2. Ted flexed his hands, balling them into fists as a crimson flush stormed up his neck. Nobody said that shit to him. Not since he'd made Billy Braiden regret his damn mouth in 8th Grade. This guy, he didn't know who the hell Ted was. But he was about to find out (19
Those were two different examples, both Deep POV, both with the same physical (visceral) show, but with two different triggers that completely changed the scene. To summarize, you need... (20
1. A character profile
2. Dig DEEP into your character's wound...the thing that contributes to their trauma/prevents them from dealing w/h trauma
3. Develop character Voice
4. Connect emotion to not only the character, bt what's happening in the scene.
5. Get in MC's head (21
2. Dig DEEP into your character's wound...the thing that contributes to their trauma/prevents them from dealing w/h trauma
3. Develop character Voice
4. Connect emotion to not only the character, bt what's happening in the scene.
5. Get in MC's head (21
If you need more help with Deep POV, or any element of craft, I offer affordable one-on-one coaching sessions, and I have August availability. Just visit my website for details. #writingcommunity #amwriting #amediting
mariatureaud.com
mariatureaud.com
Also, I think the thread broke where the examples were placed. Just scroll up, and click on the replies to view
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