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16 Feb, 12 tweets, 4 min read
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

And today all the covers are by Walter Popp...
Crucible of Evil, by Lyda Belknap Long. Avon Gothic Original, 1974. Cover art by Walter Popp.
Hornet's Nest, by Evelyn Bond. Avon Gothic Original, 1972 Cover by Walter Popp.
The House In Munich, by Dorothy Dowdell. Avon, 1974. Art by Walter Popp.
The Secret Of Chateau Laval, by Susan Marvin. Avon Gothic, 1973. Art by Walter Popp.
The House Of Counted Hatreds, by Susan Jennifer. Avon Gothic, 1973. Art by Walter Popp.
Death Is A Red Rose, by Dorothy Eden. Ace, 1970. Cover by Walter Popp.
Three Women In The House, by Estelle Thompson. Avon Gothic Original, 1973. Cover by Walter Popp.
Widow In White, by Evelyn Bond. Ace, 1973. Cover by Walter Popp.
House Of The Darkest Death, by Alicia Grace. Lancer Easy-Eye Gothic, 1971. Cover by Walter Popp.
The 13th Doll, by Ann Loring. Avon Gothic Original, 1973. Cover art by Walter Popp.
More women with great hair fleeing gothic houses another time.

Mind how you flee...

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More from @PulpLibrarian

Pulp Librarian Profile picture
16 Feb
Now many readers have asked me over the years "how do I (with my great hair) go about fleeing a gothic house?"

That's a very good question, because it's not as easy as it seems...
There are of course many gothic domiciles that women with great hair can flee from:
- a house
- a mansion
- a castle
- a chateau
More adventurous gothic heroines can also choose to flee:
- a manor
- a keep
- a graveyard
- some dark foggy towers
Read 11 tweets
Pulp Librarian Profile picture
15 Feb
Shall we do a few John Wyndham covers today?

I think we should...
"There is a good service on all London Underground lines..."

Jizzle, by John Wyndham. NEL, 1973.
Triffids! With ears and noses!!

L'Orrenda Invasione by John Wyndham. I Romanzi Di Urania no 3, Nov 1952. Cover by Kurt Caesar
Read 12 tweets
Pulp Librarian Profile picture
13 Feb
Would you like to live in a UFO? Well in 1968 you could, thanks to Finnish architect Matti Suuronen. He created the Futuro House and for a while it was a worldwide sensation!

Let's take a look around... Image
The Futuro was a round prefabricated house initially designed as a ski chalet. Quick to build and easy to heat it reflected the optimism of the times. Image
Inside the spacious Futuro were all the 1960s mod cons: a central cooker/heater, reclining chairs, funky furniture and cool, crisp lines. Did it have shagpile carpets? Of course it did! ImageImage
Read 9 tweets
Pulp Librarian Profile picture
13 Feb
It's now over half a century since 1970, and I'm starting to wonder if we should bring back its concept of gracious modern living...
You see we've grown so used to Swedish-style modernism that we've sort of forgotten that maximalism, rather than minimalism, was once the sign of a cultured abode.
The 1970s in many ways reached back to the rich ideas of Victorian decor: heavy, autumnal and cluttered. Home was meant to be a baroque and sensual experience, rather than a 'machine for living in.'
Read 10 tweets
Pulp Librarian Profile picture
13 Feb
In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!

It's actually an old form of spycraft which is still in use today. And as it's #WorldRadioDay let's take a listen...
A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries.

Operating on Short Wave radio bands they transmit a secret code of spoken numbers. Use of Numbers Stations peaked during the Cold War, but some are still operating today.
Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.
Read 12 tweets
Pulp Librarian Profile picture
12 Feb
I'm very sorry to hear that Rowena Morrill has passed away. Her art graced many wonderful book covers over a long career, gaining her a legion of fans worldwide. She was a huge part of the SF&F publishing landscape and her talents will be sorely missed.
Rowena Morrill's original cover art for Darkspell, by Katharine Kerr. Del Rey, 1987.
Rowena Morrill's original cover art for Master of the Five Magics, by Lyndon Hardy. Del Rey, 1980.
Read 8 tweets

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