We are getting started in the @UMBCLibrary. Come join us!
If you want to gain an idea as to the work of Rosemarie Garland-Thomson, please read her @nytopinion piece, Becoming Disabled nytimes.com/2016/08/21/opi…
The central claim of critical disability studies is that disability is everywhere, once you know how to look for it.
RGT defines disability as a record written on the body of our encounters between flesh and the world - a cultural definition instead of the medical.
Disability crosses all genre, media, time periods, aesthetic themes, and cultures.
Disability is something that is produced through interactions between the body and the world; things like war or technology.
The story of Oedipus the King is bookended by disability: we start with his broken foot which is what he is known for and we end with his self-blinding.
We also see it reflected in literature through children: Little Eva in Uncle Tom’s Cabin and Tiny Tim in A Christmas Carol
We also see it in popular culture, including stand-up comedy. Comedian Maysoon Zaid describes herself as a “sit down, stand-up comedian.”
The world of dance also features disability. Krip-Hop is a movement demonstrating alternate arrangements by which hip hop artists with disabilities can communicate through social media, including educators, journalists and conferences. kriphopnation.com
People like David Toole, a legless dancer, introduces new concepts of contemporary dance and forces a redefining of what dance is - thus moving the fiels forward.
Disability is often a subject of art.
Painters, like Frida Kahlo, incorporate their disabilities into their work.
We also find disability in unintentional ways in art, particular modern and Cubist art. Assymetry or the violation of of bilateral symmetry is often associated with disability.
Disability is also displayed in physical objects that may be medical devices. Although FDR avoided being seen in his wheelchair in public, heads of state often gifted him with canes.
RGT is concluding with looking at ways in which inclusion of disability is being achieved. Tactiles watches for the blind or video calling are examples
Internation Symbols of Access have also changed to indicate more agency.
Changes in the physical environment, thanks to disability rights activists, have made it possible for more people to engage in the physical world.
Accessible design has changed who we think we share our world with and indeed DO share our world with.
Disability access is access is for all. The presence of disability as a concept makes the world a better place for all of us to use.
What can an ethics of disability access inclusion do?
Access creates inclusion and diversity and it can strengthen support for disability culture, presence, and awareness across all civic institutions.
Ethical access can help to develop practices that implement diversity inclusion, diversity and justice and build inclusive environments for all human embodiments.
Access can shape environments to fit humans rather than shape humans to fit environments and shape environments to fit humans rather than shape humans to fit environments.
Finally, disability inclusion can change attitudes, increase access, build community, and cultivate leadership. folks.pillpack.com/inclusivity-im…
Many thanks to Dr. Garland-Thomson for her enlightening talk. If you want to learn more, please check out her books: “Extraordinary Bodies” and “Staring: How We Look.”
This afternoon, join us in the @UMBCLibrary for our first Humanities Forum lecture of the semester: Thinking Like a Caravan: The Current Migration Crisis with Rachel Ida Buff from @UWM
This talk is mostly based on her new book, A IS FOR ASYLUM SEEKER: WORDS FOR PEOPLE ON THE MOVE. The book is being published simultaneously in English and in Spanish.
In addition to being an immigration historian, Buff has been working as an immigration activist for over 20 years. She noticed that in the past few years, there has been confusion in the discussions towards the migrant crisis.
This afternoon, @UMBCHistory’s Robert K. Webb Lecture is all about Edo. @astanley711 from @NorthwesternU explores the social history of early nineteenth-century Edo (now Tokyo) in the context of global history, focusing on gender, violence, and consumption. #umbchumforum
In 1800 — the era of Napoleon and revolution and declarations of independence — Edo boasted a population of 1.2 million. In comparison, London had a population of one million, Paris had 550,000, and New York was a tiny outpost of 60,000. Yet Edo is invisible in global history.
Edo is typically referred to as a “culture” in world history textbooks. Kabuki theatre, geisha, and shinto are what typically comes to mind. A culture without a society.
This afternoon in the @UMBCLibrary , we will learn about how visual culture played a crucial role in defining and enforcing slavery for both enslaved and free people in Ancient Rome.
Trimble: In Ancient Rome, tens of thousands of people were enslaved, but yet we know nothing about them. In order to learn about Ancient Rome, you need to understand slavery.
What people in the Roman world saw informed the way they viewed the world and the people who inhabited: visual markers, written labels, sellers’ deceptions, and buyers’ inspections.
TODAY: "The Fractal Caribbean: The New Literatures of Cuba, Puerto Rico, and the Dominican Republic" w/ Puerto Rican writer Mayra Santos-Febres. 5:30pm in the @UMBCLibrary
.@deardelirious is introducing Mayra Santos-Febres, novelist, essayist, and poet from Puerto Rico. A @GuggFellows and recipient of the Juan Rolfo award, Santos-Febres is currently a professor at the University of Puerto Rico, Río Piedras.
The Fractal Caribbean is nonbinary, although it contains the binary. Try listening to jazz, which contains improvisation, but also a consistent rhythm. Intrustments playing different yet the same rhythm. #umbchumforum
.@UMBC_CAHSS Dean Scott Casper is introducing our Lipitz Professor, Dan Bailey, a professor of animation. The Lipitz Lecture is conferred annually. #HumForumcahss.umbc.edu/lipitz/
The talk will feature two projects: Visualizing Early Baltimore and Slow Exposure. Bailey stresses that these projects would not be possible without a group effort.