When a new breed of artists emerged in the 1980s, collectors, gallerists and some academics decided to classify them & they separated these groups into generations. Today you will find in most books, newspapers & catalogues reference being made to First or Second Generation
First Generation merely refers to the group of artists that started the movement in the 1960s. Second generation is made up of those who started later on in the 1980s through to 1990s. This group includes Dominic Benhura, Tapfuma Gutsa, The Nyanhongo's, Madamombe's & many others.
The 2nd Generation had a different approach. They became very experimental. They also introduced much of mixed media where they fused stone with other things like wood, metal & paint. Their approach worked but they remained part of the Sculpture movement but in a contemporary way
Today some have not embraced the idea of being categorised into generations & Benhura is one such artist. However the classification has gained international acceptance and is used by galleries and museums in identifying & marketing artists.
Very few artists of the Old guard of the first Generation is still alive. These are Sylvester Mubayi (79), Edward Chiwawa (85), Enos Gunja (72), Ephraim Chaurika (81) and Josiah Manzi (88). Although advanced in age they still make sculptures with experience & precision.

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More from @mentorshipzim

12 Feb
I had always considered myself a 'solid' human being but after a breakup in 2010 I lost it. I had always known it was heading to that but I didn't anticipate what happened after. I have never been that angry in my entire life.
When it finally happened I thought I was going to be okay and just leave it all behind at start over but little did I know I was just about to begin one of the worst seasons of my adult life.
The breakup itself wasn't dramatic, it was the trauma that came after that I didn't expect. In almost a flash I had started a life on my own. Immediately I knew it was not going to be okay at all.
Read 32 tweets
11 Feb
In the early years stone sculpture was internationally referred to as Shona Sculpture. The name later became controversial because some of the members were none Shona speaking nor rooted in it. Examples are the artists who came from Zambia, Malawi, Mozambique and Angola
Also within Zimbabwe some artists came from other regions that were non Shona speaking. In simplicity it is now known as Zimbabwe Stone Sculpture or The Sculpture Movement. The term sculpture movement is more of a professional term often used by academics and art students.
There is a lot of literature & catalogues available on this Sculpture movement. Some of it can be found at The National Gallery of Zimbabwe & some you can buy on the internet. Zimbabwe has made its mark on the international art scene & that impact will be felt for years to come.
Read 5 tweets
11 Feb
In Zim today Stone sculpture is classified into different categories. Main categories are FINE ART and CREATIVE ART or CREATION.
Fine art simply is more or less a representation of the actual thing as shown in the piece below done by Love Mangenda. A true resemblance of a woman
The Art l am curating today falls under CREATION. It is called such because the artist will be creating something from his imagination something linked to his or her beliefs being traditional or otherwise. Example shown here is a piece by Mubayi titled "Rhino protecting Child"
There is a big difference between these 2 types of art. That difference is also evident in how such artifacts are priced. Creation Art fetches more money on the market than fine art. One of the reasons is because of the use of power tools on fine art which most collectors shun.
Read 7 tweets
11 Feb
The National Gallery of Zimbabwe was established in 1957 with its first Director being Frank McEwen. It was opened by Queen Elizabeth. At its inception the Gallery was to only host works by great masters like Picasso. There was no appetite to show Native art and artists.
For a few years it became the norm. However Frank McEwen became the game changer. He was more interested in the natives & their art. He wanted to see more of African art & he encouraged local artists to focus more on their culture & traditions. He was fond of their spiritual side
In 1962 the gallery held an Exhibition titled "New African Talent" and in 1963 he did another show in London titled "New Art from Rhodesia." His aim was to bring native art to the world with particular interest in Zimbabwe Stone sculpture. The Art movement was just beginning.
Read 6 tweets
11 Feb
This Art movement started mainly in the areas of Guruve at a place called Tengenenge also in Nyanga and at Serima and Cyrene Missions in Masvingo and Bulawayo respectively. Serima and Cyrene initially focused on wood carving and paintings but later they started stone sculpture
The Tengenenge art community was started in 1967 by a white tobacco farmer called Thomas Blomefield. He worked together with a group of artist like Bernard Matemera, Henry Munyaradzi, Josiah Manzi, Fanizani, Sylvester Mubayi, Enos Gunja and many others. Blomefield died in 2020.
The Nyanga group was initiated by Joram Mariga around the same time and he enrolled artists like Chrispen Chakanyuka, John and Bernard Takawira, Moses Masaya and many more others. Mariga is regarded as the godfather of Zim stone sculpture because he discovered useable stones.
Read 5 tweets
9 Feb
1. The persistent racial wealth gap is a burden on black folks as well as our motherland, Africa. We are all engaged in various pursuits - shaping our world and hoping to leave it in a better shape for future generations.

2. @mentorshipzim platform has facilitated extensive sharing of talent and experiences to encourage each other, better ourselves and for motivation: or for career maximization which in turn maximizes our potential to achieve our career potentials and to earn more. #buildeachother
3. Of late, I have picked up on great insights shared by the likes of @FinLitBae @runyamhere, and many others out there, including entrepreneurs in the digital space. Number one is a 'mindset' change - the idea that nothing in life is worthwhile unless you take risks.
Read 15 tweets

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