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5 Oct, 15 tweets, 4 min read
A Brahmin of the priestly caste and his wife

Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A Hindu cultivator or farmer and his wife

Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A Hindu of the warrior caste
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A peasant or village dweller
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A carpenter and his wife
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A dancer; one of the class of caperers
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A Brahmin official
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
Itinerant acrobats
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A weaver and his wife
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A dancer couple
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A scholar (pandit) A Brahmin of the learned class
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A Hindu of the Carnatic
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A goldsmith
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A Gujarati man
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW
A fish vendor
Company school
Thanjavur (Tanjore)
c. 1770
Art Gallery NSW

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More from @hinduaesthetic

hindu.aesthetic Profile picture
5 Oct
Sir John Dalling and fellow officers watching a nautch. Two of the officers use an eyeglass to observe the action more closely. They are comfortably seated on chairs under a tent, with an attendant standing behind them.
In front of the officers are two girls in vividly coloured garments which leave the midriff bare. Both are profusely bejewelled. Their hands are raised in expressive mudras while their feet stamp to the beat of the drums and cymbals played by the accompanying musicians.
Near the entrance to the tent is a chobdar with his long silver mace, and at a distance, beneath an awning, are two further attendants wearing turbans, flowing jamas and with embroidered shawls draped over their shoulders.
Read 4 tweets
hindu.aesthetic Profile picture
29 Sep
Thread: Gold currency issued by the Gupta empire:

Kumāragupta I:
Laksmi seated facing on lotus, with halo around head, wearing lower garments and jewellery. Right hand outstretching holding fillet and left hand holding the stem of lotus. ImageImage
Reverse: Kumaragupta I, standing facing left with halo around head, wearing decorated coat and trousers. Left hand holds a bow and right hand holds an arrow. In left field a Garuda standard.

Ruler: Kumaragupta I
Gupta period

Date: 415-447 AD Image
Goddess seated to the left on a wicker stool, wearing lower garments and jewellery and with a halo around head. Right hand outstretched offering fruit to a peacock in left field. Left hand holding the stem of a lotus flower.

Issuing Authority
Ruler: Kumaragupta I
Gupta period Image
Read 10 tweets
hindu.aesthetic Profile picture
24 Sep
Devi Mahatmya manuscript, Telugu translation of Sanskrit. Both paintings are concerned with the forces of Devi, represented in the form of grotesque leonine creatures, devastating the armies of a rogue king.
Mysore
ca. 1825
opaque watercolour and gold on paper.
VAM ImageImage
The rulers of Mysore, descendants of the feudal chiefs of the kings of the Vijayanagara kingdom, fiercely sought to preserve the Hindu values and culture of their court in the face of Muslim pressures from the surrounding southern Deccan.
Mural painting traditions in nearby Andhra Pradesh, such as those at the Virabhadra temple at Lepakshi, gave strength to their cause. This painting boldly asserts its Hindu character and gives us an insight into this little studied aspect of South Indian Painting.
Read 5 tweets
hindu.aesthetic Profile picture
24 Sep
Leaves from Illuminated Manuscript of the Jnaneshvari

These pages are from a lavishly illustrated 18th-century copy of the Jnaneshvari, a 13th-centruy commentary on the great Sanskrit text, the Bhagavad Gita.

VMFA ImageImageImageImage
(Leaves from Illuminated Manuscript of the Jnaneshvari, 18th century) ImageImageImageImage
(Leaves from Illuminated Manuscript of the Jnaneshvari, 18th century) ImageImageImageImage
Read 4 tweets
hindu.aesthetic Profile picture
23 Sep
Illustrations of the Rāmayana by Laxman Pai 1982; Water colour, brush, pen and ink on paper

Rama is born

In the forest with Vishwamitra

Defeat of Paraśurāma

Breaking of bow and wedding to Sita ImageImageImageImage
Kaikeyi's two wishes

Rama, Lakshmana and Sita are exiled

Sita spots a golden deer

Ravana carries Sita away ImageImageImageImage
Ravana kills Jatāyu

Sugriva and Vali fight

Hanuman reaches Lanka and meets Sita

Hanuman burns Lanka ImageImageImageImage
Read 5 tweets
hindu.aesthetic Profile picture
20 Sep
Pages from Picturesque Nepal by Percy Brown
published 1912 ImageImageImageImage
from Picturesque Nepal by Percy Brown
published 1912 ImageImageImageImage
from Picturesque Nepal by Percy Brown
published 1912 ImageImageImageImage
Read 4 tweets

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