Before we dive into the ahistorical elements, quality wise, it's a 7.
The energy and enthusiasm is there, but the concept is where things go South. Many have spoken on this, but watching it stung.
Conflating Black music with an American Dream narrative that is rooted in slavery is not just wrong, but fucked up.
Making Hamilton an immigrant success story is intellectually dishonest.
Yes, they deserve their Tonys and roses. But they literally had to divorce themselves from reality in order to do so.
It says something that the first time the Broadway truly appreciated rapping in musicals involved a non-Black creator.
It says something about how "diversity" can be weaponized.
Gorgeous gowns, beautiful gowns -- but a message that erases true Black history and trauma to appeal to the masses.
I had to tell my little brother that George Washington wasn't as woke or deep as they made him in Hamilton.