Interesting use of web design here to explain this painting. But the pieces misidentifies the man in green, who is (my opinion) the key to it. I wrote about him in my book DISAPPOINTMENT RIVER. Warraghiyagey, the bridge between whites and the Iroquois. 1/ nytimes.com/interactive/20…
"Warraghiyagey" was Sir William Johnson, named by the Mohawk as "One Who Does Much." In the painting, he is the only main figure doing anything, running into the scene while everyone else sits and watches General Wolfe die.
Johnson was a British aristocrat who created a fur trading empire in the Mohawk Valley of upstate New York in the mid-1700s by partnering with Hendrick, the Mohawk chief. 
Johnson had two families from two wives, one white and one Mohawk. He painted his face as an Iroquois warrior when he led a column of Mohawk fighters into battle during the siege of Fort Niagara. He was buried as an Iroquois chief. He truly adopted both cultures.
You can see this in the painting - not only is he placed next to the Mohawk warrior, and is wearing moccasins and beaded garments, he is in a green coat to separate him from both the blue of the French and red of the English. He is something separate.
There is something distinctly American (or North American) in his co-opting/assumption/appropriation of multiple cultures. This was a trend on the American frontier. The Seven Years War was a world war, but this is a very American painting.
Just some thoughts for the day after Thanksgiving. Shameless plug: lots more on this in my book.
First tweet typo: *piece
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