Regarding the "Shapira Scrolls," I read two fascinating articles from @TheJQR which include a discussion with Shapira's dealer Salim about the marketplace $ production of forgeries in late 19th century Palestine, & some damning details concerning the Shapira Scrolls...

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The first piece is by Abraham Shalom Yahuda (1877-1951), born in Jerusalem, a bibliophile, linguist, polymath & antiquities collector with contacts in the antiquities market in Palestine. He would end his career at the New School in NYC.

Fascinating guy: blog.nli.org.il/en/yahuda/
In 1944, he wrote an article about his visit to Palestine in 1902, and his encounter with the "dragoman" Salim.

Yahuda quickly realized that this was none other than the "self-same Salim" responsible for the infamous forged Moabite antiquities sold in 1872 by M. W. Shapira.

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Salim was still in the business of peddling forged antiquities, & endeavored to convince Yahuda & others to buy a sarcophagus with a Paleo-Hebrew inscription. Salim tries to pressure Y to buy, & Y buys time so as to evaluate the inscription.

In the end, it's declared a forgery.
At this point, Salim tries to ingratiate himself to Yahuda by selling him smaller, & seemingly authentic, items like coins.

Eventually he comes clean and tells him all about the forgery business, and his part in it.

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He said: "I feel much happier with the little money I made out of the coins and the few other things I sold to you, than with all the money I got for the Moabite antiques - and it was a lot - in 'spite of all the endeavors of that rogue of Shapira to rob me as much as he could."
He continues by telling Yahuda that he coached Shapira in... the preparation of the leather strips cut from old Torah scrolls which were then "inscribed with portions of Deuteronomy; and how he taught Shapira to soak these strips in an oil lotion to make them appear much older." Image
Another time, Salim described at length how "the very eagerness of European scholars & tourists to get antiques encouraged him & many dealers to engage in this nefarious work," & describes his own activities forging Phoenician, Samaritan, Nabatean, & even Himyarite artifacts!

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Lastly, he tells Yahuda that there are still many more forgeries hidden in caves in "Transjordania."

They would take "antique dealers or European tourists & sell them his "finds" at high prices."

He even said that "Some Moabite & Hebrew antiques are still hidden in caves...
He continues:
"One day they will be discovered and again controversies will rise among European savants about them.

Those poor fellows will not know that it was Salim who caused them all this headache."

He sighed, and said "May Allah forgive Salim for his sins."

10
Yahuda's article provides a clear picture of the craft of forgers, their ability to provide European scholars, tourists, & antiquarians precisely what they wanted, how the "discoveries" followed similar templates (caves, transjordan), & used "exotic" scripts to allure the buyers.
The business involved many collaborators and ingenious planning, planting the seeds of future "discoveries" well in advance.

And of course, his confession about his role coaching Shapira in the forgery of scrolls is... pretty damning...

12
The second article is by Oskar Rabinowicz, a Zionist and Jewish activitist, written in 1965 near the end of his life.

His is a more frontal assault on the Shapira Scroll, challenging the then recent work of Menahem Mansoor & J. M. Allegro.
He begins by condemning the NYTimes for putting a story of the "reopening of the case" on the front page in Aug 13, 1956.

This was the "sensationalism" for which Allegro had "an established reputation," for rushing to news outlets with his discoveries... ImageImage
Acc. to Rabinowicz, scholars argued that the parallels between the discovery of the Dead Sea Scrolls & the Shapira Scrolls demanded a reopening of the case.

R, however, shows that there were different versions of the discovery story of the Shapira Scrolls in rotation...

15
The most interesting is one that involves Selim. Shapira said that "a certain Selim of the tribe of Adachaje(?)..offered in the Shapira shop a blackish stripe of leather for sale. Shapira himself was not present & found the cheaply acquired leather in the store on his return."
Rabinowicz further adds an important datum: in 1883, the same year as the Shapira Scrolls were made public, Shapira sold five scrolls "Written on leather" to a collector in Philadelphia (his picture is amazing).

Cyrus Adler, of @Penn fame, told the story of these documents.

17 Image
Some quickly declared them to be authentic, but others noted some strange features, including green spots. A chemist examined them and showed that they "had been produced by dropping acid on the leather," and also noted that the cut of the parchment was suspicious...

18
Apparently, some of these leather strips had also been purchased by the British Museum in 1877. They independently determined that they were forgeries, and even noted later that they had strikingly similar physical characteristics to... the Shapira Scrolls... Image
The two articles can be found here: jstor.org/stable/1452562…

and here: jstor.org/stable/1453329….

In general, follow @MichaelDPress and his ongoing #ShapiraBookClub.

