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How about some women's history for your Wednesday? Today we're sharing stories and objects from women who have shaped America with #BecauseOfHerStory. Discover more: womenshistory.si.edu/herstory
During World War I, more than 23,000 nurses risked their lives to care for troops as nurses. Those women did not have the right to vote and did not get permanent commissioned rank.

This poster from 1918 at our @cooperhewitt asks women to do more. An illustration of a Red Cross nurse holding up one end of a brown stretcher and extending the other end in the foreground towards the viewer. An artillery shell bursts in the air at her right behind her. The poster reads
@cooperhewitt Artist and community organizer Kat Rodriguez crafted this 11-foot-tall Statue of Liberty holding a tomato aloft. Florida farm workers marched 230 miles with it, calling for better wages, conditions, environmental practices and dignity. Today it's in our @amhistorymuseum. Papier-mache version of the Statue of Liberty. Liberty is depicted as Latina and carries a cornucopia of tomatoes instead of a tablet. Instead of a torch, she holds a tomato aloft in her hand.
@cooperhewitt @amhistorymuseum Researchers at our @NMAAHC think this woman may be Sarah Loguen Fraser. She was one of about 115 African American women doctors in the U.S. in the 1890s—though African American midwives assisted in most births in the South before the 20th century. A tintype portrait of a woman, likely a doctor or possibly a nurse or midwife, carrying a medical bag. The woman is standing tall at the center of the image, looking directly at the camera. She carries a medical bag in her proper left hand.
@cooperhewitt @amhistorymuseum @NMAAHC Kay Sekimachi was 15 when she painted her temporary home—this Japanese American incarceration camp—in an art school founded by a fellow prisoner. Today Sekimachi is a renowned fiber artist. Her painting is in our @ArchivesAmerArt. Outdoor scene of a Japanese American incarceration camp painted in watercolors, including telephone wires across the camp, two dwelling units, and a row of trees.
@cooperhewitt @amhistorymuseum @NMAAHC @ArchivesAmerArt What's your weekly routine?

These 1950s tea towels from @SmithsonianACM were embroidered by Mary Thompson Ford and her daughters Blanche and Ethel. Embroidering their housework schedule, they paralleled men’s office or factory schedules and emphasize the value of unpaid work. A woman rides her bicycle away from the super market. Her bicycle basket is filled with flowers from the market. She wears wide-legged pants. “Wednesday” is embroidered at the bottom.A woman holds a piece of starry fabric on a sewing dress form. She has pins in her mouth, and more pins and a pair of scissors lie on the ground next to her. “Thursday” is embroidered at the bottom.A woman rolls out dough on the kitchen counter. Behind her, a child grabs a cookie from the cabinet, unseen. “Saturday” is embroidered at the bottom.A woman sits up in bed. A man wearing an apron brings her a cup of tea on a tray. A child holds her hand as they peek over the edge of the bed. “Sunday” is embroidered at the bottom.
@cooperhewitt @amhistorymuseum @NMAAHC @ArchivesAmerArt @SmithsonianACM Artist Romaine Brooks left her abusive family in Rhode Island to live in Paris, where she lived openly as a lesbian. In her self-portrait, she wears men's clothing, part of her carefully crafted androgynous style. Today her work is in the collection of our @americanart. Romaine Brooks portrays herself in dark colored hat and coat, her eyes veiled under the shadow of her hat brim.
@cooperhewitt @amhistorymuseum @NMAAHC @ArchivesAmerArt @SmithsonianACM @americanart In the 1920s and 1930s, Chinese American actress Anna May Wong struggled to find roles that fought stereotypes. In World War II, she put her career on hold to help the U.S. with Chinese war relief. Her portrait by Nickolas Muray is in the collection of our @smithsoniannpg. Anna May Wong poses, holding a fan behind her head. She wears a yellow dress with dragons emblazoned on it.
@cooperhewitt @amhistorymuseum @NMAAHC @ArchivesAmerArt @SmithsonianACM @americanart @smithsoniannpg Wilma Rudolph, an Olympic medalist, brought integration to her hometown of Clarksville, Tennessee because she refused to attend segregated homecoming events. Our @NMAAHC has this souvenir program. The front of the black-and-white program features a thatched illustration of Wilma Rudolph with 3 Olympic gold medals above her head. The program says “Welcome Wilma.”
@cooperhewitt @amhistorymuseum @NMAAHC @ArchivesAmerArt @SmithsonianACM @americanart @smithsoniannpg “We just plowed ahead and went into the fields we found most exciting.” –Astronomer Heidi Hammel

Hammel, Fran Bagenal, Candice Hansen and Carolyn Porco broke into male-dominated astronomy on the Voyager program in 1977. This model of the Voyager probe is in our @airandspace. A Development Test Model for the Voyager spacecraft on black background, including a dish-like component.
@cooperhewitt @amhistorymuseum @NMAAHC @ArchivesAmerArt @SmithsonianACM @americanart @smithsoniannpg @airandspace Learn more women’s history with more than 60 objects on our website—and with more than 300 objects in @SmithsonianBook’s “Smithsonian American Women.” womenshistory.si.edu/herstory #BecauseOfHerStory Book cover with grid of objects like skateboard and tiara, and portraits of women. Title: Smithsonian American Women, remarkable objects and stories of strength, ingenuity, and vision from the nation collection.
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