1. The persistent racial wealth gap is a burden on black folks as well as our motherland, Africa. We are all engaged in various pursuits - shaping our world and hoping to leave it in a better shape for future generations.

2. @mentorshipzim platform has facilitated extensive sharing of talent and experiences to encourage each other, better ourselves and for motivation: or for career maximization which in turn maximizes our potential to achieve our career potentials and to earn more. #buildeachother
3. Of late, I have picked up on great insights shared by the likes of @FinLitBae @runyamhere, and many others out there, including entrepreneurs in the digital space. Number one is a 'mindset' change - the idea that nothing in life is worthwhile unless you take risks.
4. Mindset: Nelson Mandela put it this way: There is no passion to be found playing small and settling for a life that's less than the one you're capable of living. So one of my trades these days is stocks trading as part of my journey towards financial freedom.
5. I wanted to take this opportunity to share some of the strategies to employ as you pursue your career: I've extensively covered my civil engineering journey in detail today. It's been mostly about career maximisation and that's important: pick a profession, pursue it and
6. maximise our potential as we progress through our careers. That's just one toolset in our armory. The journey towards financial freedom needs much more than that. I will now outline the five common toolsets we must aim to deploy towards financial freedom – I learnt this late
7. in my life – bring together our mindset, skillset, and toolset:

a) Stocks trading: I have picked up on stocks trading as a way to make my money work for me (provided I put it in the right place to begin with). Money works 24-hrs a day non-stop, I can only do 8-hrs in a day
8. so money has a lot more capacity to do more work for me.

b) Explore career maximisation to maximise your earnings so you have a bit of spare funds to invest.

c) Property investment - get that piece of land, get on the property ladder. In Zimbabwe, you can build, elsewhere
9. leveraging on other people’s money (mortgage) but be wary of crushes.

d) Online hustle or side/passive income streams – offline businesses have fixed capacity there4 income is capped, whereas the internet has unlimited opportunities. Explore your creativity and do something
10. you’ve got passion in and build it into an income generating stream. Extensively covered by @dianawashe on this platform before.

e) Invest in becoming debt-free.

11. The widening racial wealth gap disadvantages black families, individuals, and communities and limits black citizens’ economic power and prospects, and the effects are cyclical. Such a gap contributes to intergenerational economic precariousness mckinsey.com/industries/pub…
12. Because of our brutal colonial heritage, we often inherited precarious situations - leading to negative impact on our development. As a collective, we need to break the intergenerational economic precariousness,
13. & it's never too late to begin the journey towards creating intergenerational wealth. I am not there yet, I'm learning from other folks I interact with, of all races and continents. It's a mindset shift, we need a growth mindset, whole systems thinking approach to all we do
14. In our engineering community we are engaging within our professional institutions @TheZimbabweIns1 ZIE incl. relevant authorities to rethink national infrastructure strategies, linking up local & diaspora professionals to tap into that pool of talent & reshape our narrative.
15. One initiative is diaspora engineers outsourcing design and consultancy work to colleagues in Zim, targeted towards our young graduates. India and southeast Asian countries are leading on this, so we are learning a lot from these communities. @sdiarra88 @SaltLight74

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More from @mentorshipzim

12 Feb
I had always considered myself a 'solid' human being but after a breakup in 2010 I lost it. I had always known it was heading to that but I didn't anticipate what happened after. I have never been that angry in my entire life.
When it finally happened I thought I was going to be okay and just leave it all behind at start over but little did I know I was just about to begin one of the worst seasons of my adult life.
The breakup itself wasn't dramatic, it was the trauma that came after that I didn't expect. In almost a flash I had started a life on my own. Immediately I knew it was not going to be okay at all.
Read 32 tweets
11 Feb
In the early years stone sculpture was internationally referred to as Shona Sculpture. The name later became controversial because some of the members were none Shona speaking nor rooted in it. Examples are the artists who came from Zambia, Malawi, Mozambique and Angola
Also within Zimbabwe some artists came from other regions that were non Shona speaking. In simplicity it is now known as Zimbabwe Stone Sculpture or The Sculpture Movement. The term sculpture movement is more of a professional term often used by academics and art students.
There is a lot of literature & catalogues available on this Sculpture movement. Some of it can be found at The National Gallery of Zimbabwe & some you can buy on the internet. Zimbabwe has made its mark on the international art scene & that impact will be felt for years to come.
Read 5 tweets
11 Feb
When a new breed of artists emerged in the 1980s, collectors, gallerists and some academics decided to classify them & they separated these groups into generations. Today you will find in most books, newspapers & catalogues reference being made to First or Second Generation
First Generation merely refers to the group of artists that started the movement in the 1960s. Second generation is made up of those who started later on in the 1980s through to 1990s. This group includes Dominic Benhura, Tapfuma Gutsa, The Nyanhongo's, Madamombe's & many others.
The 2nd Generation had a different approach. They became very experimental. They also introduced much of mixed media where they fused stone with other things like wood, metal & paint. Their approach worked but they remained part of the Sculpture movement but in a contemporary way
Read 5 tweets
11 Feb
In Zim today Stone sculpture is classified into different categories. Main categories are FINE ART and CREATIVE ART or CREATION.
Fine art simply is more or less a representation of the actual thing as shown in the piece below done by Love Mangenda. A true resemblance of a woman Image
The Art l am curating today falls under CREATION. It is called such because the artist will be creating something from his imagination something linked to his or her beliefs being traditional or otherwise. Example shown here is a piece by Mubayi titled "Rhino protecting Child" Image
There is a big difference between these 2 types of art. That difference is also evident in how such artifacts are priced. Creation Art fetches more money on the market than fine art. One of the reasons is because of the use of power tools on fine art which most collectors shun.
Read 7 tweets
11 Feb
The National Gallery of Zimbabwe was established in 1957 with its first Director being Frank McEwen. It was opened by Queen Elizabeth. At its inception the Gallery was to only host works by great masters like Picasso. There was no appetite to show Native art and artists.
For a few years it became the norm. However Frank McEwen became the game changer. He was more interested in the natives & their art. He wanted to see more of African art & he encouraged local artists to focus more on their culture & traditions. He was fond of their spiritual side
In 1962 the gallery held an Exhibition titled "New African Talent" and in 1963 he did another show in London titled "New Art from Rhodesia." His aim was to bring native art to the world with particular interest in Zimbabwe Stone sculpture. The Art movement was just beginning.
Read 6 tweets
11 Feb
This Art movement started mainly in the areas of Guruve at a place called Tengenenge also in Nyanga and at Serima and Cyrene Missions in Masvingo and Bulawayo respectively. Serima and Cyrene initially focused on wood carving and paintings but later they started stone sculpture
The Tengenenge art community was started in 1967 by a white tobacco farmer called Thomas Blomefield. He worked together with a group of artist like Bernard Matemera, Henry Munyaradzi, Josiah Manzi, Fanizani, Sylvester Mubayi, Enos Gunja and many others. Blomefield died in 2020. Image
The Nyanga group was initiated by Joram Mariga around the same time and he enrolled artists like Chrispen Chakanyuka, John and Bernard Takawira, Moses Masaya and many more others. Mariga is regarded as the godfather of Zim stone sculpture because he discovered useable stones. Image
Read 5 tweets

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