Morning’ 🔆 Loved waking to the yarn generated on Traditional #Aboriginal#placenames. There is always dissonance when it comes imperialst #datacollection with a limited appreciation of Aboriginal cultural nuance and sophistication. Read more below. google.com.au/amp/s/theconve…
My Traditional language, the Mbarabram language is completey exctinct due to colonisation. So I believe its vital we support language revivals. Language is instrinsct to the expression of culture. A means of communicating share values, beliefs and customs.
Plus, there’s many borrowed English words from Aboriginal tribes, clans and nations, without any formal recognition. ‘Hard Yakka’ meaning ‘work’ from the Yagara language, the famous surfing brand ‘Billabong’ borrowed from the Wiradjuri group in South-West New South Wales.
No shame: We all learning and unlearning, but I wonder? Do you know which Traditional lands you live and work on? Comment below. Let’s yarn! 🖤
Wow! This is deadly you mob. Great to see such diversity and understanding across our beautiful native homelands.
Still totally blown away by the generosity and spirit and understanding where we all reside and which lands we benefit from. And, what was, with a sense of shared pride. Spesh, in these times. Compassion and knowledge sharing - respect ✊🏿
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#JoeBiden will become the 46th president of the United States. #KamalaHarris will be the first black female Vice President, second to the senate. I personally hope this former ‘top cop’ is brave, true to values, and she helps to overhaul justice/health systems.
My two cents: Kamala does seem to have fairly like warm ‘centrist’ views on policies, stances on corrections and justice. She doesn’t call to defund police like her other Democrat if counterparts.
I hope she and Biden have Senate and Congress backing and support. I hope she and him are bold and brave in their thinking. The Country needs strong leadership; to led with their heads and hearts!
Thanks to everyone who has left comments below. I'm trying to read through and respond to as many as I can.
There are lots of comments about 'listening' which is cool but it's vital that you educate yourselves so you know how to understand what you're hearing.
It got mentioned in the thread that self-determination has to mean self-governing. Too right! The need to re-organise structures and systems to facilitate this is fundamental to SD otherwise the power remains with the dominant culture. Also, co-design isn't SD.
* I should add that when I say 'educate yourselves' I mean what @drcbond says .. read and cite Indigenous/Native authors
So, I'm a freelance writer and author that is doing a HDR (higher degree by research). I'm behind in writing. Even more so because I'm hosting this account this week. Concentrating long enough to write has become harder in 2020. Who else is behind on writing-related deadlines?
You are? And you, too? Any more? Do you want to do some writing sprints this week? Or give each other little pushes. How about we each set daily goals - word count, chapter, whatever you need. And then starting tomorrow (until Thursday afternoon) we keep each other accountable.
We can do some writing sprints - I'll give a callout 30 minutes before one starts, and you join in. After 50 minutes, I'll call time - and we debrief (words written, how you're feeling, what are you stuck on). Let's use #WriteThatThing to share, do the sprints, debrief etc.
Next I want to share some resources on how to read, listen and understand First Nations books, poetry & storytelling. There's a lot of articles that list book recommendations, and this week's #BlakBookChallenge has great suggestions. However, it's not enough to pick up a book. >
Readers and reviewers need to learn how to read and discuss Aboriginal & Torres Strait Islander literature/story. Building capacity is essential. It begins with being aware of your bias & worldviews, acknowledging the white lens that literature is unconsciously seen through.
Reviewers that apply words such as legends, myth or mythology to First Nations writing are (usually unconsciously) reading through a white lens, and otherising the work. Non-Indigenous reviewers need to build their capacity to read, listen and write about First Nations literature
So, those themes. Before I start, a word: I'm dyslexic. So I'm not interested in any spelling corrections. People that do that on social media are annoying, and it can be a type of ableism. Please don't be one of those people.
The spark for my book Where the Fruit Falls occurred when I was listening to Billie Holiday's Strange Fruit. I started thinking about how Australians often know more about historical events & injustices that happened elsewhere, than what settler-colonials did/do here on this soil
All my stories - novels and short stories - start with one image. This is generally not the opening, and often just a minor scene. I write that image, and then I build around it. So this book started with a traumatic image. It's about half-way through the novel. Because I used >
I'm going to talk about my newly-released novel. Not in a bit-noting way, but I want to talk about some of the themes and how I approached these. And also share some of my observations of the Australian literature sector. uwap.uwa.edu.au/products/where…
First, I want to mention how long it took. And perhaps later this week expand on this to help others achieve their pathways to publishing. I started this novel in 2012. I've wanted to be a novelist since early 1970s. For a range of reasons, this wasn't an easy, quick road for me.
Before I won the Dorothy Hewett Award, 18 agents & publishers passed up the manuscript. Many had nice things to say about my skills but weren't interested. Most common reasons I heard: too many characters, spans too many years. Ah yes, that's what sagas do. No one wanted a saga.