frame, maintaining a composed and introspective expression.I am wearing a black crew-neck sweatshirt with a relaxed fit, made of soft cotton fabric with no logos or patterns. I pair it with black jogger-style trousers, loose-fitting with elastic cuffs at the ankles. On my feet, I wear chunky black-and-white sneakers with visible laces and a bold sole, adding a sporty edge to the minimal outfit. The overall style is monochrome, minimalistic, and contemporary streetwear.The image is captured from a low angle shot, emphasizing height and presence, while also making the sculptural letters of CHRIS appear monumental in the background. The camera framing resembles a portrait lens around 85mm focal length, producing cinematic compression and natural proportions.
The lighting is controlled studio light, evenly highlighting my figure while casting soft, directional shadows on the sculptural letters behind me. The background is a gradient of dark grey, clean and minimal, contrasting with the bold white typography.The overall mood is cinematic, editorial, and modern, blending casual streetwear fashion with bold architectural typography in a dramatic low-angle perspective.
Prompt 3.
I am standing outdoors in an urban environment, captured from a low angle shot that makes me appear taller and emphasizes the buildings rising behind me. My body is positioned sideways to the camera, at a slight angle within the frame, with a relaxed but confident posture. My hands are placed casually in the pockets of my trousers. My head is turned slightly to the side as I look past the camera with a composed, serious, and introspective expression. My shoulders remain relaxed, and my stance communicates calm confidence without exaggerated gestures.I am wearing a loose, textured beige knit cardigan layered over a plain white T-shirt. The cardigan has dropped shoulders, wide sleeves, and a casual oversized fit, creating a soft, comfortable silhouette. The T-shirt underneath is simple and fitted at the neckline, contrasting subtly with the heavier knit texture. My trousers are light-colored, straight-cut, and minimalist, completing the clean, neutral-toned outfit. No accessories are visible, keeping the look understated and modern.The camera perspective is distinctly low angle, with a portrait-style focal length around 85mm, compressing the background slightly while maintaining cinematic proportions.The lighting is natural daylight, diffused evenly across the scene, with soft highlights on my face and cardigan. The background features tall city buildings with glass and stone facades, slightly out of focus, adding depth while ensuring full attention remains on me as the subject.The overall atmosphere is cinematic, editorial, and metropolitan, combining minimalist fashion with an urban architectural backdrop.
Prompt 4.
I am sitting casually on a wide stone ledge in front of large classical columns. My body leans slightly back against the column, with my torso angled naturally. My left leg is bent at the knee and rests on the ledge, while my right leg extends downward, foot pointing outward in a relaxed position. My left arm rests loosely across my raised knee, wrist relaxed, and my hand hanging slightly forward. My right arm is bent, with my hand resting naturally on my thigh. My head is tilted slightly to the side as I look directly toward the camera through dark sunglasses, giving a confident and composed expression. I am wearing a fitted black crew-neck short-sleeve T-shirt that accentuates my build, paired with slim black trousers. On my feet, I have clean white sneakers with visible laces and printed details on the side. On my left wrist, I wear a metallic wristwatch, and on my right wrist, a bracelet, adding subtle accessories that enhance the outfit. The overall style is modern, minimalistic, and masculine. The photo is captured from a low angle shot, making me appear taller and more dominant in the frame while also emphasizing the monumental architecture behind me. The perspective resembles an 85mm portrait lens, compressing the background naturally while keeping me in sharp focus. The lighting is natural daylight, soft but directional, creating smooth highlights on my face and arms, and subtle shadows that add depth to the scene. The background consists of large stone columns and classical architectural details, adding grandeur and elegance. The overall atmosphere is urban, cinematic, and editorial, exuding confidence and stylish minimalism.
