Maou-sama coming back when everyone'd lost hope, but being revealed on the same day as a new series directed by its designer and chief supervisor Atsushi Ikariya is so accidentally mean-spirited. Monkey's paw 8 years in the curling (but happy nonetheless!)
For what it's worth, the most-likely-not-representative-of-anything teaser looks pretty alright, save for some overdone digital effects. Pretty curious about who's behind it all because it's been a long time and White Fox isn't in a position where they could comfortably tackle it
Even Naoto Hosoda returning as the director isn't a given, considering he just wrapped up a production he was very involved with and that wasn't exactly healthy. Since Maou-sama shouldn't be happening anytime soon it's still possible to have him lead a team elsewhere, tho!
And Ikariya's new project looks insane, hopefully in a good way! Obvious that he's involved not just as director but with design duties: the angularity & sharpness, intricate detail coexisting with stylization for dramatic effect, even those eyes. He makes animation look so angry
He's one of those people who make grittiness fun, and he's accompanied by a bunch of people who've pulled that off with him in the past too. Mataga, Ai Asari, Norie Igawa, he gets to attract more key White Fox-related talent than WF themselves, lol
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Precure is by design an iterative franchise, even more so with the passage of time, so leaving a strong initial impression often comes down to the level of confidence in the execution - and Tropical Rouge #01 oozes it. Stupidly bold, colorful and fun
Helps to have the right people for the right job. Between the theme and Yutaka Tsuchida being appointed as series director, everyone guessed it would be a very goofy season of Precure, and so far it's living up to expectations. He's a violently funny director
Constructing visual gags where half the fun is watching the characters adopt weird ass postures that are never brought to attention is very much a Tsuchida thing to do
Most episodes of Wonder Egg Priority have been fantastic showings by complete novice directors, so what is it about the show that lets it channel fresh creative energy so well? And at the same time, what are the logistical&thematic issues it faces?
Read🥚➡️blog.sakugabooru.com/2021/02/27/won…
To celebrate Kizumonogatari's 5th anniversary we'll also be publishing weekly interviews with its staff: first, a conversation with lead animators & directors about its creation and what it's like to work under an eccentric genius like Tatsuya Oishi
Read➡️blog.sakugabooru.com/2021/02/27/kiz…
Next time you see someone asking why Kizu took so long to get finished, just tell them that Oishi spent all those years decking Madoka's director. It's only a slight lie
(They all greatly enjoyed working with him for the record)
Excellent episode of Where's Nadeshiko, a Waldo spinoff where you spot her in the countryside instead
An episode storyboarded by Shingo Kaneko and directed by Kagetsu (Masahiro) Aizawa, with a pink-haired girl as the protagonist. Which is to say, it's legally also part of Utena
Satisfying developments & Kaneko continues to offer Yurucamp at its funniest. They barely draw attention to it but I loved the visual gag with the constant cuts back to a girl ominously spying on Nadeshiko... until the gig's up and she's just peeking over her laptop
Tetsuya Takeuchi's iconic hallway scene in Paradox Spiral isn't just cool action, it's also a neat sample of what it's like to let an ace animator to roam freely for the first time. The refusal to abbreviate movement & continuous shots are simply a pure animator enjoying himself
Takeuchi's good friends with director Hirao, and after expressing frustration over not getting the kind of action work he finds fulfilling, Hirao offered him this opportunity to do as he pleased - making this Takeuchi's first proper storyboard, all thanks to his drinking bud
As a result, you've got a sequence unlike anything else in the movie. More fixed cameras as the dynamism comes purely from the characters' actions (lots of z axis movement!) and where Takeuchi's characteristic lively over-articulation shines best
You ever crave donuts so bad you prey upon your magical mascot to eat their hair buns across an entire episode. Like actually eat, digest, it's gone now