Cup of tea: half an hour to kill: you know the drill, Twitter, #Storytime.
New followers, #Storytime: in which I write a story, live and on Twitter; some people listen; some unfollow. And it always starts like this:
There is a story the bees used to tell, which makes it hard to disbelieve. #Storytime
To a city of the Folk, known for its weavers and dyers of silk, there came a traveller from foreign lands. #Storytime
He must have been a man of wealth, for he came in the finest of carriages, upholstered in yellow leather and drawn by eight horses, exquisitely matched, and bearing a mountain of baggage. #Storytime
The man himself, when he emerged, was the picture of elegance, wearing a coat of grey velvet embroidered all over with silver thread. His stockings were silk, with extravagant clocks, and his shoes had heels fully five inches high. #Storytime
But the most striking thing was his waistcoat, which was a perfect crimson red; a red that the dyers and weavers of the city had longed for years to make for themselves. #Storytime
The man settled into his quarters in the most fashionable part of town, and became acquainted with everything the city had to offer. The people called him Redbreast because of his crimson waistcoat, and courted him for his money, his looks and his extensive wardrobe. #Storytime
And every day, he wore something in that arresting crimson red; a pair of the softest leather gloves; a feather in his tricorne hat; an evening coat of fine moiré that seemed to rival the sunset. #Storytime
“Where does he have these fabrics made?” whispered the nobles of the town. “What tailor knows his secret?” #Storytime
Finally, an enterprising dyer of the city came to the man with a purse of gold. “I must know the secret of this dye,” he said. “It is so much brighter than any we have; the rose, the coromandel. “What dye do you use? What mordant? Share your secret. Name your price.” #Storytime
The man looked amused. “My price is not in gold,” he told the dyer. “But if I tell you the secret, one day you will certainly pay.” #Storytime
“Tell me,” persisted the dyer, dazzled by the magnificent red of his patron’s velvet coat, and of his silken waistcoat, adorned with grosgrain ribbon.
“Very well,” said the man, and whispered something into the dyer’s ear. #Storytime
The dyer grew pale. “Surely not,” he said. “This cannot be the secret.”
The man simply shrugged. “You have it,” he said. “But it is your choice to use it.” #Storytime
The dyer thought long and hard about the secret the man had given him. The dye to make the crimson and the mordant to make it stable came from such a terrible source that he barely dared consider them. #Storytime
And yet the crimson was so fine, and his customers so eager, that he decided to try it out, just once, on a roll of silk, which he sold to a tailor to fashion a gown for a beautiful lady. #Storytime
But the gown was such a success that the lady’s friends all wanted the same; and crimson gloves and fans to match; and feathers for their tall coiffures. #Storytime
And all the men wanted waistcoats and hose and cloaks and coats in the new crimson red; and the dyer made a fortune. The tailor, his friend, made a fortune too, although he was resentful of the fact that the dyer would not tell the secret of the new colour. #Storytime
“Tell me, my friend, if you love me,” he would say, until at last, in confidence, the dyer told him the secret. #Storytime
And such was the tailor’s horror at the origin of the crimson dye that he told all his customers too, every time in confidence, until it became the best-known scandal in town, and his crimson the most sought-after shade in the whole of the city. #Storytime
The rich wore it on capes and gown; the poor in knots and ribbons. And the terrible secret was passed around the city like a crimson plague; and the more people heard, the more they were shocked, and drawn to the wonderful fabrics. #Storytime
“Yes it is very shocking,” they said, “But everyone is wearing it.” And soon the whole of the city was nothing but a crimson sea of velvet, taffeta and silk; of leather, lace and calico. #Storytime
By then, the man they called Redbreast had quietly left the city. No-one ever saw him there again, or even thought to remember him. #Storytime
And the city became the capital of dyers and tailors of fabrics; and its wealth and beauty were famed throughout the many crimson lands of Hell.
#Storytime
The end

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More from @Joannechocolat

12 Oct
Given we're talking about this today, let's make today's #TenTweets about PROTECTING THE ARTS. Follow the hashtag to collect them all - and feel free to add your own, because there are a hell of a lot more than ten...
#ReasonsToProtectTheArts
1. The arts in the UK are a massive industry, earning billions of pounds for our country's economy, and employing millions of people. #ReasonsToProtectTheArts
2. The creative arts are very far-reaching, including all areas of publishing, design, music, theatre, film, dance, games, textiles, fashion, museums, crafts, architecture, and more. #ReasonsToProtectTheArts
Read 11 tweets
1 Sep
Cup of tea; ten minutes to spare: you know what that means. #Storytime.
New folk, to explain: #Storytime; in which I write a story live and from scratch; some listen, some unfollow. And it always starts like this:

There is a story the bees used to tell, which makes it hard to disbelieve.
Once, in the jungle, there was a Lion known among his folk for being greedy, vain and lazy. All the other Lions laughed at him, as did the rest of the animals. But the Lion was well-connected, so much so that one day he became King. #Storytime
Read 16 tweets
29 Aug
Following various conversations about older women today and yesterday, let's have #TenTweets on #OlderWomeninFiction. Follow the hashtag to collect them all!
1. When looking at the arts in general, and the portrayal of women in particular, it becomes clear to anyone of sense that there's an elephant in the room. #OlderWomeninFiction
2. A great, big, middle-aged elephant, with the power of invisibility. Or so we might assume; because middle-aged and older women in the world of fiction are so rare that they might as well not be represented at all. #OlderWomeninFiction
Read 14 tweets
15 Aug
At the heart of the #examshambles is a double disgrace; one, the social and racial profiling that led to the conclusion that only "good schools" (white, well-off) get good results, and two, the conclusion that people who challenge that prejudice shouldn't get the chance to try.
If you examine that belief, you'll see that this leads directly to the idea that certain groups of people (poor, working-class) might as well not go to school at all.
And why, do you ask, would a Government built on lies, propanda and the weaponization of ignorance prefer an uneducated electorate?
Because it keeps them in power.
Because uneducated people are easier to handle.
Read 8 tweets
8 Jun
There is a story the bees used to tell, which makes it hard to disbelieve. #Storytime
On the edge of a great desert, where the wind blew incessantly from the east, there lived a cruel, tyrannical king. #Storytime
He lived in a golden palace surrounded by beautiful gardens, encircled all around by a wall, for this king, remarkable only by his tyranny and selfishness, had grown increasingly fearful as he entered his dotage. #Storytime
Read 22 tweets
27 Apr
Given how many festivals have gone online, let's talk about literary festivals in general. Follow #TenThingsAboutFestivals to collect them all!
1. There are something approaching 800 literary festivals in the UK alone. Some are great, others not so great, so it's worth getting to know which ones are really worth doing. #TenThingsAboutFestivals
2. A good literary festival should help promote literacy within the community, should be diverse, accessible and inclusive, and should be supportive of authors. #TenThingsAboutFestivals
Read 12 tweets

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