One of the strategies I’ve used to get initial offers up for my authors of color (so I’m able to negotiate up from something not insulting) is to tell editors very frankly that money is the primary factor in who we’re going to go with #publishingpaidme
A lot of (well-meaning) editors will (rightly) assume that a POC will often choose a house based on safety (which often means who will be the least racist), but it really does change the game to walk in demanding dignity AND to get paid like a white author does #publishingpaidme
I think a lot of publishing higher-ups think that their woke associate editors are all a POC writer deserves, so they don’t authorize high advances. But if you give that editor a monetary requirement? That’s when you really see advances. #PublishingPaidMe
Note that I don’t need to tell editors my white authors want to be paid, because of *course* they do! Everyone wants to be paid! But for some reason, we have to *say* it, and *ask* for it, for authors of color.
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I'm starting my morning with a gigantic pot of tea and my slush pile, so let's talk about queries for a few minutes!
Every query needs a metadata paragraph, where you tell an agent the data (material information) about your data (the book itself). Most of this metadata is super easy to provide...
Title--I bet your book has one, even if it's a working title!
Word count--just look at the bottom of your word doc!
But then you get to the tougher stuff that, frustratingly, feels like it should be simple: category and genre
I'm making the curry from That Episode of @printrunpodcast today and in honor of that, let me do a quick thread on agents and their biggest red flags!
An agent/agency should NEVER ask an author for money. Not for reading. Not for submission. Not for marketing.
If you're signing with an agent, you should LITERALLY SIGN A CONTRACT. A good contract will lay out what books of yours they'll represent, what happens to the money, and what happens if either party wants to end the relationship
I drank too much tea and can now hear my heartbeat in my ears, so instead of sending nice, measured emails, let’s do a quick thread on manuscript word counts!
Every book genre (and category) has industry-standard word count ranges.
Before we go further, what this does NOT mean: your book will automatically be thrown out if you’re a few hundred words outside this range
What it DOES mean: the traditional industry (agents, editors, publishers, and yes, readers) will come to expect some things from your book which are easily distilled into a word count “rule”. Let’s go into detail!
Up early going through queries with a huge pot of tea. I'm thinking, as always, of different ways to make querying easier and more successful for all kinds of writers.
I think a lot of writers find hard-and-fast rules about querying useful. But many don't. (thread)
In teaching queries, I've embraced a method of teaching "best practices", which allows for an author to intentionally deviate from the rules, with the understanding that such deviation should be logical and necessary in communicating the reality of your project
For example, it's better to use comps than to not use them, better to use recent (5ish yrs) comps than old ones, better to use moderate successes than blockbusters, better to limit yourself to 2-3 comps, better to use comps to communicate tone or theme than to rehash plot
I’m not going to RT the biphobic YA take but a bi person is literally never in a “straight” relationship. Every relationship they have is queer. Even a relationship they might have with someone of a different gender is still going to be very, very different from a hetero one!
“This bi woman has only ever been in relationship with men!” Well guess what, they’re still not straight, and their relationships still aren’t straight.
“But has she ever even KISSED a girl?” Well sexuality is based on attraction and not action, so GTFO with that intellectually dishonest, acephobic take.
Okay, because I'm having some Feelings about this, let's talk about how to circumvent different ways publishing weaponizes #ownvoices and creator identities:
First, there are many agents and editors calling for #ownvoices in their subs. Ideally, this means this person is open to various (and non-monolithic) marginalized experiences--feel free to sub to them with or without mentioning #ownvoices or self-identifying...
But stay away from agents/eds/pubs that REQUIRE you to disclose--you can't trust this person to maintain your boundaries or safety.