I am standing outdoors in an urban environment, captured from a low angle shot that makes me appear taller and emphasizes the buildings rising behind me. My body is positioned sideways to the camera, at a slight angle within the frame, with a relaxed but confident posture. My hands are placed casually in the pockets of my trousers. My head is turned slightly to the side as I look past the camera with a composed, serious, and introspective expression. My shoulders remain relaxed, and my stance communicates calm confidence without exaggerated gestures.I am wearing a loose, textured beige knit cardigan layered over a plain white T-shirt. The cardigan has dropped shoulders, wide sleeves, and a casual oversized fit, creating a soft, comfortable silhouette. The T-shirt underneath is simple and fitted at the neckline, contrasting subtly with the heavier knit texture. My trousers are light-colored, straight-cut, and minimalist, completing the clean, neutral-toned outfit. No accessories are visible, keeping the look understated and modern.The camera perspective is distinctly low angle, with a portrait-style focal length around 85mm, compressing the background slightly while maintaining cinematic proportions.The lighting is natural daylight, diffused evenly across the scene, with soft highlights on my face and cardigan. The background features tall city buildings with glass and stone facades, slightly out of focus, adding depth while ensuring full attention remains on me as the subject.The overall atmosphere is cinematic, editorial, and metropolitan, combining minimalist fashion with an urban architectural backdrop.
Prompt 4.
I am sitting casually on a wide stone ledge in front of large classical columns. My body leans slightly back against the column, with my torso angled naturally. My left leg is bent at the knee and rests on the ledge, while my right leg extends downward, foot pointing outward in a relaxed position. My left arm rests loosely across my raised knee, wrist relaxed, and my hand hanging slightly forward. My right arm is bent, with my hand resting naturally on my thigh. My head is tilted slightly to the side as I look directly toward the camera through dark sunglasses, giving a confident and composed expression. I am wearing a fitted black crew-neck short-sleeve T-shirt that accentuates my build, paired with slim black trousers. On my feet, I have clean white sneakers with visible laces and printed details on the side. On my left wrist, I wear a metallic wristwatch, and on my right wrist, a bracelet, adding subtle accessories that enhance the outfit. The overall style is modern, minimalistic, and masculine. The photo is captured from a low angle shot, making me appear taller and more dominant in the frame while also emphasizing the monumental architecture behind me. The perspective resembles an 85mm portrait lens, compressing the background naturally while keeping me in sharp focus. The lighting is natural daylight, soft but directional, creating smooth highlights on my face and arms, and subtle shadows that add depth to the scene. The background consists of large stone columns and classical architectural details, adding grandeur and elegance. The overall atmosphere is urban, cinematic, and editorial, exuding confidence and stylish minimalism.
Prompt 5.
I am standing close to a plain wall, with my body slightly turned at an angle. One of my arms hangs relaxed, with my hand tucked casually into my pocket, while the other arm rests naturally by my side. My head is turned gently to the side as I look away from the camera, my expression contemplative and distant. The sunlight casts dramatic shadows, including the sharp outline of a window frame across the wall, along with the deep silhouette of my profile.I am wearing a loose, oversized dark T-shirt made of soft cotton, with a wide crew neckline. The shirt drapes naturally over my frame, reinforcing a minimalist, moody style with no accessories or distractions.The camera captures me from a low angle, slightly below eye level, emphasizing height and presence. The focal length resembles an 85mm portrait lens, producing natural compression and cinematic proportions. The lighting is warm, directional late-afternoon sunlight, illuminating part of my face and body while leaving other areas in shadow. The background wall is bathed in contrasting light and shadow, with visible window-frame patterns adding depth and geometry.The overall mood is dark, cinematic, and atmospheric, with strong chiaroscuro contrast and a sense of stillness, mystery, and introspection.
Prompt 6.
I am sitting in a close, intimate portrait pose, turned slightly at an angle to the camera rather than facing it straight on. My body is positioned at a gentle diagonal, while my head is slightly tilted forward, directing my gaze straight toward the lens with a calm, introspective expression. My hands are brought together in front of my face, fingers interlaced and resting lightly against my lips and chin, creating a thoughtful, contemplative gesture. My elbows are bent, close to my body, supporting the position of my hands.I am wearing a dark, textured knitted sweater with a masculine, fitted cut. The sweater has a slightly rugged fabric, adding depth and weight to the look while keeping the style minimal and timeless. There are no accessories or extra details, giving a clean and understated aesthetic.The camera captures me at eye level, framed tightly in a head-and-shoulders portrait. The focal length resembles an 85mm portrait lens, providing natural proportions and a shallow depth of field that emphasizes my expression and gesture. The image is lit with soft, diffused light coming from one side, casting gentle shadows across my face and hands, enhancing the sculptural quality of the scene. The background is minimal and plain, ensuring full focus remains on me. The overall aesthetic is classic black and white editorial portrait photography, masculine, strong, and contemplative.
