@MCHammer a short thread of the five known Benin ivory hip-ornament masks—small portraits of Idia, first Iyoba (Queen Mother) of the 16th-century Benin Kingdom 👇
@MCHammer 1/ This ivory Idia mask is in the British Museum. It was looted by Sir Ralph Moor in the sacking of Benin City, and later bought by the @britishmuseum from anthropologist Charles Seligman #BrutishMuseums
@MCHammer@britishmuseum 2/ This is the ivory Idia hip-ornament mask, also looted in 1897, that is currently in the @LindenMuseum in Stuttgart, Germany (but was formerly in the @Pitt_Rivers second collection)
can someone close to @TristramHuntVA please persuade him that this is NOT the moment to resurrect Hugh Trevor-Roper's claim that there is no history in Africa?
even the British Museum lumps Africa and Asia with the Americas!
This proposed scheme is Trumpian in its world-view
the ideology that claims the global south exists outside history has a history.
the V&A scheme is almost precisely that adopted when Oxford divided collections between the multi-department @AshmoleanMuseum and the @Pitt_Rivers in 1884 — the same year as the Berlin Congress.
the consultants missed a trick by not including fascist architect Albert Speer's theory of Ruinenwerttheorie (ruin value) here — could've gone down quite well with the Common Sense Group
on knowing the price of everything, the value of nothing, and nothing at all about heritage management
Pretty sure it wasn't written by a "baying mob", but the new DCMS report on valuing heritage assets defines sculptures and plaques as — wait for it — "moveable heritage".
And, specifically, as examples of a class of heritage "that can be moved into a collection or is mobile"