Fin
Also of interest to @drewjakeprof and his much awaited #gospelthrillers!

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More from @Simcha_Gross

22 Mar
Passover Publication!

Ever wonder why the introduction of the Passover Haggadah is in Aramaic & seems unattached to the rest of the text, & what Elijah is doing at the seder?

As I argue in a recent article, the two answers are connected!

🧵 1/32

academia.edu/44600798/Whoev… Image
The P Haggadah is almost entirely in Hebrew, and primarily consists of citations of scripture, rabbinic literature, liturgy, & poetry. Yet it begins with an Aramaic intro with no clear basis in any preceding Jewish text, confusing practitioners & scholars for centuries. It reads:
This is the bread of affliction that our parents ate in the land of Egypt. Whoever is hungry, let him come & eat; whoever is in need, let him come & perform the Passover. This year we are here, next year.. in the land of Israel. This year we are slaves, next year we will be free. Image
Read 34 tweets
18 Mar
The Arch of Titus is one of the most well-known ancient monuments concerning Jewish history.

Built in 82 CE, it depicts the victorious procession of Roman troops carrying Jewish temple vessels, including of course the golden Menorah.

But there was once another arch.

🧵

1/9
The Arch was part of a broader visual & ideological program intended to legitimate & bolster the new Flavian dynasty. The defeat of the Jews was therefore inflated, depicted not as a relatively easily won war over a revolting province, but the conquest of a foreign territory.

2
We see the development of this program in the coins minted to commemorate the victory. The legend on the more common coins reads "Judea Capta," Judea is conquered, which often depicted a woman, probably the personified Judea, mourning.

3
Read 10 tweets
8 Mar
The relationship between Jews in Judea and Rome resulted in devastation in 70 CE, but the initial encounter c. 160 BCE was more auspicious.

Acc. to 1 Maccabees, Judas Maccabeus sent an embassy "to establish alliance and peace" that was warmly welcomed by the Roman senate.

1/3 Image
The Romans sent their reply to Jerusalem "inscribed on bronze tablets..as a record of peace & alliance."

Inscribing treaties on bronze was common Roman practice.

It said: “May it be well with the Romans & the Jews at sea & on land forever; may sword & enemy be far from them."
They agree to a pact of mutual defense: "if war is first made on Rome or any of its allies in any of their dominions, the Jews will fight alongside them wholeheartedly...In the same way, if war is made on the Jewish nation, the Romans will fight alongside them willingly.."

Fin.
Read 4 tweets
7 Mar
In honor of the meeting between Pope Francis and Grand Ayatollah al-Sistani in Iraq, a quick thread on a fascinating encounter in Baghdad between the head of the Babylonian Jewish academy and the Syriac Christian Catholicos almost exactly 1000 years ago.

🧵

1/7
According to a number of sources, a rabbi from Sicily named Maṣliaḥ traveled to Baghdad to study with the head of the rabbinic academy of Pumbedita, Hai Gaon (d. 1038 CE). 

This was not uncommon; Baghdad was a common site for semesters abroad for both Jews and Muslims.

2/7
The rabbinic academy disagreed about the interpretation of Psalms 141:5, which is strangely redundant.

Translated literally it would read: "let my head not refuse such head-oils," i.e. "choice/great oils."

The redundancy of head(ראש)-oil on heads (ראש) required explanation.
Read 8 tweets
26 Feb
The book of Esther is in many ways incongruous with other works revered by Jews.

At least three fascinating Jewish responses and strategies emerged before the common era: erasure, supplementation, and reproduction.

🧵 1/6

[Image from the 400 year old Esther Ferrara Scroll] Image
In the vast collection of works known as the Dead Sea Scrolls, one work in particular is absent: the book of Esther.

While some suggest this may simply be an accident of preservation, others argue that it was absent because it clashed with the sect’s ideology. Image
In particular, the work lacks any reference to God, observance of ritual or law. Esther also wed a non-Jew, an egregious sin according to the sect, following works like Jubilees that declare: “It is a disgraceful thing for Israelites who give or take [in marriage] foreign women."
Read 6 tweets
24 Feb
The oldest depiction of the Book of Esther was discovered in the synagogue in Dura Europos, destroyed in 256 CE in the war between the Romans and the Sasanians.

The synagogue offers precious insight into the dynamics of Jewish communities on the Roman-Sasanian frontier.

🧵
While the war led to the tragic abandonment of Dura, it also meant that the city laid untouched for millennia. The synagogue paintings were preserved precisely because the synagogue comprised part of the city wall, and it was reinforced with sand during the extended siege.
In this image of the painting program, you can see the height and position of the sand used to reinforce the wall based on what it preserved.
Read 9 tweets

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