Her parents called her ‘Mumtaz Jehan Begum Dehalvi’ but the world knew her as the ‘Marilyn Monroe of India’. Her screen name was simply ‘Madhubala’, the most celebrated star in Hindi cinema in the ’50s and ’60s and whose 52nd death anniversary falls #OTD.
Madhubala was so beautiful it drove her co-stars to distraction. Shammi Kapoor said of their time on the sets of ‘Rail Ka Dibba’: “I was so nervous that I kept forgetting my lines. She was fully aware of the effect she had been having on me and was relishing it thoroughly.” 2/6
Enchanted by her, popular Greek singer Stelios Kazantzidis dedicated a hugely popular song to her. He titled it ‘Mantoubala’:
“I wish I could see you and then die, my dear
My soul wants only this
Since I lost you, I’m melting
I cry out your name with pain
Madhubala, Madhubala”
Madhubala made her film debut as child artiste ‘Baby Mumtaz’ in ‘Basant’ (1942) at age 9. Her first lead role was in ‘Neel Kamal’ (1947), incredibly when she was just 14. The film also gave Raj Kapoor, who starred opposite her, his first big break as a lead actor. 4/6
Madhubala was featured in ‘Life' magazine and America’s ‘Theatre Arts’, which titled its story ‘The Biggest Star in the World – and she’s not in Beverly Hills’. Academy Award-winning director Frank Capra wanted to cast her but her father refused to let her act in Hollywood. 5/6
Even though she was an iconic actor of her time, #Madhubala never received a single award. She was nominated for the Filmfare Award for Best Actress for her performance in ‘Mughal-e-Azam’ (1960). She died in 1969, aged 36. She had by then acted in over 70 movies. 6/6
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"A 100 yards of it can pass through the eye of the needle, so fine is its texture, and yet the point of the steel needle can’t pierce through it easily. It is so transparent & light that it looks as if one is in no dress at all but has only smeared the body with pure water"
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This is how the 14th-century Sufi poet and scholar Amir Khusrau described the almost invisible but highly valued cotton fabric, Dhaka muslin, in his text Nihayatul-Kamaal (The Height of Wonders) in the 1320s. Under the Mughals, the weavers received royal patronage.
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It was referred to in poetic terms like abi-rawan (flowing water), baft-hawa (woven air) and shabnam (evening dew). It became one of the most lucrative exports with the best valued at 1600 silver pence - the longer the length and lighter the weight, the higher the price.
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The Great Exhibition was held in 1851. A special Crystal Palace was created in London's Hyde Park. It was sponsored by Queen Victoria and Prince Albert and the theme was 'Works of Industry of all Nations'. India was gifted 30,000 sq.ft of exhibition space. One of the exhibits was
The Ivory Throne gifted to the Queen by the Raja of Travancore to demonstrate the skills of his craftsmen. The densely-carved elephant-ivory plaques incorporate Indian and European motifs, and the conch-shell emblem of Travancore forms the cresting. Another exhibit was
The howdah presented to Queen by the Nawab Nazim of Bengal. The stuffed elephant was on loan from Saffron Walden Museum in Essex. In the background, you can also see the embroidered muslin from Dhaka! However, the exhibit which was the center of attraction was
The Harappans tend to dominate any conversation about the early history of the Indian subcontinent but the truth is, there were many other ancient cultures that existed before, during and after the Harappans.
The story of these often forgotten ‘others’. livehistoryindia.com/history-of-ind…
AHAR-BANAS CULTURE (3000–1900 BCE)South-Eastern Rajasthan
Among the earliest Chalcolithic cultures of India, 100+ sites, mostly along the Banas River valley that flows in Raj and tributary of Chambal River further east. Named after the site ‘Ahar’, where it was first discovered
GANESHWAR - JODHPURA CULTURE (2500 BCE)
Developing not very far from the Ahar culture was the Ganeshwar-Jodhpura culture in North-Eastern Rajasthan, the richest Chalcolithic culture vis-a-vis copper.
In pic: Copper objects excavated from Ganeshwar