Now many readers have asked me over the years "how do I (with my great hair) go about fleeing a gothic house?"

That's a very good question, because it's not as easy as it seems...
There are of course many gothic domiciles that women with great hair can flee from:
- a house
- a mansion
- a castle
- a chateau
More adventurous gothic heroines can also choose to flee:
- a manor
- a keep
- a graveyard
- some dark foggy towers
As gothic houses come in all shapes and sizes you may come across the following things which require fleeing:
- Strangers (call a taxi)
- Tombs (walk to the nearest exit)
- Hell (fleeing recommended)
- Darkest Death (head start required)
There are some items that are a clear giveaway that you are in, or near, a gothic house that requires fleeing. Look around you and see if you can spot:
- sarcophagi
- crucibles (unless in a chemistry lab)
- anemones
- any form of ides
Given the above you may want to work up gradually to fleeing a gothic house. Try fleeing the following first to build up your skills:
- clouds
- plants
- insects
- unexpected wine stains
If gothic houses aren't your thing you can always flee (with great hair) a range of animals instead:
- crows
- cats
- an elephant
- 400 rabbits
Gothic house fleeing is a worldwide hobby so feel free to run away from any abodes you find in the following locations:
- München
- Venetzia
- Hawai'i
- Canada
Despite what you may think it doesn't matter what you wear to flee a gothic house; what matters is how you wear it:
- is your hair wind-blown enough?
- is your dress billowing correctly?
- do you look sufficiently haunted?
- did you leave one light on before you fled?
Finally please remember the following before you flee your gothic house:
- dress lightly
- avoid disturbing the neighbours
- don't stop to chat
- remember to write and say 'thank you' to the host afterwards
Congratulations! You're now ready to flee your first gothic house. Don't forget to play some Kate Bush first to get you in the mood!

More pulp advice another time...

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More from @PulpLibrarian

16 Feb
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

And today all the covers are by Walter Popp...
Crucible of Evil, by Lyda Belknap Long. Avon Gothic Original, 1974. Cover art by Walter Popp.
Hornet's Nest, by Evelyn Bond. Avon Gothic Original, 1972 Cover by Walter Popp.
Read 12 tweets
15 Feb
Shall we do a few John Wyndham covers today?

I think we should...
"There is a good service on all London Underground lines..."

Jizzle, by John Wyndham. NEL, 1973.
Triffids! With ears and noses!!

L'Orrenda Invasione by John Wyndham. I Romanzi Di Urania no 3, Nov 1952. Cover by Kurt Caesar
Read 12 tweets
13 Feb
Would you like to live in a UFO? Well in 1968 you could, thanks to Finnish architect Matti Suuronen. He created the Futuro House and for a while it was a worldwide sensation!

Let's take a look around... Image
The Futuro was a round prefabricated house initially designed as a ski chalet. Quick to build and easy to heat it reflected the optimism of the times. Image
Inside the spacious Futuro were all the 1960s mod cons: a central cooker/heater, reclining chairs, funky furniture and cool, crisp lines. Did it have shagpile carpets? Of course it did! ImageImage
Read 9 tweets
13 Feb
It's now over half a century since 1970, and I'm starting to wonder if we should bring back its concept of gracious modern living...
You see we've grown so used to Swedish-style modernism that we've sort of forgotten that maximalism, rather than minimalism, was once the sign of a cultured abode.
The 1970s in many ways reached back to the rich ideas of Victorian decor: heavy, autumnal and cluttered. Home was meant to be a baroque and sensual experience, rather than a 'machine for living in.'
Read 10 tweets
13 Feb
In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!

It's actually an old form of spycraft which is still in use today. And as it's #WorldRadioDay let's take a listen...
A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries.

Operating on Short Wave radio bands they transmit a secret code of spoken numbers. Use of Numbers Stations peaked during the Cold War, but some are still operating today.
Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.
Read 12 tweets
12 Feb
I'm very sorry to hear that Rowena Morrill has passed away. Her art graced many wonderful book covers over a long career, gaining her a legion of fans worldwide. She was a huge part of the SF&F publishing landscape and her talents will be sorely missed.
Rowena Morrill's original cover art for Darkspell, by Katharine Kerr. Del Rey, 1987.
Rowena Morrill's original cover art for Master of the Five Magics, by Lyndon Hardy. Del Rey, 1980.
Read 8 tweets

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