Ma Rainey, known as the "Mother of the Blues,” is one of the earliest known American professional blues singers. She was born Gertrude Pridgett in Columbus, Georgia, on April 26, 1886.
At the age of 18, she married William Rainey and the two toured as performers with multiple minstrel and vaudeville shows, including the Rabbit Foot Minstrels. They later separated and Ma Rainey relocated to Chicago. #MaRaineyFilm#APeoplesGroove
In the 1920’s Ma Rainey signed a recording contract with Paramount Records. Marketed as “the Mother of the Blues” Ma Rainey was heavily advertised in the Black press, particularly the Chicago Defender. #MaRaineyFilm#APeoplesGroove
From 1923 to 1928, Ma Rainey recorded nearly 100 songs for Paramount Records, becoming their most recorded & one of their best-selling artists at the time. Her heavy Georgia accent and unique country blues style presented an original southern sound. #MaRaineyFilm#APeoplesGroove
Ma Rainey’s contract with Paramount Records was canceled in 1928, as the industry shifted to recording male country blues singers. The Great Depression had a heavy impact on the live Black music circuit and in 1935 Ma Rainey retired. #MaRaineyFilm#APeoplesGroove
She went on to own and manage the Lyric and the Airdrome theatres.
In 1939, Ma Rainey passed away at the age of 53. Her occupation at the time of her passing was listed as housekeeping and her death was left out of the press. #MaRaineyFilm#APeoplesGroove
Ma Rainey was a vocalist, songwriter, comedienne, producer, and theatre manager. She was a pioneer who collaborated with some of the most notable musicians of her time. Her contributions continue to influence contemporary music today. #MaRaineyFilm#APeoplesGroove
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At the National Museum of African American History and Culture, we believe that any productive conversation on race must start with honesty, respect for others, and an openness to ideas and information that provide new perspectives.
In that context, we recently unveiled “Talking About Race,” an online portal providing research, studies, and other academic materials from the fields of history, education, psychology, and human development.
Our goal in doing so was to contribute to a discussion on this vitally important subject that millions of Americans are grappling with.
Since yesterday, certain content in the “Talking About Race” portal has been the subject of questions that we have taken seriously.
Beginning with the founding of America, African Americans created new visions of freedom that have benefited all Americans. The paradox of the American Revolution—the fight for liberty in an era of widespread slavery—is embedded in the foundation of the US #ANationsStory#July4th
Thomas Jefferson drafted the Declaration of Independence and called slavery an “abominable crime,” yet he was a lifelong slaveholder. His statue stands in our Slavery & Freedom exhibition with the names of the 600 men, women and children he enslaved at Monticello. #ANationsStory
The tension between slavery and freedom—who belongs & who is excluded—resonates through the nation's history & spurs the American people to interfere constantly with building "a more perfect union." This paradox was embedded in national institutions that are still vital today.
#OTD in 1865, enslaved African Americans were notified of their freedom by Union troops in Galveston Bay, TX—two years after the Emancipation Proclamation was issued.
Known as #Juneteenth, this day is widely celebrated as the end of chattel slavery in the U.S. #APeoplesJourney
Though it has long been celebrated among the African American community, it is a history that has been marginalized & still remains largely unknown to the wider public. The legacy of #Juneteenth shows the value of deep hope & urgent organizing in uncertain times. #APeoplesJourney
Although the Emancipation Proclamation was made effective in 1863, it could not be implemented in places still under Confederate control, some enslaved people would not be free until much later.
African American music is rooted in messages of solidarity and protest. The freedom of speech that music allows creates opportunities for individual voices to come together in support of a cause. #APeoplesGroove#APeoplesJourney#ANationsStory#FreedomSounds
For centuries, black musicians have used their art to speak out for justice & equality. They have raised their voices to oppose racism, apartheid, violence, genocide, & oppression in all its forms. #APeoplesGroove#APeoplesJourney#ANationsStory#FreedomSounds
Some artists fight for social change throughout their careers because they believe their public prominence brings a social responsibility. Others may be moved to speak out on a particular topic or situation. #APeoplesGroove#APeoplesJourney#ANationsStory#FreedomSounds
The imprisonment of Dick Rowland, a black man falsely accused of assaulting a white woman, sparked the Tulsa Massacre. A lynch mob gathered to hang Rowland; black Tulsans hurried to the courthouse to protect him. A tinderbox of racial resentment & white supremacy quickly ignited.
From May 31 to June 1 white mobs ransacked, razed, and burned over 1,000 homes, businesses, and churches in Greenwood, and murdered scores of African Americans. #APeoplesJourney#ANationsStory
On July 27, 1919, racial tensions exploded when seventeen-year-old Eugene Williams drowned in Lake Michigan after crossing the unofficial segregation-line and being stoned by a group of white youths. #RedSummer100#APeoplesJourney#ANationsStory
When police officers arrived on the scene, they refused to arrest the white man whom eyewitnesses pointed to as the responsible party. Angry crowds began to gather on the beach, and reports of the incident spread quickly. #RedSummer100#APeoplesJourney#ANationsStory
Violence broke out among mobs of black and white Chicagoans, mostly on the South Side neighborhood. Police were unable to stop the riots, the state militia was called in on the fourth day, but the fighting continued until August 3rd. #RedSummer100#APeoplesJourney#ANationsStory