In 2008, I took a $90,000 pay cut to enter academia. It was...a transition.
I realized early on that I wanted to be a public scholar and not live or die by teaching evals (they're racist, sexist & flawed) & research submission cycles.
Here's what I've learned.
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Few old heads in the academy understand the public scholar route unless they've done it. If you find a pioneer, learn from them. If you can't, follow them online.
I've spent hours reaching @Wikipedia pages (more Black scholars should have them) & studying career trajectories.
On my YouTube channel, @KanikaTolver has talked about learning from "virtual mentors" by watching their movements online and IRL.
I used this approach to chart a path as a public scholar, because I didn't really know any.
(full episode: )
ALL of my virtual mentors in academia were talking about their scholarship in a more digestible way.
Writing for academic journals and writing for/speaking to the public is very different.
I originally didn't get this point very well. Two things helped me. Writing for @ConversationUS and consistent blogging @ shontavia.com.
An editor advised me early on to write at the level of a smart 10th grader.
Using this advice, here's the trajectory of my first 4 public articles (all originally written for @ConversationUS):
Business Insider 3/2016
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Raw Story 4/2016
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TIME 8/2016
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WaPo 8/2016
I also began taking IP clients again. Mostly with trademark and copyright issues. To @DMConwayDean's point, this made my research and scholarship much better.
I basically stopped going to academic conferences after about 3 years, unless an invitation came from someone I liked. A LOT.
Many would consider this career suicide. I didn't care. I did not enjoy the posturing, the pontification or the bullying masquerading as *debate.*
Re. academic conferences, I also stopped going because it felt like slave labor. Not only do you have to do all of that work for free, you have to PAY to go to the conference.
You'll get a bunch of free resources as a thank you from us!
Get the audio/transcript replay of this conversation (and a bunch of other resources for Black women wanting to start businesses) at: listentoblackwomen.com
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Black women in academia, it’s time for you to see yourself as an entrepreneur.
Here’s why and how:
You are an expert—you know a ton about your field. You’ve beat crazy odds. You’re starting ahead of the curve in terms of knowledge level
Professors have a ton of opportunities to make money outside of the university. Speaking, consulting, writing, content creation, etc are low hanging fruit.
A while back, my husband and I got a racist-ly low appraisal on our home. After much back and forth with these people (how they thought they could try it with TWO Black lawyers is beyond me), we got the appraiser to change it and closed on the loan yesterday 🔥. Renovation time.
Interestingly enough, I taught Property Law at @DrakeLawSchool for nearly a decade. I got [numerous] comments on my teaching evaluations that I talked about race too much and that it was distracting.
This happens TOO OFTEN to Black folks. Systemic racism is cancer.
We were already planning our next step--getting a white woman to stand in for us next time:
If you're following @GoodHumor and @RZA's new ice cream truck jingle collab, here's some black history for you:
Ice cream & ice cream parlors have been rooted in racism in the U.S., even though vanilla cultivation was revolutionized by a black pre-teen in the 1800s. A thread.
It isn't random chance that ice cream trucks still play music rooted in blackface minstrelsy.
Early U.S. ice cream parlors played music to keep patrons entertained, often using the Regina music box, which played, among other things, minstrel music. npr.org/sections/codes…
Then in 1920, Harry Burt created the 1st ice cream on a stick+the 1st ice cream truck. He decided to add music to bring back the nostalgia old ice cream parlors.
To avoid copyright claims, he used music in the public domain. Enter ye old minstrel songs: medium.com/@luckypeach/tu…
I also feel pretty strongly that, when you're looking to build interest in your brand, especially for speaking gigs, all of your content shouldn't *just* sit on social media platforms. Don't @ me.
Get yourself a domain/website (@WordPress and @squarespace gotchu). If that doesn’t tickle your fancy, have a simple app developed (@AppyPieInc has worked well for me in the past). Create an email newsletter (@Mailchimp and @ConvertKit can help). Have some control over your msg
Well. As much “control” as one can have over digital content. This is a little tricky I know. My point is, just communicating via social media is a dangerous strategy. Algorithms control who sees your content. The social media company also gets to use your content how it wants
I was cited in this @npr article today about Donald Trump’s use of Twitter and the various legal issues under the Presidential Records Act of 1978 and the Presidential and Federal Records Records Act Amendments of 2014. Lots to unpack here. LOTS.