I am standing close to a plain wall, with my body slightly turned at an angle. One of my arms hangs relaxed, with my hand tucked casually into my pocket, while the other arm rests naturally by my side. My head is turned gently to the side as I look away from the camera, my expression contemplative and distant. The sunlight casts dramatic shadows, including the sharp outline of a window frame across the wall, along with the deep silhouette of my profile.I am wearing a loose, oversized dark T-shirt made of soft cotton, with a wide crew neckline. The shirt drapes naturally over my frame, reinforcing a minimalist, moody style with no accessories or distractions.The camera captures me from a low angle, slightly below eye level, emphasizing height and presence. The focal length resembles an 85mm portrait lens, producing natural compression and cinematic proportions. The lighting is warm, directional late-afternoon sunlight, illuminating part of my face and body while leaving other areas in shadow. The background wall is bathed in contrasting light and shadow, with visible window-frame patterns adding depth and geometry.The overall mood is dark, cinematic, and atmospheric, with strong chiaroscuro contrast and a sense of stillness, mystery, and introspection.
Prompt 6.
I am sitting in a close, intimate portrait pose, turned slightly at an angle to the camera rather than facing it straight on. My body is positioned at a gentle diagonal, while my head is slightly tilted forward, directing my gaze straight toward the lens with a calm, introspective expression. My hands are brought together in front of my face, fingers interlaced and resting lightly against my lips and chin, creating a thoughtful, contemplative gesture. My elbows are bent, close to my body, supporting the position of my hands.I am wearing a dark, textured knitted sweater with a masculine, fitted cut. The sweater has a slightly rugged fabric, adding depth and weight to the look while keeping the style minimal and timeless. There are no accessories or extra details, giving a clean and understated aesthetic.The camera captures me at eye level, framed tightly in a head-and-shoulders portrait. The focal length resembles an 85mm portrait lens, providing natural proportions and a shallow depth of field that emphasizes my expression and gesture. The image is lit with soft, diffused light coming from one side, casting gentle shadows across my face and hands, enhancing the sculptural quality of the scene. The background is minimal and plain, ensuring full focus remains on me. The overall aesthetic is classic black and white editorial portrait photography, masculine, strong, and contemplative.
Candace Owens says an Egyptian Air Force plane left Utah shortly after Charlie's death.
This is because Candace thinks 1:08pm UTC means "Utah Time". Actually, that was 7.08am in Utah, hours before the assassination.
Beyond parody.
This is because Candace thinks 1:08pm UTC means "Utah Time". Actually, that was 7.08am in Utah, hours before the assassination.
Beyond parody.
Utah is one of the places where maintenance is done on aircraft like the one Candace identified.
Rather than investigate this the Candace Intelliegence Agency immediately concluded that world leaders were flying to Utah to oversee murdering Charlie Kirk.
Rather than investigate this the Candace Intelliegence Agency immediately concluded that world leaders were flying to Utah to oversee murdering Charlie Kirk.
The plane flew direct from France?
We are days away from her connecting Brigitte Macron to this.
We are days away from her connecting Brigitte Macron to this.
🎬Following unverified reports of the death of Saleh Aljafarawi, known as Mr. FAFO, this thread will revisit some moments from the time we’ve known him.
True or not, his presence will be remembered. 🕯️🎬
🧵👇
True or not, his presence will be remembered. 🕯️🎬
🧵👇
2/
Mr. FAFO became widely known after the hospital scene that Palestinians claimed was attacked. The scene drew significant attention due to the evident signs of staging it displayed.
x.com/GAZAWOOD1/stat…
x.com/GAZAWOOD1/stat…
Mr. FAFO became widely known after the hospital scene that Palestinians claimed was attacked. The scene drew significant attention due to the evident signs of staging it displayed.
x.com/GAZAWOOD1/stat…
x.com/GAZAWOOD1/stat…
3/
The scene appeared to many as if it had been filmed twice - once by Mr. FAFO and once by a friend of his.
The scene appeared to many as if it had been filmed twice - once by Mr. FAFO and once by a friend of his.
