One of the fastest ways to improve both the intellectual world and the lives of creators is to create platforms that reward craftsmanship over volume.
Quality over quantity.
Today’s algorithms have such a now-bias that consistently publishing is the best way to be consistently seen.
And so, the entire Internet has a decency bias where current events dominate our attention.
But if we choose, we can design slower and more contemplative platforms.
The economic incentive to work like a craftsman is why I’m so excited about Cohort-Based Courses.
A course is a product. And as the founder of any great software product will tell you, great products are born from years of design, feedback, and iteration.
I’ll concede that quantity can lead to quality. That’s true, and new creators should work daily and publish as often as possible.
But once that becomes a habit, your attention should shift towards quality — the stuff of your life’s work. But today, the incentives are misaligned.
With these observations in mind, here’s what I’d focus on if I was building a communication platform:
• Built-in creator monetization
• Incentivize the timeless over the timely
• A marketplace for algorithms so people can tailor the experience to their preferences
Right now, we’re stuck in the Gresham’s Law epoch of social media, where flashy images and cheap ideas rise to the top
There are two kinds of successful creators:
1) Snipers publish only their best ideas, but everything they say is worthwhile.
2) Machine guns publish all the time, see what works, and double down on their best ideas.
The Internet disproportionately rewards machine guns.
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One of the best ways to improve your writing is to find a brilliant author who nobody knows about.
Read all their work, summarize it, build upon it, and you’ll have people saying “wow, I’ve never seen anything like this before.”
I’ve been reading Lewis Mumford who exemplifies these ideas perfectly.
He studied how technology transformed culture, with a focus on cities and machines. Though he was once influential, his ideas have been forgotten. And now, I’m going to translate them for the Internet age.
We should value originality, but not so much that we ignore the wisdom of those who came before us.
You do the world a great service when you synthesize the ideas of brilliant people who came before you. And when you write about their work, you find ways to build upon it too.
The more effortless the writing looks, the more effort the writer actually put into the process
I call this the Paradox of Creativity: Your work is done when it looks so simple that the consumer thinks they could've done it, which means they won't appreciate how hard you worked.
Elegance is the end result of hard work, not the starting point. Strive to make your work so invisible that the reader thinks they could have written what you published.
1) Focus on clarity: Make your ideas as understandable as possible, and don't worry about beauty.
2) Repeat yourself if you need to: Difficult concepts need to be repeated, but your ideas should always feel fresh to the reader
Einstein was talking about scientific writing, but it's a good counterweight to the verbose literary style most people learn in school.
In my own writing, I prize beauty. But I never focus on beauty until my essays are clear. Adding flair is the last thing I do before I publish.
Richard Hamming, one of the top scientists of the 20th century, said that good ideas aren't enough.
Everybody's busy, so writers must present their ideas well too. He said: "You have to sell it... If they don't stop and read it, you won't get credit."
Creatives have two kinds of working: open mode and closed mode.
Open mode: A state of unfocused play where you discover new ideas.
Closed mode: A state of focused work where you work towards a specific outcome.
Like breathing, you inhale in open mode and exhale in closed mode.
The problem with traditional productivity advice is that it doesn’t take open mode seriously. But that’s because closed mode is easier to define, and therefore, easier to write about.
Here’s how John Cleese of Monty Payton write about it.
A couple years ago, @michael_nielsen said to me: “Being distracted is underrated as a goal. Being productive is overrated as a goal. Almost all the best ideas come out of being distracted and unproductive.”
Open and closed mode is a good articulation of why that’s insightful.