Uganda's flag, PART II. Please see the original post (pinned), for context. @melvinnasasira and @kadobamosesUG raise an important question. What role did Grace Ibingira play in the creation of Uganda's national flag? 1/15
In short, it is my argument that Grace Ibingira was instilled in public memory as the creator of Uganda's flag as a way of silencing the role of the DP in the creation of the national banner. 2/15
.@lvcgraphics, who does absolutely amazing work, has recreated the original design proposed by DP. The original Crane would have been entirely in gold. 3/15
Grace Ibingira, who served in numerous key roles in the UPC, including secretary-general during the mid-1960s, suggested that the DP had selected green and white due to its affiliation with the DP, whose party colours were also white and green. 4/15
The Democratic chairman of the Flag Committee, W.S. Kajubi, criticised Ibingira's claim. After expressing his shock at Ibingira’s consternation, Kajubi noted that the UPC attorney had only shown up on 2 occasions during the committee’s 10 days of deliberation! 5/15
Ibingira arrived only toward the very end, ‘when the question of the national colours had been decided and only the design had to be discussed’. 6/15
Kajubi noted: ‘The colours of green, blue and gold were unanimously agreed upon by all those who attended the meetings, including the other representatives of the UPC. These three colours were selected not to represent certain political parties, 7/15
but to reflect particular aspects of our country.' Be that as it may, once UPC-KY secured power, they recreated the flag, stopping production throughout Uganda. They justified the move on a point of technicality. 8/15
Ibingira argued that the flag had only been approved by technical experts in the UK, who failed to understand that DP’s particular shade of green ‘will fade in a tropical climate and that the shade of blue cannot be adequately reproduced in the material suitable for flags’. 9/15
He continued: ‘In light of this advice, given by the technical experts, the Government has decided the design shall be reviewed in order to avoid these difficulties.’ 10/15
But if UPC representatives on the Committee had approved the original design, why did Ibingira take such issue? We know that DP's design was highly influenced by writers from Tesoland. 11/15
Teso District Council General Purposes Committee argued that Uganda’s national flag should feature blue to represent Uganda’s water, and green to draw attention to vegetation. They also argued that the crested crane would symbolise continuity with the past. 12/15
My hypothesis is that Ibingira was attempting to assert the power of the Ankole branch of UPC over its counterpart in Teso. This was part of a larger strategy of silencing growing Catholic power in the country, symbolized in Obwangor's Catholic background and 13/15
the appoint of Uganda first's Catholic prime minister in a kingdom of Ankole, Enganzi John Kabaireho. Uganda's new flag ensured that the DP's contributions toward state building would be removed from public memory. 14/15
.@provocativu has kindly offered Uganda's flag on the eve of Independence. You will see why EMK Mulira and Rajat Neogy worried about the colonial continuities. 15/15
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Uganda has long been called, "The Pearl of Africa." But where did the term originate? A closer examination of the international press shows that Winston Churchill did NOT coin the phrase; he plagiarized it. The term's history is far more complicated—and interesting! 1/7
The nomenclature, "Pearl of Africa," was first used in the German press by 1890: "Perle Afrikas." In the Berlin press, the term was used in the context of Zanzibar as a way to illustrate British and German competition over the region. 2/7
The phrase is then reworked into English. In this 1890 letter, penned by Henry Morton Stanley to the Editor of the Times, we see one of the first occasions when the term was used in the English language (& the connection with German). 3/7
As we remember the life and legacy of Janani Luwum, I wish to share some photographs and material from the archives. Luwum's influence was international. He taught British children and shaped the careers and spirituality of religious leaders around the world. #JananiLuwumDay 1/5
If you are new to Luwum, here is a beautiful piece by @UrbanTVUganda 2/5
Here we see Luwum teaching British children and serving as a translator for the Archbishop of Canterbury in Gulu in 1961. @churchofengland. The inauguration of the Province of Uganda would be one of Geoffrey Fisher's last acts as Archbishop. 3/5
About watches and time in Uganda. Why did watches & clocks become fashionable in Uganda during the early 1900s? 1/7
To my knowledge, no Ugandan had more clocks than Hamu Mukasa. He had 20 pendulum clocks, 1 of which we see in this photograph. Some have argued that this represents the imposition of colonial regimes of time. Others say that it symbolises status. 2/7
I want to propose a new theory. We know that Mukasa played the xylophone (ntaala/madinda), and that he loved music. Each of his 20 pendulum clocks—which he wound himself—were never synchronised. Each of the 20 chimed across a span of around 5 minutes. 3/7
Uganda has a majestic, beautiful flag: second to none. But on the eve of Independence, the design of the flag went in a very different direction. Uganda's future flag was originally designed to feature Blue, Green and Gold, not Black, Gold, and Red. What happened? 1/10
On 18 Nov. 1961, Ben Kiwanuka, then the Chief Minister of Uganda, introduced a motion to form a committee to create Uganda’s national flag, anthem, & coat of arms. The Uganda Argus was filled with editorials, where concerned Ugandans expressed their opinions about the flag. 2/10
The DP’s national flag committee forwarded its recommendation by 21 March 1962. The flag would be comprised of three vertical bands of green, blue and green, separated by narrow white bands. In the middle of the blue central band, a gold crested crane would be placed. 3/10
On Teso political history. In my mind, Ugandan scholarship has much work to do in including Tesoland. As many of us will know, The word -teso derived from the older gloss ates, or child, a word that was used to identify the younger, migrating communities from the 1/11
'old men’ who stayed behind, or the Karamojong, derived from aikar ‘to stay behind’ and imojong ‘the old men’. Changing vocabularies and oral histories suggest that a critique of central authority accompanied Teso’s aspiring ‘youth’. 2/11
Colonial Tesoland became one of Uganda's wealthiest regions. In fact, according to one report, it was the highest cigarette-consuming region in eastern Africa, which speaks to expanding capital markets in the region. 3/11
Throughout the 1890s & early 1900s, CMS missionaries busied themselves w/ producing images & photographs for British and African consumers. Here, we have one of the earliest representations of Nabakyala Muganzirwazza, & what were likely women in the court preparing for baptism.