Mima Karadžić u ne-komičnoj ulozi je Mima Karadžić u najsmešnijoj ulozi svoje karijere
Mira Marković nije predstavljena kao mastermind Srpsko-Kinsekog prijateljstva i uspešna sociološkinja, već ako paranoidni histerik, u još jednom mizoginom čitanju istorije
Cringe. Ali zabavno.
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It is with great pleasure that I can announce my candidacy for Assistant Mayor of Belgrade in 2022. Holding this position will allow me to improve lives of my fellow Belgraders.
I promise and invest even more in major projects like development and preservation of hipster brunch places, vanity media projects and, hopefully, a 55m replica of the Victor with my face on it to be installed on Avala. There will be 1 podcast per capita by 2030.
I will work to create dissident podcaster zones for those who seek freedom from all around the world. They will be developed in gentrified working class suburbs, and will feature all the based cultural signifiers of the Serbian working class culture bit with none of the downsides
As I have to find nice routes for my Homepoatela “pilgrimage”, I decided to do the ultimate #LindyWalk in Belgrade, which not only connects the city’s most famous Orthodox chruches, but also some awesome parks
Let’s go, shall we?
I satred at St Alexander Nevsky church in Dorćol and followed Dušanova street to the Fortress and Kalemegdan park up to Ružica Church and St Petka chapel and spring...
A walk through the fortress on a sunny morning is perfect as you get the best views all for yourself
Idejno rešenje Slobodana Maldinija za spomenik Stefanu Nemanji je Aniš Kapur za siromašne. Sa druge strane estetika koju gura Rukavišnjikov, koji se od apstrakcije vratio figuralnosti , ima jasnu ideju, a to je da spomenik jednoj osobi ne može da buse i spomenik đevreku
Naravno, dobra ideja i filozofija iza dela ne znači i dobar spomenik, (meni je ova spirala čak i lepa), ali mi se kod R. sviđa želja da se napravi otklon od konzervativne globalizovane fabričke apstrakcije gde je samo umetnik bitan a ne lokacija i svrha...
Indikativno je da je Maldini poznatiji kao kritičar nego kao arhitekta, što je još jedan od primera kako nova apstraktna umetnost/ahitektura svojom "neintutivnom lepotom" donekle služi da bi kustosi/kritičari imali monopol na ukus i interpretaciju, a cinično gledano, i posao