What does freestyle vs choreography mean when it comes to a dancer like Jimin expressing himself on stage? How do the different mediums affect the message he conveys to the audience? #JIMIN@BTS_twt
When a dancer freestyles, the most important guide they have to their movements is the music. The dancer uses the music that is playing, interprets it and expresses it to the best of their ability with their body. #JIMIN@BTS_twt
They have to listen to the counts and match the rhythm and flow of their dance to the music. They try to express what the music means to them in the moment, whether it is joyful, cocky, sorrowful, aggressive, etc. #JIMIN@BTS_twt
Freestyle dance requires quick thinking, a bank of moves and great musicality. To have the most impact, you have to have an ear for the music and be able to switch from fast to slow, hard-hitting to soft, all while maintaining the emotion or message you want to convey. #JIMIN
Choreographed dance, on the other hand, means the dance routine is fit to the selected music beforehand, practiced and then performed. The choreography could be done by the dancer themselves or an outside professional. #JIMIN@BTS_twt
Now, whoever the choreographer is, they have the option to either fit choreography to a piece of music they like or find a song that matches a theme or message they want to tell through their choreography. #JIMIN@BTS_twt
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Modern dancers put a lot of emphasis on expressing emotionality through dance. The message or theme of the dance is the most important and they will often start with that and then find a piece of music to match. #JIMIN@BTS_twt
When the dancer is choreographing their own piece, they can decide the story they want to tell through their dance. When they are dancing a piece choreographed by someone else, however, it is their job to understand the choreographer’s intentions and relay them to the audience.
Think of the dancer as an actor, the choreographer as a director/screenwriter and the choreography as a script. The dancer can interpret the choreography on their own to a certain degree, but they have to follow the choreographer’s vision. #JIMIN@BTS_twt
A good dancer can elevate the choreography given to them, just as a good actor can elevate a script. They can often adlib small moves and tap into their emotions in a way that connects to the audience. #JIMIN@BTS_twt
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Now, BTS’s situation is interesting because different people choreograph their dances, but their music is created by them themselves. So the choreographer is trying to convey THEIR message with the dance. This means BTS can immediately relate to the theme or message. #JIMIN
Which means going up on stage is a matter of getting in touch with their original intention of the song. The purpose, the meaning, the emotional connection. #JIMIN once said in an interview that it wasn’t just about dancing to the tone, but connecting with his feelings on stage.
Since the choreo is ultimately designed for them, it also means that BTS has more freedom in how to showcase the moves. There is more flexibility for adlibs and they often make adjustments to the base choreography to suit their individual styles. #JIMIN@BTS_twt
At the end of the day, both freestyle and choreography are beautiful ways a dancer can tell a story and connect to an audience. An advantage of freestyle is that it has no limits - you are free to express yourself however you wish in the moment and it all comes from you. #JIMIN
An advantage of choreography is that it gives you a blueprint to work with, a set story to tell, and you can enhance it with personal technique and other dancers to make a masterpiece. #JIMIN@BTS_twt
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Jimin served us a veritable feast of choreography once again in the Black Swan Behind the Scenes Bangtan Bomb. Let’s take a closer look at some of the new moves and sequences we weren’t able to see before.
Having been blessed with multiple versions of Jimin’s solo dance now, it’s clear that he choreographed and perfected a few staple sequences and then freestyled to fill in some of the transitions. #JIMIN
First, let’s take a look at this iconic sequence and how well it can be adapted for the different musical versions of Black Swan. You can see from the ON:E sequence that Jimin draws it out to fit the slower music, using twice as much time for the same move in the beginning.
[Dance Analysis Thread - Black Swan Duet MMA 2020]
This exquisite performance by Jimin and Jungkook was breathtaking. It required trust, strength, grace and above all teamwork. Let’s take a look at how all those elements combined to make art. #JIMIN#Jungkook#BlackSwan@BTS_twt
First of all, what an insane entrance! The cascade of falling dancers is so perfectly timed, not one off beat or out of place. The dancers settle into the misty waters...and then Jimin turns around with dramatic flair to start his dance. #JIMIN
With both his arms and legs held by other dancers, Jimin swoops forward to take flight. As the dancers let go of his legs, he arches his back and uses his core muscles to bring his legs up and under him. It takes tremendous strength and control. #JIMIN
Incorporating both brand new moves and old favourites, Jimin choreographed a stirring solo number for the ON:E concert. Let’s take a closer look at Jimin’s interpretation of Black Swan. #JIMIN#지민@BTS_twt
#JIMIN starts this piece by immediately sinking to the ground. Modern dance, and by extension contemporary, is characterized by its use of gravity. Ballet strives to lift up as much as possible, but modern plays with gravity, giving into it one minute & bouncing back up the next.
Here again you can see Jimin use gravity to his advantage, letting it push him down before he curls up under its weight. In this way, gravity becomes a character in the dance, an oppressive force Jimin is constantly fighting. #JIMIN
In ballet, there are several types of jumps. Probably the most basic is the temps levé, which is a jump from one foot that lands on the same foot while the other leg is raised in the air - typically in arabesque.
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It’s really difficult to see Jimin’s full jump here, but instead of keeping his front leg under him, it looks as if he throws it to the front. When you jump off your back leg, throwing your front leg to the front, that’s known as a grand jeté. #JIMIN
Whew. It’s time to talk about Filter, an electrifying solo number that Jimin brings alive through charisma, fancy footwork and a flurry of costume changes. Let’s break it down. #JIMIN#지민@BTS_twt
One thing to note right off the bat is how Jimin changes his performance ever so slightly from one night to the other. By emphasizing different moves, switching speeds and changing facial expressions, he’s able to show a different side of himself, or filter, each show. #JIMIN
We can see this even from the very first moves. Notice how his delivery on the first night was sharp and quick, punctuating the notes of the song. On the second night, however, his delivery is slow, deliberate, tantalizing. He’s easing the audience in and teasing what’s to come.
So. Jimin did THAT. And we HAVE to talk about it. Let’s dive into the incredible solo dancing Jimin displayed in the Black Swan MV and how beautifully he pulled it off. #JIMIN#BlackSwanMV@BTS_twt
Let’s start this solo dance with #JIMIN flying through the air like the graceful swan he is. I will never get over how high he can jump and how, by kicking back his legs and keeping his upper body calm, he can make it look like he’s suspended in the air while he’s up there.
#JIMIN hits this beat with a jerking motion, as if suspended by puppet strings. Then he raises his arms, creating a moment of stillness and suspension before sweeping into a beautifully controlled fan kick. Winding up the leg gives him the momentum needed going into the kick.