I like these neat videos @Kurz_Gesagt makes, but this one, () focused essentially on the agricultural revolution, errs by presenting the process as a 'peaceful transition' and ignoring the role of violence.
That's not what the evidence indicates. 1/6
The short video focused on the role of community and information exchange in the spread of farming, using it as an analogy for "another peaceful transition" (8:50) to a non-earth-bound civilization we may make in the future.
But that's not what happened! 2/6
But we have quite a bit of evidence now suggesting that it wasn't that the idea of farming spread, but that *farmers* spread, likely using their much higher population density to displace smaller numbers of non-farmers from resource-rich zones.
3/6
That process would obviously have been violent. I am quite sure that people do not voluntarily leave resource rich zones to go starve and struggle in the hill country or semi-arid zones without at least trying to resist.
But they'd lose because the farmers had numbers. 4/6
Something which in turn answers a question the video poses but talks about (because it can't answer it): why shift to farming, when it is less healthy overall? The answer is "you shift to farming to get big enough group-size to defend your territory and resources." 5/6
I really find myself wishing more game reviewers took just a brief break from discussing graphics and gameplay and features and just included in every review: "I think this game attempted to evoke <feeling1/feeling2...> and it <succeeded/failed>."
Especially for more story oriented games, I want to know if it made you feel a feeling, and if so - what feeling was that?
By way of example, Frostpunk and Cities: Skylines could both be mechanically reviewed as "Very capable, mechanically deep, pretty, city-builders"...
But that review is kind of useless - they are very much not interchangeable. Contrast:
Frostpunk tries to make you feel hopeless despair, followed by triumphant recovery, followed by sorrowful reflection at the costs; it largely succeeds....
Ok twitter, it's time we talked about the F-word: Fascism.
And I want to talk about it in a narrow sense; not in the (basically useless) popular sense of "political thing I do not like" or only marginally more useful "political thing I do not like on the right." 1/23
Rather, I want to talk about fascism as a human proclivity and thus a (very bad) tendency within human societies.
And I am going to lean on Umberto Eco's famous essay on the topic, "Ur-Fascism."
Eco sought to tease out the common elements of various fascisms...2/23
...terming his umbrella intellectual category 'Ur-Fascism' - a template on to which any violent, radical ideology might be grafted; add genocidal racism, you get Nazism; add radical trad. Catholicism, you get Falangism...3/23
So the last chat-about-universities tweet went far, but it also raised a bunch of questions which I want to talk about.
One of the big questions was admin vs. staff, the structure of university governance and where the 'bloat' was.
So let's talk about it. 1/lots?
Any discussion of higher education these days runs into the phrase 'administrative bloat.' it is *everywhere* but a lot of the folks who use it won't define what it means, which leads to a lot of confusion - there are a lot of people in the university who could be 'admin.' 2/xx
Let's start with who I do *not* mean, when I talk about administrators.
First off, you have 'departmental staff' (some of whom may work in curricula or centers or other sub-department organizational units, but doing the same thing). 3/xx
So everyone is talking about UNC's COVID-19 mess - and all that criticism is perfectly valid.
But we also need to talk about why the uni-administration probably had no choice.
Buckle up and let's talk about university finances and the 4 horsemen of the academipocalypse. 1/lots?
Now the fourth horsemen we're already familiar with: Pestilence. COVID-19 is disruptive for universities just like everything else.
But people ask - why can't the universities teach remotely, or just skip a semester in order to keep everyone safe? 2/x
And to understand why universities have worked themselves into an absolutely impossible position where all choices lead to doom, we need to start with the other 3 horsemen - because they produce the institutional conditions which were slowly killing higher ed before COVID. 3/x
Appreciate this being called a shield wall rather than a phalanx or testudo or some more specific term.
I should note that despite such overlapped, vertically stacked (two rows) shield walls showing up a lot in fiction/movies, that's not how they worked historically. 1/13
A shield like that covers enough of the body that you don't actually need to stack them vertically, so long as you keep a coherent, close-order formation.
That said, I think vertical stacking here actually is a good idea for strategic reasons: it cannot advance. 2/13
And you might say - wait, isn't being able to advance a good thing tactically? And yes, it is!
But remember, whatever the tactics of the moment, *strategically* the protestors are trying to draw attention to police violence, not defeat the police in a street-fight. 3/13
Like, *all* of this. Now, it's true that women in Roman fresco are often drawn with very light skin - that was part of the beauty standard (complete with whitening cosmetics). But men did not generally avoid tans (the sun in Italy not being avoidable) and are darker. 2/7
I'm also struck by Septimius Severus here. We have period artwork of him (en.wikipedia.org/wiki/Septimius…) and he's way darker than this.
This fits into a broader problem where the popular imagination of Rome is defined by English BBC actors. That's not accurate. 3/7