Wie verhalten sich Menschen mit russischem Migrationshintergrund zum Krieg gegen die Ukraine?
Gestern Abend gaben die Geschwister Ekaterina und Alexander Kolodochka ein positives Beispiel:
Sie spielten auf einem Benefiz-Konzert für die Ukraine in Düsseldorf.
1/4
Gestern Abend gaben die Geschwister Ekaterina und Alexander Kolodochka ein positives Beispiel:
Sie spielten auf einem Benefiz-Konzert für die Ukraine in Düsseldorf.
1/4
Das Konzert war von Freiwilligen in der Kreuzkirche um Notfallseelsorger Olaf Shaper und @ladybugfella für den Verein @UADE2024 organisiert worden.
Es gab fast 3000 an € Spenden - mit denen Evakuierungsfahrzeuge für Regionen im Frontbereich der Ukraine beschafft werden.
2/4
Es gab fast 3000 an € Spenden - mit denen Evakuierungsfahrzeuge für Regionen im Frontbereich der Ukraine beschafft werden.
2/4
Die Geschwister Kolodochka, Anfang der 80er in Moskau geboren, als Duo erfolgreich und schon lange in Düsseldorf lebend, gestalteten den Abend gemeinsam mit ihren Schülern von der Musikschule Düsseldorf, im Alter von 7 - 22.
Auf kleiner Bühne: Aber eine Bühne für die Ukraine.
3/4
Auf kleiner Bühne: Aber eine Bühne für die Ukraine.
3/4
What's next for Gaza? 🧵
After the hostage release, Israel will hold onto a fully depopulated 58% of Gaza.
After an international force enters, Israel will hold onto 40% of Gaza where the IDF's proxy gangs will thrive!
Genocide or reconstruction? The devil is in the details!
After the hostage release, Israel will hold onto a fully depopulated 58% of Gaza.
After an international force enters, Israel will hold onto 40% of Gaza where the IDF's proxy gangs will thrive!
Genocide or reconstruction? The devil is in the details!
2\ Right now, the 58% beyond the yellow line is not only under IDF control, it's fully depopulated. Any Gaza civilian that tries to enter is shot on sight. Israel killed 35 Gazans in the first 24 hours of the ceasefire.
Israel is planning to hold onto those areas for a long time
Israel is planning to hold onto those areas for a long time
3\ Israel's proxy gangs (e.g. Abu Shabab, Husam al-Astal, Ashraf Mansi) are all currently hiding in the 58% of Gaza the IDF is stationed in
Israel cultivated those gangs to create "gated communities" (concentration camps) to push Gazans into.
Now with the ceasefire, Israel is using those gangs to launch attacks on Hamas deep inside Gaza without the IDF having to invade.
This is Israel's way of saying "we're not violating the ceasefire, it's Palestinians killing Palestinians."
Israel will also try to get Gazans to move into those areas with promises of a better life while the other half of Gaza remains reduced to rubble.
kan.org.il/content/kan-ne…
Israel cultivated those gangs to create "gated communities" (concentration camps) to push Gazans into.
Now with the ceasefire, Israel is using those gangs to launch attacks on Hamas deep inside Gaza without the IDF having to invade.
This is Israel's way of saying "we're not violating the ceasefire, it's Palestinians killing Palestinians."
Israel will also try to get Gazans to move into those areas with promises of a better life while the other half of Gaza remains reduced to rubble.
kan.org.il/content/kan-ne…
We've spent the last 10 months analyzing EVERY single tariff development:
Here's the EXACT playbook for investors.
1. Trump puts out cryptic post on tariffs coming for a specific country or sector, markets drift lower
2. Trump announces large tariff rate (50%+) and markets crash to shake out weak positions
3. Dip buyers step in but the head fake rally leads to fresh lows where smart money begins buying
4. After the market closes on Friday, President Trump doubles down on new tariffs to apply pressure
5. On Saturday, the target of the new tariff typically responds or comments
6. On Sunday, before the futures open, Trump posts an announcement saying he is working on a solution
7. Futures open on sharply higher Sunday at 6 PM ET but begin losing momentum into the Monday open
8. After the Monday open, Treasury Secretary Bessent appears on live TV and reassures investors
9. Over the next 2-4 weeks, various members of the Trump Administration tease a trade deal
10. Trump announces a new trade deal and the stock market hits a record high
11. Repeat from step #1
Part of our strong YTD performance comes from following this EXACT playbook in times of trade tensions.
