Thread by @AHAMWORLDWIDE

WHY WE CAN'T WIN (except in my movies)

Everything you need to know about why I'm racial fatalist can be capture in the following two videos:

1) fb.watch/hcBHazQB4o/

and

2)

Take note of the nice genteel nonthreatening tone of Shontel Brown who is as much a puppet to Joe Biden & establishment Democrats as establishment Democrats claim Herschel Walker is to Donald Trump. Take note of the Oracle of Clyburnia, Jim Clyburn standing behind her.

I need you to view all black possibility in this country as being held hostage by this small class of black people that have the ears and purse strings of the white establishment. We will go no higher as a people on America soil than their thoughts, words and actions permit "Us."

Most voting black people are beholden 2 the respectability politics demonstrated in the 1st video & turned off by the in your face politics of the second video. The first candidate was the choice of the old black guard. The second is the anti-establishment candidate they detest.

I used to say that nothing good in this country would happen for black people until the old black guard died off. I was wrong. The old black guard has minted & anointed a new upgraded generation of respectability negroes that are erecting a wall to block black progressivism.

This respectability class keeps black people beholden to Democrats & will never allow black political imagination to expand beyond white liberal interests. There's no getting around them. Progressive blacks are a minority within a minority.

This is why Booker T. Washington said: "if you ever mustered enough support in the black community to overthrow a single plantation, the master's slaves would meet you at the master's gates to fight you to the death to preserve the master's reign."

Most white people love Negroes who talk like Dr. King & hate Negroes who talk like Malcolm X, but Malcolm X is the sound of black freedom & Dr. King is the voice of white acceptance. One threatens the power structure of white supremacy & its black underlings. The other doesn't.

In "Why We Can't Wait" and "Letter From Birmingham Jail," Dr. King complained about "white gradualism," that is the idea that black people needed to be patient & longsuffering as white Americans adjust to the idea of black freedom. Respectability Negroes are no different.

Ironically, it is the black respectability class that are the new gradualists that threaten black possibility. They are not willing to challenge the political establishment in any meaningful way that yields meaningful results to black people.

So all we're left w/is crumbs or as a white Dean at the Univ. of MS said when Congress was debating the CivilRights Act: "If N!@@$rs want civil rights then let them eat them as crumbs off the floor from the white mans table" & thats all we've ever gotten in this country:

crumbs.

Aint no Negro eva ate steak in this country. Only crumbs & I aint just talking about money, good jobs & a middle class lifestyle (4 the few Negroes who hv that). I'm talking about full citizenship. Blackpeople been fighting 4 that remaining 2/5ths since this country was founded.

Respectability politics, black gradualism, #blackgirlmagic, #blackboyjoy, #blacklivesmatter & all the other BS hashtag internet keyboard courage movements & black labeled crap only serves the interests of a few negroes & their white liberal backers.

I'm just sick of it, but again, there's no way around it. Well, there is one way & that is the subject matter of the second film in my opening cinematic trilogy, entitled "Tomchaser" where I redefine & expand the understanding of what it truly means to be a race traitor.

I also show you what it means to competently deal with the idea of race traitors amongst us. To be clear, the term "Uncle Tom" is often overused & misused." To all my history buffs, I hear you. You're correct. I use the term only to point to the what most people think it means.

Regardless, these are not terms I use loosely. There is no way I can definitively call a person an Uncle Tom or race traitor without knowing their history. I need to know their trajectory. Put simply, there is just no way a black person can "sell out" if they never bought in.

In my cinematic universe, I approach this topic w/the deftness of a paint stroke by Michelangelo, which is why I actually establish a clandestine agency to investigate charges of racial sedition by leading black public figures. I believe in due process, even in film.

But once our secret agents determine guilt, we move swiftly & brutally toward eliminating black threats 2 black people. I'm not a fan of screenwriters & directors who shabbily deal w/vengeance killings on the big screen. In my cinematic universe, every death has a point 2 B made.

This is why my favorite screenwriter/director/producer is Quentin Jerome Tarantino. In my estimation, no one has dealt w/the theme of vengeance death as competently as him. He paints the picture of villainy masterfully & lays out cinematically why that villain must die.

In the end, the moviegoer finds themselves rooting 4 that villain 2 not only die, but 2B massacred. & its from this well that my cinematic universe springboards. I take you deep inside black anger, why it exists, from where it originated & where it should be appropriately placed.

When Stephen was killed in Django, the cinematic canvas has been so masterfully laid, that 1 had no choice but to root for his death & damnation. In real life, Uncle Toms are not that visibly straightforward & they're not always the black people you think they are.

Not all forms of race traitoring is malicious or intentional. In fact, most race traitoring is NOT. It is this important contention that I tease out in part 2 of my opening trilogy "Tom Chaser." I show you the Toms right before our very eyes that we are unaware of.

The opening scene of each film in my opening trilogy will shake this country 2its core but Tomchasers opening will floor every1. Lets just say I take a sledgehammer 2those Obama worshipping stainglasswindows in the same way T.I. went after Trump, remember?

I can't find that unedited video anywhere, which is why we are currently setting up infrastructure for completely independent film making as cancel culture is making it damn near impossible to have these important conversations. Just ask Jason Whitlock.

There used 2B a day in this country where Archie Bunker & George Jefferson could say all type of racist, homophobic, Islamophobic, transphobic, xenophobic & anti-Semitic shit on TV & the big screen. Those days are gone & America has been taken over by supersensitive ass mafuckas.

Art imitates life & the artist must create from a space unfettered by the sensibilities, politics & emotion of human beings. The minute we allow that to happen art is dead. It pains me to think that Norman Lear could not have done Archie Bunker or George Jefferson today.

A big part of what's taking me so long 2 get my content out is creating the infrastructure where my art cant be censored or canceled. This is quite an undertaking, but I'm committed to it. That commitment is rooted in finally showing black people what it looks like FOR US TO WIN.

My biggest gripe w/black filmmakers is their lack of reimagination of race. I'm w/Snoop on this 1. I'm sick of these we-shall-overcome-slave-narratives. We lose too much in real life. Why cant we make films depicting what it would look like FOR US TO WIN. yahoo.com/news/snoop-dog…

Got you covered. In my cinematic universe, I show you what looks like for black people to not only win, but WIN BIG. And I ain't talking no damn Wakanda Black Panther BS. We dispense of race traitors competently & meet white supremacy face to face.

Negroes are skeptical of freedom b/c freedom is an impostor. Slavery is all we know so we routinely welcome it w/open arms. The idea of being apart from white people is terrifying 4 many of us. White supremacy requires black people being dependent on white people for everything.

My cinematic universe destroys that premise& does so 2the chagrin of every respectabilitynegro who would hold us hostage 2interests of their whitebackers. Politics is a game of reaching mutuality& settling divergent interests. However that game has been heavily skewed against us.

I aim 2take a sledgehammer 2 all that& all those who would continue 2prop up something that has failed blackpeople. Welcome to the cinematic universe of Dr. Alexander Hamilton where black anger is welcomed, where black freedom is honored & where black respectability is detested.

Thank U kindly for taking the time to read the work of Dr. Alexander Hamilton aka A-HAM. We will soon be launching comedy sketches, a podcast, and films.

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