Guidotti-Hernandez: More places to do public-facing scholarship than before. Opportunity to look beyond academic work. Lessons: Less is more, write for your mom, make it accessible, translate feminist issues to public that is deluged w anti-feminist msgs. #nwsa2019#nwsa19
Guidotti-Hernandez: Main audience is Gen Z. Ms just hired a social media coordinator who will do distro work in new and vital ways. So important to have public facing aspects of feminist academic work we do. #nwsa2019#nwsa19
Berger: Uses Ms in the Classroom with her 2k students a year. She helped to pilot this. She also suggested creating Ms readers.
Jolna: Faculty have access to all Ms in the Classroom content for free. #nwsa2019#nwsa19
.@fourthwaveprof : In 2009, Aviva participated in a Ms workshop aimed at writing. Popular press useful in teaching; cross pollination between public writing, scholarship, and pedagogy. #nwsa2019#nwsa19
@fourthwaveprof Coronado: Took Ms in the Classroom workshop, uses Ms in the Classroom in grad classes. Students really liked it: no ads, engaging.
Jolna: In Ms, we end all articles w solutions, actions, orgs, etc. #nwsa2019#nwsa19
Sorry wrong Michelle - this should be attributed to Michelle McGibbney Vlahoulis.
@fourthwaveprof Berger: Wrote a book and Ms approached her to write a feature on her work. Ms is very supportive and helpful re: writing process. Working in Ms community has been transformative. Don't wait for them to ask you but pitch ideas.#nwsa2019#nwsa19
This is an important time for #feminist academics to write for the popular press. More universities are pushing public scholarship. Writing for popular press helps create space and creativity for academic writing. #nwsa2019#nwsa19
Popular press writing is a great way for students to find your work and your academic programs. It's a great exercise to synthesize lots of data into a concise, accessible format. Your books can be reviewed. #nwsa2019#nwsa19
Your popular press work can become required readings in class which can help w academic advancement. Include analytics (hits, etc.) from online writing as well. Popular press writing can reach public who don't have access to paid databases. #nwsa2019#nwsa19
Can use Ms covers - evolution of them - to see that feminism is historically embedded, that it's visual and creative as well. Have students pick their favorite articles. Use Ms in the Classroom in intro classes. #nwsa2019#nwsa19
Ms in the Classroom for intro classes: have students pick the articles, have them compare Ms articles to articles in other mags, writing assignments in conjunction w articles. Readers are Ms articles curated into topics. #nwsa2019#nwsa19
Idea: Student choice weeks. Ask students to vote on topics for which articles are provided by Ms but that are not already in your syllabus. #nwsa2019#nwsa19
A new digital reader is coming about gender, sexuality, and social justice movements. M. Bahati Kuumba and Tricia Lin are editing this volume. #nwsa2019#nwsa19
Writing: The biggest barrier is just doing it. Frame writing as: why this now? Why is this topic important right now? Why should readers care at this particular moment? #nwsa2019#nwsa19
Another question: why you? Why are you the person to write this particular article?
Other advice: find out what the magazine wants - a short pitch? A full draft? Usually less is more. #nwsa2019#nwsa19
.@DrNMGH: Popular press is more urgent than academic writing. Tell the magazine why the article must be written right now. How are you intervening in the conversation in the now? What is the one thing you want readers to take away from article. #nwsa2019#nwsa19
Other advice: You can write outside your areas of expertise. Most journalists are generalists. Be prepared for trolls when you are a public scholar. Have conviction, integrity, a thick skin, and don't read the comments. #nwsa2019#nwsa19
Advice: Keep an idea journal. Writing is a practice. There's also a high potential for impact in popular press writing. Unlearn academic tongue for this type of writing.
Ask yourself: 1. Why now? 2. Why you? 3. Why Ms? #nwsa2019#nwsa19
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Sherri Mitchell (Penobscot) is the final speaker at the #Indigenous History Conference. She is the author of the award-winning book Sacred Instructions; Indigenous Wisdom for Living Spirit-Based Change. sacredinstructions.life
Mitchell: What guidance have I been given that will lead me into the future? It's a circular route that we travel. We have to be living for all of our relations. This is how prayers are ended, relations are acknowledged.
Mitchell: so maybe that's where we should begin: how do we be good relatives? Think about grandmothers, mothers, aunties, they are the ones who have taught us how to be a good relative. This matrilineal line was directly attacked by colonialism and patriarchy.
Robin Wall Kimmerer is first up. If you haven't read her classic BRAIDING SWEETGRASS, you should get the beautiful special edition of it now (would make a great holiday gift!) from Milkweed Editions @Milkweed_Books: milkweed.org/book/braiding-…
Kimmerer: Will discuss the prophecies of the Seventh Fire which counter the myth of the First Thanksgiving and the overall lack of Native American historical literacy.
And the second session today at the #Indigenous History Conference is "From Traditional Knowledge to Colonial Oversight to Indigenous Integration: Educator’s Roundtable Indian Education in New England" with Alice Nash, Tobias Vanderhoop (Aquinnah Wampanoag),
Jennifer Weston (Hunkpapa Lakota, Standing Rock), and
Alyssa Mt. Pleasant (Tuscarora).
Vanderhoop: "The colonial system of education happened to us." Wampanoag in the colonized schools were seen as more controllable, agreeable, etc. But their intention to get rid of Native Americans via the colonize education system failed.
This morning I'm attending the second to last panels of the conference! "Writing Ourselves into Existence: Authors’ Roundtable: New England Native Authors and Literature" with Siobhan Senier @ssenier, Melissa Tantaquidgeon Zobel (Mohegan) @tantaquidgeon, Carol Dana (Penobscot),
John Christian Hopkins (Penobscot), Cheryl Savageau (Abenaki), and Linda Coombs (Aquinnah Wampanoag). This has been a fantastic conference, I hate that this is the last weekend! Thanks to all for your hard work! @Plymouth_400@BridgeStateU@joyce_rain18
Dawnland Voices edited by @ssenier is the first collection of its kind from Indigenous authors from what is now referred to as New England. Tribes are very good at shepherding their own literary works.