The US is currently on step #6 with China.
Here's the EXACT playbook for investors.
1. Trump puts out cryptic post on tariffs coming for a specific country or sector, markets drift lower
2. Trump announces large tariff rate (50%+) and markets crash to shake out weak positions
3. Dip buyers step in but the head fake rally leads to fresh lows where smart money begins buying
4. After the market closes on Friday, President Trump doubles down on new tariffs to apply pressure
5. On Saturday, the target of the new tariff typically responds or comments
6. On Sunday, before the futures open, Trump posts an announcement saying he is working on a solution
7. Futures open on sharply higher Sunday at 6 PM ET but begin losing momentum into the Monday open
8. After the Monday open, Treasury Secretary Bessent appears on live TV and reassures investors
9. Over the next 2-4 weeks, various members of the Trump Administration tease a trade deal
10. Trump announces a new trade deal and the stock market hits a record high
11. Repeat from step #1
Part of our strong YTD performance comes from following this EXACT playbook in times of trade tensions.
The US is currently on step #6 with China.
Like and Bookmark the above post - reference it as the trade war heads into 2026.
The ability to weed out NOISE from material developments is crucial right now.
This market is very profitable if done right.
Follow us @KobeissiLetter for real time analysis as this develops.
The ability to weed out NOISE from material developments is crucial right now.
This market is very profitable if done right.
Follow us @KobeissiLetter for real time analysis as this develops.
Our investment strategy revolves are OBJECTIVE analysis; fundamental and technical.
Combine this with risk management and a dynamic approach and this market is HIGHLY profitable.
Volatility is opportunity.
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Combine this with risk management and a dynamic approach and this market is HIGHLY profitable.
Volatility is opportunity.
Subscribe to access our premium analysis:
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🧵My take on the Homan story and a general problem in our laws:
Homan's obviously dirty. There were undoubtedly more of these 'transactions' (that's how FBI got onto him originally). He's been revealed as a slimy, dishonest person and a betrayer of the public's trust. But ...
Homan's obviously dirty. There were undoubtedly more of these 'transactions' (that's how FBI got onto him originally). He's been revealed as a slimy, dishonest person and a betrayer of the public's trust. But ...
The Vance/Bondi line that Homan 'did not commit a crime' and didn't take a 'bribe' rests on the fact that the payoff occurred during the campaign and *before* he held an official position. He was soliciting money in *anticipation* of being in a position, later, to bestow favors.
On its face (putting aside that it was a sting), the $50,000 was a 'bet' that Homan would take office and then be able to perform the services he was advertising. It was a 'bet' because his taking office wasn't certain. Can you 'bribe' a private citizen ?
1. Esto va para mis amigos sionistas (lo que opinen los antisionistas nos vale madres).
¿Por qué se le permite a Hamas recuperar el control de Gaza?
¿Y por qué se van a liberar prisioneros con un historial criminal terrible?
Esto no es sencillo.
Te lo explico.
¿Por qué se le permite a Hamas recuperar el control de Gaza?
¿Y por qué se van a liberar prisioneros con un historial criminal terrible?
Esto no es sencillo.
Te lo explico.
2. Hamas NUNCA ha sido el único poder en Gaza.
Hay muchos grupos extremistas en la Franja, y además están los clanes.
Todos ellos representan, de uno u otro modo, un reto a la autoridad de Hamas.
Gracias al apoyo iraní de otras épocas, Hamas pudo mantenerse en el poder.
Hay muchos grupos extremistas en la Franja, y además están los clanes.
Todos ellos representan, de uno u otro modo, un reto a la autoridad de Hamas.
Gracias al apoyo iraní de otras épocas, Hamas pudo mantenerse en el poder.
3. La aplastante derrota ante el ejército de Israel dejó a Hamas en una situación comprometida, y muchos de estos grupos comenzaron a rebelarse.
Recuerda: los vencidos no reciben ningún tipo de consideración en esa cultura. Son profundamente despreciados por débiles.
Recuerda: los vencidos no reciben ningún tipo de consideración en esa cultura. Son profundamente despreciados por débiles.