Shorthand is a system for rapid writing that uses symbols or abbreviations for letters, words, or phrases. It can be tricky to learn, but once you master it you can keep pace with the speed people talk at - a very useful skill.
Formal shorthand systems have a long history. Cicero's freedman, Marcus Tullius Tiro, developed one of the earlier popular forms: his Notae Tironianae system was in use up to the Renaissance.
Charles Dickens made an early living as a shorthand writer, using Thomas Gurney's brachygraph system. Here it is if you want to try it: archive.org/stream/brachyg…
In 1837 Isaac Pitman introduced phonographic shorthand: symbols representing sounds. It was a huge success and led to a Victorian craze of writing in shorthand.
The Victorian shorthand craze led to entire books being rewritten phonographically, and competitions held to see who could transcribe the best.
In 1950 George Bernard Shaw's will funded a quest to create a new phonographic alphabet. Ronald Kingsley Read won it and his system is called Shavian.
The Modern shorthand system is Teeline, created in 1968. Most journalists of a certain age will have flashbacks of trying to learn it!
Hindi Sanket Lipi is still a popular shorthand system in India. Rishi Pranali developed it in 1938.
Tonic Sol-Fa can be used to create a musical shorthand method that needs no stave.
Kudos if you can remember the sol-fa hand signs btw...
In a world of speech-to-text software you may think shorthand is no longer needed. But it's still a valuable skill, so it's worth brushing upon it if you haven't used it for a while.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.
Today in pulp I look back at the publishing phenomenon of gamebooks: novels in which YOU are the hero!
A pencil and dice may be required for this thread...
Gamebooks are a simple but addictive concept: you control the narrative. At the end of each section of the story you are offered a choice of outcomes, and based on that you turn to the page indicated to see what happens next.
Gamebook plots are in fact complicated decision tree maps: one or more branches end in success, but many more end in failure! It's down to you to decide which path to tread.
He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?
Today I look at one of the earliest pulp legends: Spring-Heeled Jack!
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.
But one apparition caught the Victorian public attention more than most...
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.